Screenplay

Screenplay

Author: Syd Field

Publisher: M J F Books

Published: 1994

Total Pages: 0

ISBN-13: 9781567312393

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Providing examples from well-known movies, Field explains the structural and stylistic elements as well as writing techniques basic to the creation of a successful film script.


Anatomy of a Screenplay

Anatomy of a Screenplay

Author: Dan J Decker

Publisher:

Published: 2020-05-12

Total Pages: 272

ISBN-13:

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The required primer for all script writers. "Anatomy of a Screenplay" outlines the required profile for storytelling in feature films from Character Structure to Convergence. This extremely popular book is clear and concise and used in colleges and grad schools around the world.


Selling Your Screenplay

Selling Your Screenplay

Author: Ashley Scott Meyers

Publisher:

Published: 2007

Total Pages: 0

ISBN-13: 9781601451484

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Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.


What’s the Story? The Director Meets Their Screenplay

What’s the Story? The Director Meets Their Screenplay

Author: Peter Markham

Publisher: Routledge

Published: 2020-09-07

Total Pages: 293

ISBN-13: 1000173895

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A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.


The Secrets of Tenet

The Secrets of Tenet

Author: James Mottram

Publisher: Simon and Schuster

Published: 2020-09-08

Total Pages: 156

ISBN-13: 1647220602

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Behind-the-scenes photos and conceptual art from Christopher Nolan's time-bending espionage thriller Tenet. Also looks at Nolan's process and creative vision; actors share their experiences working with Nolan.


How to Write a Selling Screenplay

How to Write a Selling Screenplay

Author: Christopher Keane

Publisher: Three Rivers Press

Published: 1998

Total Pages: 321

ISBN-13: 0767900715

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Covers the basics of scriptwriting, from deciding on a story and characters through the finished work, and analyzes a sample script


The Complete Guide to Standard Script Formats

The Complete Guide to Standard Script Formats

Author:

Publisher: CMC Publishing

Published: 2002

Total Pages: 220

ISBN-13: 9780929583006

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Important as it is that there be a script, equally important is the necessity for that script to be written in the correct standard format appropriate for a given filming situation. This book gives step-by-step instructions on how to prepare your script in the standard format used in the industry.


A Philosophy of the Screenplay

A Philosophy of the Screenplay

Author: Ted Nannicelli

Publisher: Routledge

Published: 2013

Total Pages: 278

ISBN-13: 0415521440

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Recently, scholars in a variety of disciplines--including philosophy, film and media studies, and literary studies--have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art--more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.


Not the Screenplay to Fear & Loathing in Las Vegas

Not the Screenplay to Fear & Loathing in Las Vegas

Author: Terry Gilliam

Publisher: Hal Leonard Corporation

Published: 1997

Total Pages: 252

ISBN-13: 9781557833488

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(Applause Books). Based on the novel by Hunter S. Thompson, this is the screenplay of the movie. Includes thoughts by both Tony Grisoni and Terry Gilliam. "Transferred to the screen by Gilliam with a fidelity to the author's imagery ... here it is in all its splendiferous funhouse terror; the closest sensory approximation of an acid trip ever achieved by a mainstream movie." The New York Times