This true story follows the remarkable and unlikely friendship that develops between two strangers – a London housewife bringing up four children and a British prisoner incarcerated in Thailand. As they begin to exchange letters, each tells a personal story of being sentenced – Vicky in a desperate and loveless marriage; Andy within the walls of one of the world's most notorious prisons. What unfolds is a moving tale about entrapment and freedom, love and friendship, and the human capacity to withstand and overcome immense pain and suffering in the face of adversity.
What if one of the protagonists of the story is also its chief antagonist? The Sentenced, a modern-day love story with a jarring twist, tells the tale of Maya, an alluring but naïve Indian woman, and Anton, an Italian Math professor. A lustful romance flourishes, much to the amusement of others and of Anton himself. Until the unexpected happens. There are two other characters in this story whose inputs are valuable. One is Nafisa, Maya’s friend and colleague at the university who refused to be swayed by Anton’s charm. The second is the dean of the University, whose mature love for Maya never found an expression. Each of these characters tells Maya’s story, and theirs. Was Maya a fool or an epitome of love itself? Is her passion justified or was she simply obsessed? Is Anton to blame or is he just human? Who, in this story, is really the one that is sentenced for life? These are answers that you will seek in this book. Whether the answers soothe, agitate or baffle, you cannot help but feel for them. For, we have all met a Maya or an Anton on our individual journeys of life.
The Artists' Prison looks askance at the workings of personality and privilege, sexuality, authority, and artifice in the art world. Imagined through the heavily redacted testimony of the prison's warden, written by Alexandra Grant, and powerfully allusive images by Eve Wood, the prison is a brutal, Kafkaesque landscape where creativity can be a criminal offence and sentences range from the allegorical to the downright absurd. In The Artists' Prison, the act of creating becomes a strangely erotic condemnation, as well as a means of punishment and transformation. It is in these very transformations--sometimes dubious, sometimes oddly sentimental--that the book's critical edge is sharpest. In structural terms, The Artists' Prison represents a unique visual and literary intersection, in which Wood's drawings open spaces of potential meaning in Grant's text, and the text, in turn, acts as a framework in which the images can resonate and intensify in significance.
"Dazzling. . . . A hard-won love letter to readers and to booksellers, as well as a compelling story about how we cope with pain and fear, injustice and illness. One good way is to press a beloved book into another's hands. Read The Sentence and then do just that."—USA Today, Four Stars In this New York Times bestselling novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors. Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.
One man struggles to survive on a hostile alien world in this thrilling adventure from the #1 New York Times–bestselling author of Madrenga. Some people are convinced they can do anything; Evan Orgell is one of them. So when his company president sends him off-world to investigate a breakdown in communications from a small research station on a newly discovered planet, he’s all in. The planet’s resources could mean massive profits for the company—and a successful mission could mean massive advancement for Evan. Nothing ventured, nothing gained. Clad in a Mobile Hostile World suit, Evan has no doubts about his safety—until he lands on the world of Prism. Though he’s already dealt with thousands of theoretical extraterrestrial problems, nothing prepares him for what he finds there. Hungry, invading lifeforms are everywhere. Over two dozen highly trained people have been overwhelmed and killed, some with their bones eaten from the inside out. It’s utter devastation. Then, while Evan searches for survivors, his indestructible suit meets its match—and he must face the bloodthirsty predators of Prism alone, unprotected, with only his wits to rely on . . . Praise for Alan Dean Foster “One of the most consistently inventive and fertile writers of science-fiction and fantasy.” —The Times (London) “Alan Dean Foster is a master of creating alien worlds.” —SFRevu.com “Foster knows how to spin a yarn.” —Starlog “Alan Dean Foster is the modern day Renaissance writer, as his abilities seem to have no genre boundaries.” —Bookbrowser
As the owner of Stoneham, New Hampshire's mystery bookstore Haven't Got a Clue, Tricia Miles can figure out whodunit in the latest bestseller long before she gets to the last page. But when her friend is killed in a freak accident, Tricia must use her sleuthing skills to solve a murder mystery that promises to be much more sinister than the books on her shelves.
When an airplane crashes into the village gazebo, killing the pilot and Tricia's friend Deborah, Tricia has reason to believe the crash was more than an accident.
At fourteen, Steve Truscott was a typical teenager in rural Ontario in the fifties, mainly concerned about going fishing, playing football, and racing bikes with his friends. One summer evening, his twelve-year-old classmate, Lynne Harper, asked for a lift to the nearby highway on his bicycle and Steve agreed. Unfortunately, that made Steve the last person known to see Lynne alive. His world collapsed around him when he was arrested and then convicted of killing Lynne Harper. The penalty at the time was death by hanging. Although the sentence was changed to life in prison, Steve suffered for years behind bars for a murder he didn't commit. When his case gained national attention, the Supreme Court of Canada reviewed the evidence -- and confirmed his conviction. It took over forty years and a determination to prove his innocence for him to finally clear his name. He has since received an apology and compensation for his ordeal. In this book, young readers will discover how an innocent boy was presumed guilty by the justice system, and how in the end, that same justice system, prodded by Truscott and his lawyers, was able to acknowledge the terrible wrong done to him. [Fry reading level - 4.8
A memoir of a decade in prison by a well-educated young addict known as the "Apologetic Bandit" In 2003 Daniel Genis, the son of a famous Soviet émigré writer, broadcaster, and culture critic, was fresh out of NYU when he faced a serious heroin addiction that led him into debt and ultimately crime. After he was arrested for robbing people at knifepoint, he was nicknamed the “Apologetic Bandit” in the press, given his habit of expressing regret to his victims as he took their cash. He was sentenced to twelve years—ten with good behavior, a decade he survived by reading 1,046 books, taking up weightlifting, having philosophical discussions with his fellow inmates, working at a series of prison jobs, and in general observing an existence for which nothing in his life had prepared him. Genis describes in unsparing and vivid detail the realities of daily life in the New York penal system. In his journey from Rikers Island and through a series of upstate institutions, he encounters violence on an almost daily basis, while learning about the social strata of gangs, the “court” system that sets geographic boundaries in prison yards, how sex was obtained, the workings of the black market in drugs and more practical goods, the inventiveness required for everyday tasks such as cooking, and how debilitating solitary confinement actually is—all while trying to preserve his relationship with his wife, whom he recently married. Written with empathy and wit, Sentence is a strikingly powerful memoir of the brutalities of prison and how one man survived them, leaving its walls with this book inside him, “one made of pain and fear and laughter and lots of other books.”
