The Sarasota School of Architecture, 1941-1966

The Sarasota School of Architecture, 1941-1966

Author: John Howey

Publisher: MIT Press

Published: 1997-07-29

Total Pages: 0

ISBN-13: 0262581566

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The years: 1941 to 1966. The place: Sarasota, Florida. The story: a sudden burst of fresh, innovative houses by a group of Americans who caught the imagination of the international architectural community. Inflected by local climate, construction practices, regional culture, and Florida life-style, the work of the Sarasota school of architecture—founded by Ralph Twitchell and counting Paul Rudolph, Mark Hampton, Victor Lundy, and Gene Leedy among its practitioners—marks a high point in the development of regional modernism in American architecture. Although the Sarasota school wasn't a consciously organized movement, it was an important chapter in American modernism that, unlike the earlier Bay Area school and Chicago school, has received little study or published scholarly treatment. John Howey, who practices architecture in the region, provides the first solid documentation of the Sarasota group's designs and theories. He has interviewed all of the surviving architects and original clients and has included a rich archive of photographs by Ezra Stoller, Alexandra Georges, and others whose views, particularly of the houses built between 1950 and 1960, gained world-wide exposure when they were first published forty years ago. Howey first investigates the early influences on the Sarasota group, particularly of Frank Lloyd Wright in Florida. He then discusses such pivotal events as the opening of Ralph Twitchell's office in 1936 and the arrival of Paul Rudolph in 1941. Later chapters illustrate the effect of World War II on the Sarasota architects; early postwar successes of Twitchell and Rudolph; the influences of the Bauhaus and International Style; the tendency of various Sarasota architects to create their own design directions the arrival of Victor Lundy in 1954; the effect of changing economic, social, and political agendas on Sarasota's culture; and the philosophy and results of the Sarasota school.


Historic Preservation and the Sarasota School of Architecture

Historic Preservation and the Sarasota School of Architecture

Author: Christopher J. Berger

Publisher:

Published: 2010

Total Pages: 350

ISBN-13:

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For the past few decades, there has been a movement in Sarasota, Florida, to preserve its mid-century modern buildings. Known as the Sarasota School of Architecture, the development of this regional form of Modernism occurred as the small city was solidifying its reputation as a cultural capital after World War II. Members of the arts community included Sarasota School architects, who adapted modern architecture to the Florida Gulf Coast climate and environment by using native materials and climate-controlling design features. Their buildings received international praise and brought attention to the area, but the architects' works never were fully embraced in Sarasota. In the early 1960s, the city experienced political, economic, and cultural changes, and by the middle of the decade many top architects had departed. Over the years, high land values, changing architectural trends, and lack of public awareness -- among other reasons -- have led to the destruction of many Sarasota School structures. The 1995 release of The Sarasota School of Architecture, 1941-1966 by John Howey helped revive interest, and some buildings have been saved as a result. These preservation efforts have paralleled those in other communities with strong postwar Modernist legacies such as Los Angeles and Palm Springs, California; New Canaan, Connecticut; and Miami, Florida. However, Sarasota continues to lose some of its best examples, as evidenced by the demolition of Riverview High School (1958) in 2009 after a high-profile preservation campaign. By utilizing books, articles, letters, Web sites, and interviews, this thesis is among the first studies of Sarasota School preservation efforts. Case study analysis on Riverview High School and two buildings that have been saved -- Revere Quality House (1948) and Nokomis Beach Plaza (1956) -- revealed the common factors of land, location, economics, decision-making process, perceived obsolescence, and public education and awareness. It is hoped the lessons learned from these three sites can be helpful in future mid-century modern preservation efforts in Sarasota and elsewhere.


Encyclopedia of Twentieth Century Architecture

Encyclopedia of Twentieth Century Architecture

Author: R. Stephen Sennott

Publisher: Taylor & Francis US

Published: 2004

Total Pages: 622

ISBN-13: 9781579584351

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For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages and more, visit the Encyclope dia of 20th Century Architecture website. Focusing on architecture from all regions of the world, this three-volume set profiles the twentieth century's vast chronicle of architectural achievements, both within and well beyond the theoretical confines of modernism. Unlike existing works, this encyclopedia examines the complexities of rapidly changing global conditions that have dispersed modern architectural types, movements, styles, and building practices across traditional geographic and cultural boundaries.


Paul Rudolph

Paul Rudolph

Author: Christopher Domin

Publisher: Springer Science & Business Media

Published: 2007-10-23

Total Pages: 242

ISBN-13: 1568986475

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Paul Rudolph, one of the twentieth century’s most iconoclastic architects, is best known – and most maligned – for his large “brutalist” buildings, like Yale’s Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance developed to a high pitch of stylistic refinement. Paul Rudolph: The Florida Houses reveals all of Rudolph’s early residential work. With Rudolph’s personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and insightful text by Joseph King and Christopher Domin, this compelling new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph’s work.


