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Author: Eva von Contzen
Publisher: Manchester University Press
Published: 2016-05-03
Total Pages: 325
ISBN-13: 1526100274
DOWNLOAD EBOOKThis study places the Scottish compilation of saints' legends within the hagiographic landscape of medieval Britain.
Author: William Calin
Publisher: University of Toronto Press
Published: 2014-01-01
Total Pages: 433
ISBN-13: 1442646659
DOWNLOAD EBOOKIn The Lily and the Thistle, William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. The Lily and the Thistle provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French dits amoureux); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian Roman de Fergus, as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.
Author: Joanne Parker
Publisher: Oxford University Press
Published: 2020-09-15
Total Pages: 709
ISBN-13: 0191648272
DOWNLOAD EBOOKIn 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.
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Publisher: BRILL
Published: 2018-04-17
Total Pages: 405
ISBN-13: 9004363793
DOWNLOAD EBOOKImagined Communities: Constructing Collective Identities in Medieval Europe offers a series of studies focusing on the problems of conceptualisation of social group identities, including national, royal, aristocratic, regional, urban, religious, and gendered communities. The geographical focus of the case studies presented in this volume range from Wales and Scotland, to Hungary and Ruthenia, while both narrative and other types of evidence, such as legal texts, are drawn upon. What emerges is how the characteristics and aspirations of communities are exemplified and legitimised through the presentation of the past and an imagined picture of present. By means of its multiple perspectives, this volume offers significant insight into the medieval dynamics of collective mentality and group consciousness. Contributors are Dániel Bagi, Mariusz Bartnicki, Zbigniew Dalewski, Georg Jostkleigrewe, Bartosz Klusek, Paweł Kras, Wojciech Michalski, Martin Nodl, Andrzej Pleszczyński, Euryn Rhys Roberts, Stanisław Rosik, Joanna Sobiesiak, Karol Szejgiec, Michał Tomaszek, Tomasz Tarczyński, Przemysław Tyszka, Tatiana Vilkul, and Przemysław Wiszewski.
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Publisher: BRILL
Published: 2007-01-01
Total Pages: 249
ISBN-13: 9004358064
DOWNLOAD EBOOKThis volume gathers together essays on Scottish literature, diverse in historical period, mode, and form in honour of Professor R.D.S. Jack, Professor Emeritus of English Literature at the University of Edinburgh. Chronologically, the collection sweeps from the early middle ages to the early twentieth century, from Robert Henryson to J.M. Barrie, conveying a sense of the shifting and subtle identities and continuities of Scottish literary traditions across the centuries, and opening up, through a distinctive and unusual range of writers and texts, unfamiliar aesthetic, cultural, and linguistic landscapes. Unusual and wide-ranging in subject and scope, the volume explores Scottish medieval romance and allegory, Renaissance court performance, early modern travel writing, seventeenth-century poetry, Sir Thomas Urquhart’s universal language theory, Scottish Romanticism, Burns and Barrie. Shared threads of interest run through the collection: a questioning of the canonical; attentiveness to questions of language, rhetoric, and form; and a commitment to uncovering the dynamic interaction between European and Scottish traditions. Collectively, the volume charts a new series of imaginative cross-currents across historical periods and literary modes, attesting the importance of, and necessity for, a critical vision of Scottish literature which is pluralistic, comparative, and sensitive to form, mode, and rhetoric.
Author: Lynn Abrams
Publisher: Edinburgh University Press
Published: 2017-01-17
Total Pages: 296
ISBN-13: 1474403905
DOWNLOAD EBOOKWhat did it mean to be a man in Scotland over the past nine centuries?Scotland, with its stereotypes of the kilted warrior and the industrial ahard man has long been characterised in masculine terms, but there has been little historical exploration of what masculinity actually means for men (and women) in a Scottish context. This interdisciplinary collection explores a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, examining the ways in which Scottish society through the ages defined expectations for men and their behaviour.How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romance, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men a work, fatherhood and play, violence and war, sex and commerce a the book also illustrates the range of masculinities which affected or were internalised by men. Together, they illustrate some of the ways Scotlands gender expectations have changed over the centuries and how more generally masculinities have informed the path of Scottish history.ContributorsLynn Abrams, University of GlasgowKatie Barclay, University of AdelaideAngela Bartiem University of EdinburghRosalind Carr, University of East LondonTanya Cheadle, University of GlasgowHarriet Cornell, University of EdinburghSarah Dunnigan, University of EdinburghElizabeth Ewan, University of GuelphAlistair Fraser, University of GlasgowSergi Mainer, University of EdinburghJeffrey Meek, University of GlasgowCynthia J. Neville, Dalhousie University Janay Nugent, University of Lethbridge Tawny Paul, Northumbria University
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Publisher: BRILL
Published: 2012-01-01
Total Pages: 448
ISBN-13: 9401208158
DOWNLOAD EBOOKWilliam W. Kibler is one of the most productive and versatile medievalists of his generation. Some scholars and students think of him primarily as a specialist in the medieval epic, whereas others consider him to be an Arthurian scholar. He is of course both, but he is also much more: a consummate philologist and editor of texts and also a prolific and accomplished translator. Above all, those who know him best know him as an extraordinarily generous and modest man. The present volume represents an effort by thirty medievalists, specialists in fields as diverse as William Kibler’s interests, to indicate our respect for him, aptly described in the foreword as “scholar, teacher, friend.”
Author: Anne McKee Stapleton
Publisher: Rodopi
Published: 2014-08-01
Total Pages: 219
ISBN-13: 9401211116
DOWNLOAD EBOOKPointed Encounters establishes the literary significance of representations of dance in poetry, song, dance manuals, and fiction written between 1750 and 1830. Presenting original readings of canonical texts and fresh readings of neglected but significant literary works, this book traces the complicated role of social dancing in Scottish culture and identifies the hitherto unexplored motif of dance as an outwardly conforming, yet covertly subversive, expression of Scottish identity during the period. The volume draws upon diverse yet mutually revealing texts, from traditional dance and music to Sir Walter Scott and contemporary Scottish women novelists, to offer students and scholars of Scottish and English literature a fresh insight into the socio-cultural context of the British state after 1746.
Author: Sian Echard
Publisher: John Wiley & Sons
Published: 2017-08-07
Total Pages: 2102
ISBN-13: 1118396987
DOWNLOAD EBOOKThe Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.
Author: Sergi Mainer
Publisher: Brill Rodopi
Published: 2010
Total Pages: 286
ISBN-13: 9789042029750
DOWNLOAD EBOOKThis is the first ever comprehensive study of the Scottish medieval romances. The book reinstates the status of the Scottish romances. It offers a new definition of the Scottish romance tradition, bringing together texts which have not generally been considered part of the same corpus. It argues that Barbour¿s Bruce (c.1375) established the rhetorical devices and literary traits which were going to be typical of the later Scottish romances. It also examines the extent to which the translation of the four Arthurian and Alexander romances from French originals follows Barbour¿s precepts. These texts contributed to the founding both of the vernacular tradition and of the fabrication of national identity through dialogic interchanges between the narratives and the socio-historical circumstances of Scotland. Sergi Mainer is a research fellow at the University of Edinburgh (Hispanic Studies). Between 2005 and 2008 he was a British Academy Postdoctoral Fellow at the University of Stirling (English Studies). His research interests and publications range from medieval European epic and romance to comparative literature and translation and vernacular studies.
