As the first nineteenth century woman to successfully campaign for women’s rights legislation, Caroline Norton has been comparatively neglected and under-researched. There is, however, a current and growing interest in her life and work. This is a new three volume collection of the correspondence of Caroline Norton. The collection includes over 750 of her letters and also features an introduction by the editors, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.
This is the first volume of a three volume collection of the correspondence of Caroline Norton, covering the period July 1828-Deember 1837. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.
This is the second volume of a three volume collection of the correspondence of Caroline Norton, covering the period January 1838-November 1857. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.
This is the third volume of a three volume collection of the correspondence of Caroline Norton, covering the period February 1858-June 1877. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.
Great Scandals of the Victorians features a collection of true stories that shocked, outraged, angered or simply amused the Victorians in nineteenth-century Britain. Drawing on a wide variety of original material, seven disreputable stories that dominated the national newspapers for many weeks are explored, including the Great Warwickshire Scandal, a highly publicized divorce case where for the first time in history a Prince of Wales was called to give evidence in court; a ‘baby’ scandal that disrupted Queen Victoria’s court and threatened the monarchy; the sex scandals of the Abode of Love, a mysterious religious cult founded by a defrocked clergyman, Henry James Prince and the sensational trial of Fanny and Stella, two outrageous cross-dressers accused of sodomy. Some scandals, though traumatic for the people involved, produced a positive outcome, such as the scandalous custody battle between Caroline Norton and her husband, which led to the passing of the Custody of Infants Act, granting mothers custody of their children following a divorce, and the case of 13-year-old Eliza Armstrong, sold to a brothel keeper for £5, which caused a major scandal and public outrage, but also led to a change in the law, raising the age of consent from 13 to 16 years.
Caroline Norton’s forgotten novel, which has remained unpublished until now, tells of the perils of courtship facing a naïve young girl Alixe, who has been launched onto the London social season. Her encounters with both a worthy and an undesirable suitor open an intriguing window onto the fashionable society of the 1820s in which Love in "the World" takes place. In placing her heroine in these predicaments Norton was able to draw upon her own experiences of the bon ton, as the time in which the novel is set coincides with her first ball in March 1826, when she burst upon the scene with all her beauty and brilliance, later recalling, “I came out [...] to find all London at my feet.” She believed that London could be as callous as the metropolitan social scene might prove treacherous, and in alerting the reader to the dangers of fashionable society she makes ample use of her own observations as a debutante at her first London season. In a highly readable and coherent narrative with an indeterminate ending, which throws a spotlight onto her life and times, the plot of Love in 'the World' initially follows a pattern broadly representative of her own experience before developing in unexpected and surprising ways.
In one of her personal letters, Jane Austen wrote "Little Matters they are to be sure, but highly important." In fact, letter-writing was something of an addiction for young women of Jane Austen's time and in her social position, and Austen's letters have a freedom and familiarity that only intimate writing can convey. Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of "Little Matters," of the emotional and material details of individual lives shared with friends and family through the medium of the letter. Ironic, acerbic, always entertaining, Jane Austen's letters are a fascinating record not only of her own day-to-day existence, but of the pleasures and frustrations experienced by women of her social class which are so central to her novels. Vivien Jones's selection includes nearly two-thirds of Austen's surviving correspondence, and her lively introduction and notes set the novelist's most private writings in their wider cultural context.
Lady Caroline Lamb was described by her lover, Lord Byron, as having a heart like a "little volcano" and as "the cleverest most agreeable, absurd, amiable, perplexing, dangerous fascinating little being that lives now or ought to have lived 2000 years ago." She wrote witty and revealing letters to fellow writers like Lady Morgan, William Godwin, Robert Malthus, and Amelia Opie, and to her publishers John Murray and Henry Colburn, to her cousins Hart, Georgiana, and Harrio, as well as to her mother, husband, son, and lovers. In those letters, she told her correspondents "the whole disgraceful truth" of her drug and alcohol addictions, her affairs with Sir Godfrey Vassal Webster, Lord Byron, and Michael Bruce, and her jealousy of her cousin Georgiana (whom William Lamb had "adored" before proposing to Caroline). She also revealed her efforts to make a happy life for her mentally retarded, epileptic son, Augustus, and her determination to become a respected writer of fiction and poetry.
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
Caroline Norton, born in 1808, was a society beauty, poet and pamphleteer. Her good looks and wit attracted many male admirers, first her husband, the Honourable George Norton, and then the Prime Minister, Lord Melbourne. After years of simmering jealousy, George Norton accused Caroline and the Prime Minister of a ‘criminal conversation’ (adultery) resulting in a trial referred to as ‘the scandal of the century’. Cut off and bankrupted by George Norton, she went on to become one of the most important figures in changing the law for wives and mothers.