Architectural Regionalism

Architectural Regionalism

Author: Vincent B. Canizaro

Publisher: Chronicle Books

Published: 2012-03-20

Total Pages: 432

ISBN-13: 1616890800

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In this rapidly globalizing world, any investigation of architecture inevitably leads to considerations of regionalism. But despite its omnipresence in contemporary practice and theory, architectural regionalism remains a fluid concept, its historical development and current influence largely undocumented. This comprehensive reader brings together over 40 key essays illustrating the full range of ideas embodied by the term. Authored by important critics, historians, and architects such as Kenneth Frampton, Lewis Mumford, Sigfried Giedion, and Alan Colquhoun, Architectural Regionalism represents the history of regionalist thinking in architecture from the early twentieth century to today.


Victor Lundy

Victor Lundy

Author: Donna Kacmar

Publisher: Chronicle Books

Published: 2018-11-13

Total Pages: 248

ISBN-13: 1616897899

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If you're looking for something new under the midcentury sun, Victor Lundy (born 1923) is a real find, an important yet underappreciated figure in the history of American architecture. Trained in both the Beaux Arts and Bauhaus traditions, he built an impressive practice ranging from small-scale residential and commercial buildings to expressive religious buildings and two preeminent institutional works: the US Tax Court Building in Washington, DC (now on the National Register of Historic Places), and the US Embassy in Sri Lanka. This first book on Lundy's life and career documents his early work in the Sarasota School of Architecture, his churches, and his government buildings. In addition to essays on his use of light and material, many of the architect's original drawings, paintings, and sketches—including those from his travels throughout Europe, the Middle East, India, and Mexico, now held at the Library of Congress—are reproduced here for the first time.


Classic Modern

Classic Modern

Author: Deborah Dietsch

Publisher: Simon and Schuster

Published: 2000

Total Pages: 216

ISBN-13: 0684867443

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There is no hotter style today than the cooler than cool work of modern designers and architects from the 1940s and 50s. Endlessly inventive and emminently livable, mid-century modernism has an optimism and confidence born of postwar abundance, and a spirited elegance that appeals powerfully fifty years later. In CLASSIC MODERN, design expert Deborah Dietsch introduces readers to the basic tenets of modern design and explains how the simple yet inspired forms typical of this style were so readily disseminated into mainstream American culture. Filled throughout with enticing examples of mid-century pieces from such timeless designers as Charles and Ray Eames, Eero Saarinen, Arne Jacobsen, and George Nelson, this beautiful book recaptures the excitement of the period's brilliant designs.


Sociomedia

Sociomedia

Author: Edward Barrett

Publisher: MIT Press

Published: 1992

Total Pages: 842

ISBN-13: 9780262521932

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Barrett's opening essay further explores his original and thought-provoking application of social construction theories of knowledge to the development and analysis of multimedia systems. Some of the chapters that follow look at the effectiveness of particular multimedia systems across the curriculum, from medicine, sociology, and management to language learning, writing, literature, and intergenerational studies. Other chapters examine the implied pedagogy within these systems, or the effects of using multimedia and hypermedia in the classroom.


It Happened By Design: The Life and Work of Arthur Q. Davis

It Happened By Design: The Life and Work of Arthur Q. Davis

Author:

Publisher: Univ. Press of Mississippi

Published:

Total Pages: 180

ISBN-13: 9781604734744

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In 1947, a time in which few New Orleans-based architects were designing modern architecture, Arthur Q. Davis (b. 1920) and his partner Nathaniel C. Curtis established their practice in the city. The Curtis and Davis firm is best known for designing the city's iconic Louisiana Superdome and such modernist landmarks as New Orleans's Rivergate Exhibition Center, the Hyatt Regency and Marriott hotels, and the Milton K. Latter Library. Davis has designed public and private works commissioned throughout the United States as well as in Saudi Arabia, Germany, Egypt, the Netherlands, and the United Kingdom. Davis's firm has received more than fifty awards for design excellence and, at age thirty-eight, Davis was made the youngest Fellow of the American Institute of Architects. It Happened by Design provides an affecting and thorough narrative of Davis's life and achievements. After serving in the Navy during World War II, Davis graduated from Harvard University's School of Design on the G.I. Bill, studying with Bauhaus school founder Walter Gropius. In this book, Davis explains how he fused Creole and Beaux-Arts ideas together, filtering those concepts through modernist aesthetics to create new forms while preserving the old. The book shows Davis challenging the architectural status quo during the Cold War and beyond. Whether discussing the politics of building in postwar Berlin, Vodou masters in the Caribbean, or struggles to modernize the skyline of his beloved New Orleans, Davis crafts a narrative with wit and insight. An introductory essay by J. Richard Gruber places Davis's work in the context of American architecture and provides a thorough summation of the architect's oeuvre.