The Sense of Form in Literature and Language

The Sense of Form in Literature and Language

Author: Michael Shapiro

Publisher: CreateSpace

Published: 2009

Total Pages: 373

ISBN-13: 9781449515737

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Eleven essays on literature (poetry and prose fiction), versification, and language, including analyses of Shakespeare's Sonnets and Dostoevsky's novels.


Language, Truth, and Literature

Language, Truth, and Literature

Author: Richard Gaskin

Publisher: Oxford University Press

Published: 2013-04-18

Total Pages: 395

ISBN-13: 0199657904

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Richard Gaskin offers an original defence of literary humanism, according to which works of imaginative literature have an objective meaning which is fixed at the time of production and not subject to individual readers' responses. He shows that the appreciation of literature is a cognitive activity fully on a par with scientific investigation.


The Old Toy Room

The Old Toy Room

Author: Twinkl Originals

Publisher: Twinkl

Published: 2019-04-03

Total Pages: 32

ISBN-13:

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Step inside the old toy room with Lottie and meet some new friends on a truly magical adventure. Download the full eBook and explore supporting teaching materials at www.twinkl.com/originals Join Twinkl Book Club to receive printed story books every half-term at www.twinkl.co.uk/book-club (UK only).


Painting and Poetry

Painting and Poetry

Author: Franklin R. Rogers

Publisher: Bucknell University Press

Published: 1985

Total Pages: 264

ISBN-13: 9780838750773

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This study addresses itself to the formal (in the topological sense) aspect of literature and literary words, and concludes that if logos (discursive langauge) and mythos (literary language) are indeed contiguous complementary forms, they are then essentially no different from those forms with which the painter or sculptor deals in the formation of his art object.


Encyclopaedia Britannica

Encyclopaedia Britannica

Author: Hugh Chisholm

Publisher:

Published: 1910

Total Pages: 1090

ISBN-13:

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This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.


The Language of Literature and its Meaning

The Language of Literature and its Meaning

Author: Ashima Shrawan

Publisher: Cambridge Scholars Publishing

Published: 2019-04-23

Total Pages: 184

ISBN-13: 1527533565

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There is a marked awareness about the language of literature and its meaning both in Indian and Western aesthetic thinking. The aestheticians of both schools hold that the language of literature embodies a significant aspect of human experience, and represents a creative pattern of verbal structure to impart meaning effectively. Modern Western aesthetic thinking, which includes theories like formalism, new criticism, stylistics, structuralism, post-structuralism, deconstruction, discourse analysis, semiotics and dialogic criticism, in one way or another emphasizes the study of the language of literature in order to understand its meaning. Similarly, there is a distinct focus on the language of literature and its meaning in Indian literary theories which include the theory of rasa (aesthetic experience), alaṁkāra (the poetic figure), rīti (diction), dhvani (suggestion), vakrokti (oblique expression) and aucitya (propriety). This book explores how the language of literature and its meaning have been dealt with in both Indian and Western aesthetic thinking. In doing so, the study concentrates on Kuntaka’s theory of vakrokti and Ānandavardhana’s theory of dhvani in Indian aesthetic thinking and Russian formalism and deconstruction in Western thinking. The book categorically focuses on the intersection between the theory of vakrokti and Russian formalism and the meeting-point between the theory of dhvani and deconstruction.


Language in Literature

Language in Literature

Author: Geoffrey Leech

Publisher: Routledge

Published: 2014-07-15

Total Pages: 235

ISBN-13: 1317899938

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Over a period of over forty years, Geoffrey Leech has made notable contributions to the field of literary stylistics, using the interplay between linguistic form and literary function as a key to the ‘mystery’ of how a text comes to be invested with artistic potential. In this book, seven earlier papers and articles, read previously only by a restricted audience, have been brought together with four new chapters, the whole volume showing a continuity of approach across a period when all too often literary and linguistic studies have appeared to drift further apart. Leech sets the concept of ‘foregrounding’ (also known as defamiliarization) at the heart of the interplay between form and interpretation. Through practical and insightful examination of how poems, plays and prose works produce special meaning, he counteracts the ‘flight from the text’ that has characterized thinking about language and literature in the last thirty years, when the response of the reader, rather than the characteristics and meaning potential of the text itself, have been given undue prominence. The book provides an enlightening analysis of well-known (as well as less well-known) texts of great writers of the past, including Keats, Shelley, Samuel Johnson, Shaw, Dylan Thomas, and Virginia Woolf.


Literature, Theory, and Common Sense

Literature, Theory, and Common Sense

Author: Antoine Compagnon

Publisher: Princeton University Press

Published: 2024-05-14

Total Pages: 233

ISBN-13: 0691268347

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An engaging introduction to contemporary debates in literary theory In the late twentieth century, the common sense approach to literature was deemed naïve. Roland Barthes proclaimed the death of the author, and Hillis Miller declared that all interpretation is theoretical. In many a literature department, graduate students spent far more time on Derrida and Foucault than on Shakespeare and Milton. Despite this, common sense approaches to literature—including the belief that literature represents reality and authorial intentions matter—have resisted theory with tenacity. As a result, argues Antoine Compagnon, theorists have gone to extremes, boxed themselves into paradoxes, and distanced others from their ideas. Eloquently assessing the accomplishments and failings of literary theory, Compagnon ultimately defends the methods and goals of a theoretical commitment tempered by the wisdom of common sense. The book is organized not by school of thought but around seven central questions: literariness, the author, the world, the reader, style, history, and value. What makes a work literature? Does fiction imitate reality? Is the reader present in the text? What constitutes style? Is the context in which a work is written important to its apprehension? Are literary values universal? As he examines how theory has wrestled these themes, Compagnon establishes not a simple middle-ground but a state of productive tension between high theory and common sense. The result is a book that will be met with both controversy and sighs of relief.


Form Miming Meaning

Form Miming Meaning

Author: Max Nänny

Publisher: John Benjamins Publishing

Published: 1999

Total Pages: 488

ISBN-13: 9789027221797

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Annotation Presents selected papers from a March 1997 symposium held in Zurich, in sections on general topics, sound and rhythm, typography and graphic design, word-formation, and syntax and discourse. Studies explore iconicity from two different angles. A first group of scholars is especially interested in how far the primary code, the code of grammar, is influenced by iconic motivation and how originally iconic models have become conventionalized. A second group of contributors is more interested in the presence of iconicity as part of the secondary code. Specific subjects include imagination by ideophones, the visual poetry of e. e. cummings, and iconic use of syntax in fiction. Annotation c. Book News, Inc., Portland, OR (booknews.com).


Ethics of Literary Forms in Contemporary American Literature

Ethics of Literary Forms in Contemporary American Literature

Author: Rüdiger Heinze

Publisher: LIT Verlag Münster

Published: 2005

Total Pages: 194

ISBN-13: 9783825885366

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This work links ethics and the formal arrangement of literary texts. It shows that specific formal techniques and devices and the overall form of literary texts always have an ethical dimension and beg certain ethical questions. Covering the three main genres of narrative, drama and poetry, the discussion addresses aspects of syntax, line breaks, mise-en-scene and narrative situation as well as the table of contents, list of characters and chapter structure in six texts by contemporary American authors (Paul Auster, Don DeLillo, Tony Kushner, Suzan-Lori Parks, John Ashbery and Jorie Graham).