In this thrilling collection of stories, John Wyndham, author of the acclaimed classics The Day of the Triffids and The Midwich Cuckoos, conducts ten experiments along the theme of 'I wonder what might happen if . . .' There's the story of the meteor, which holds much more than meets the eye. In Chronoclasm a man is pursued by his own future. We meet a robot with an overactive compassion circuit. And what happens when the citizens of the future turn the past into a giant theme park? 'One of the few authors whose compulsive readability is a compliment to the intelligence' Spectator
Long considered the foremost American Marxist theorist, Fredric Jameson continues his investigation of postmodernism under late capitalism in The Seeds of Time. In three parts Jameson presents the problem of Utopia, attempting to diagnose the cultural present and to open a perspective on the future of a world that is all but impossible to predict with any certainty - "a telling of the future", as Jameson calls it, "with an imperfect deck". "The Antinomies of Postmodernity" highlights the seemingly unresolvable paradoxes of intellectual debate in the age of postmodernity. Jameson suggests that these paradoxes revolve around the idea of "nature", the terms of antifoundationalism and antiessentialism, and contemporary society's inability or refusal to consider the idea of Utopia. The chapter attempts to sketch the "unrepresentable exterior" of these debates - which is the locus of the future according to Jameson. In "Utopia, Modernism, and Death", Jameson meditates on the fascinating and terrifying Utopian fiction Chevengur, written in the 1920s by the Soviet author Andrei Platonov. He discusses the unique character of Utopian visions in the Second World of communism, where commodity fetishism has not had as profound an effect on social relations as we have seen in the First World under late capitalism. The Seeds of Time continues in "The Constraints of Postmodernism" with an examination of contemporary architectural trends, in an attempt to suggest the limits of the postmodern. By delineating these limits, Jameson stakes out a prediction of the boundaries of postmodernity - the "unrepresentable exterior" approached in Part One - which we need to recognize and surpass.
Art and science collaborate on a fascinating story with extraordinary images in a highly-acclaimed book. Seeds, the most complex organs produced by plants, ensure the biodiversity of our planet. They vary from the impressive Seychelles nut that weighs twenty kilos to the dust-like seeds of the orchids. Some wait for hundreds of years to find the right place and time for germination after travelling thousands of kilometres or just a few centimetres. The evolution of their highly sophisticated structures from prehistoric times to today makes fascinating reading as do the wiles plants use to attract and deceive their chosen pollinators. The extraordinary images that accompany this story provide an unprecedented presentation of the magnificent diversity of seeds in all their exquisite beauty and sophistication. Fruits are the keepers of the precious seeds that ensure our future; some are edible, others inedible and many, quite simply, incredible.
Time travel was never like this--tied to the motions of the stars, a short cut across the galaxy, and--if you're a rare Dive pilot--a chance to be a hero. Clio Finn is one of these, a space pilot on the run from a dystopian and graying Earth toward the only future she ever wanted: the stars. Problem is, she's on the razor edge of burnout. Next stop: a labor camp in dictatorial America. Clio might be in it for escape, for adventure, but there's also that hero thing. Her mission: to retrieve viable biota to reseed the Earth. Now, a long way from home, she's found the jackpot, a lush paradise, with plant life so vital, its seeds could give Earth a second chance, or--as her enemies believe--seal its destruction. But she's determined to bring her payload home. It's Clio Finn's last Dive. It's Earth's last chance.
Shots of the future from the author of "The day of the triffids" John Wyndham catapults the reader into a world where time barriers have ceased to exist, where there is discrimination against Martians, where not only thought transference but body transference is an everyday event. Yet so convincing are the inhabitants of this extraordinary world, that its remoteness vanishes in a second.
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