This 100th Anniversary Edition presents the timeless tale of Humphrey Van Weyden, pressed into service aboard the seal-hunting Ghost, led by the brutal, enigmatic captain Wolf Larsen. This volume also includes four of London's acclaimed short stories.
Classics Illustrated Deluxe #11: The Sea-Wolf When the intellectual Humphrey van Weyden is lost at sea and rescued by Captain Wolf Larsen, he thinks he's been saved, but his troubles have just begun. Forced into a brutal life of hard labor and bare knuckle brawling aboard the seal-hunting schooner, Ghost, van Weyden must learn how to survive as quickly as he can. After a botched mutiny leaves van Weyden in danger and his soul in the balance, only the love of the beautiful castaway Maud Brewster can keep him tethered to the world he once knew. A new life is on the horizon for the brave couple, but Wolf Larsen is still at large . . . Jack London's classic adventure is lavishly illustrated by Riff Reb's in this thrilling graphic novel for the ages!
After a ferry accident on San Francisco Bay, literary critic Humphrey Van Weyden is swept out to sea only to be rescued by the seal-hunting schooner Ghost. Wolf Larsen, the captain of the Ghost, is brutal and cynical but also highly intelligent, and he has no intention of returning Van Weyden to shore. Van Weyden is forced to serve on the Ghost, leaving behind his comfortable world ashore and entering into a psychological battle with Larsen on the sea. Jack London wrote The Sea-Wolf in 1904 following the success of his previous novel The Call of the Wild, and it has gone on to become one of his most popular novels. London actually served on a sealing schooner during his early career and that experience lends a gritty realism to his depiction of life at sea. The book can be read as a psychological thriller and adventure novel, but can also be read as a criticism of Nietzsche’s Übermensch philosophy with Wolf Larsen embodying a “superman” lacking conventional morality.
Rocco Fumento and Tony Williams present the final version of Robert Rossen's screenplay for Jack London's The Sea Wolf. Released in 1941, this classic film was directed by Michael Curtiz and starred Edward G. Robinson as Wolf Larsen, John Garfield as George Leach, Ida Lupino as fugitive Ruth Webster, Alexander Knox as writer Humphrey Van Weyden, and Howard da Silva as Harrison. Both the novel and the film feature a hard-luck assemblage condemned either by savage coercion or pure evil fortune to sail aboard the Ghost, a seal-harvesting vessel commanded by a power-mad tyrant--the aptly named Wolf Larsen. Discussing the process of turning literature into film, Fumento and Williams analyze in detail the differences between London's Sea Wolf and Rossen's screenplay. Re-creating the world into which the movie emerged, each editor provides a separate introduction. Fumento analyzes the role of Warner Brothers in determining relevant production and allegorical features of the final film version. Williams describes London's reasons for writing the original novel in 1903, its appeal for the cinema, the different film versions--at least eight-that have appeared, and the social and historical context influencing Rossen's screenplay.
Armed with stolen U.S. military technology, the Chinese are producing a frightening new breed of weaponry,led by the ICBM submarine Xia III--a vessel that just might be able to launch a nuclear warhead across the Pacific Ocean and take out an American West Coast city. National Security Adviser Admiral Arnold Morgan can't let that happen, and he dispatches the most stealthy hunter-killer submarine in the U.S. fleet, the 9,000-ton ultrasecret Seawolf, deep into the dark, forbidden waters of the South China Sea. But then the unthinkable happens: Seawolf, collides with a Chinese destroyer and falls into enemy hands. A team of cunning Navy SEALs--the biggest Special Forces assault group assembled since Vietnam--is sent in to free the captive Seawolf, crew and bring them home. The American Eagle confronts the Chinese Dragon with the balance of world power on the line. Failure is not an option...
DigiCat Publishing presents to you this special edition of "Aesop's Fables: A New Revised Version From Original Sources" by Aesop. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
"Adaptations: Critical and Primary Sources is a three-volume reference resource that brings together over 80 landmark texts in adaptation studies. Volume One covers the history of adaptation studies, by plotting the 'prehistory' of the field, beginning with Vachel Lindsay's classic Art of the Moving Picture (1915), through Virginia Woolf's classic essay on 'The Cinema' through to some of the most important critical and theoretical interventions up until the 1990s when the area really emerges as a critical force in the academy. Volume Two collects essays from the last 25 years, showing how the scholarly legacy laid out in Volume One still has a profound impact on adaptation studies today, while charting the process of critical and theoretical maturation. This volume shows how adaptations studies has outgrown its contested place 'in the gap' of film and literary studies and how its interventions transcend disciplinary perspectives across the arts and humanities. Volume Three covers key case studies, such as Christine Geraghty's take on adapting Westerns, Ian Inglis' understanding of the transformation of music into movies, and Eckart Voigts' concept on Jane Austen and participatory culture. With topics ranging from the limitations of the novel to adapting stage to screen, contributions from a wide range of international scholars, film critics and novelists combine to make Adaptations: Critical and Primary Sources an original overview of critical debates today. Cartmell and Whelehan introduce each excerpt and offer a critical overview of the collected work, the rationale for its inclusion and suggestions for further reading."--
This volume contains Spanish official documents, depositions by prisoners, documents relating to Nuño da Silva, etc., translated and edited. This is a new print-on-demand hardback edition of the volume first published in 1914. Owing to technical constraints the contemporary engraved portrait of Sir Francis Drake which appeared in the original edition of the book is not included.
Contains over two thousand primary sources on twentieth-century American history and culture, featuring seventy-five different types of sources, arranged chronologically in twelve categories, including the arts, education, government and politics, media, medicine and health, religion, and sports.