Presents the first major English translation of the ancient Upanis#ads in over half a century. Includes an introduction and note on the translation by the translator, a guide to Sanskrit pronunciation, and a list of names.
This is the full edition of the early Upanisads, the central scriptures of Hinduism. Featuring Patrick Olivelle's acclaimed new English translation (Oxford, 1996), it also includes the complete Sanskrit text, as well as variant readings, scholarly emendations, and explanations of Olivelle's choices of particular readings. The volume also contains a concordance of the two recensions of the Brhadaranyaka Upanisad, and an extensive bibliography.
Lead me from the unreal to real, from darkness to light, from death to immortality: these three profound prayers emerge from the distilled soul of eternal India. They are the quintessence of the Brihadaranyaka (Great Forest Text), that ranks amongst the oldest of the esoteric revelations which constitute the Upanishadic corpus. This pristine work of intuitive wisdom, having at its core the wondrous insight of Yajnavalkya, its pioneer-sage, offers a veritable roadmap, guiding worthy seekers of knowledge on a course of spiritual ascendance and ultimate liberation – with faith, logic and contemplation, as the pilgrims’ wherewithal. Strewn along the path of this great journey of self-discovery, are answers to mankind’s eternal questions on creation, the meaning of existence, karma, transmigration, and finally, attainment of oneness with Brahman – the Ultimate Reality. Apart from Ethics, Psychology and Metaphysics are other high grounds bridged by the Brihadaranyaka. Its in-depth examination of the sense organs and objects; of the propensity of the mind to act on the ‘pleasure principle’; and its incisive analysis of the states of dream and deep sleep; all constitute powerful testimony to the profound psychological insights of the Upanishadic Hrshi. But it is the enunciation of the Vedantic metaphysics of non-dualism, based on neti neti (negation of all empirical reality), that constitutes the deepest philosophical message of this Great Upanishad. This volume presents an innovative transcreation of the Brihadaranyaka in simple, free-flowing verse, supported by an eclectic array of elucidations and commentaries gleaned from the works of many master interpreters. It beckons the modern truth-seeker towards the liberating experience of exploring this font of ancient wisdom (prajnaa puraanee), anew.
Bruhadaranyaka Upanishad is one of the major Upanishads . Upanishads are also called Vedanta , the end portion of Upanishads . If you have no desire or fear , you have no need of any gods , says the Vedas. All religions are based on fear and desire , based on ignorance . Main teachings of the Bruhadaranyaka Upanishad is ; aham brahmaasmi ... I am Brahman . . sarvam khalu idam Brahma -- all This is verily Brahman . tamaso ma amrutam gamaya -- Lead from darkness to light . Mrutyor ma amrutam gamaya Lead me from death to immortality . asato ma sad gamaya Lead me from untruth to Truth . All these mean same thing Lead from body conscious to Self / Atma consciousness . Knowledge is freedom , Knowledge is power , Knowledge is blissful . That you are .
The book titled INTERESTING ANECDOTES FROM THE WORLD OF MUSIC has a lot of anecdotes, stories and titbits collected over 11 years from various sources. There is very little matter written by me. It is a book of compiled matter from newspapers, books and lectures. I have anecdotes and stories from Carnatic musicians, Hindustani Musicians and Western Musicians. They are not available elsewhere in one single book. Rare information about music pillars inside the temples, origin of music from the Sama Veda, superstition about music. Origin of certain ragas, Tansen’s famous Tamarind tree, rain by music is all in the book. There are some serious articles about comparison between Western music and Indian music. Though the book is not comprehensive, it will be of interest even to non-musicians. The range of periods covered in the book is also amazing. We cover from the Rig Veda to modern day musicians.