A compelling argument that far from developing in a literary vacuum, saga literature interacts in lively, creative and critical ways with one of the central genres of the European middle ages.
Part biography of a wartime adventurer, part detective story, and part faith journey, this intriguing book from a New York Times journalist and bestselling author takes us inside the modern-day making of a saint. The Saint Makers chronicles the unlikely alliance between Father Hotze and Dr. Andrea Ambrosi, a country priest and a cosmopolitan Italian canon lawyer, as the two piece together the life of a long dead Korean War hero and military chaplain and fashion it into a case for eternal divinity. Joe Drape offers a front row seat to the Catholic Church's saint-making machinery—which, in many ways, has changed little in two thousand years-and examines how, or if, faith and science can co-exist. This rich and unique narrative leads from the plains of Kansas to the opulent halls of the Vatican, through brutal Korean War prison camps, and into the stories of two individuals, Avery Gerleman and Chase Kear, whose lives were threatened by illness and injury and whose family and friends prayed to Father Kapaun, sparking miraculous recoveries in the heart of America. Gerleman is now a nurse, and Kear works as a mechanic in the aerospace industry. Both remain devoted to Father Kapaun, whose opportunity for sainthood relies in their belief and medical charts. At a time when the church has faced severe scandal and damage, and the world is at the mercy of a pandemic, this is an uplifting story about a priest who continues to an example of goodness and faith. Ultimately, The Saint Makers is the story of a journey of faith—for two priests separated by seventy years, for the two young athletes who were miraculously brought back to life with (or without) the intercession of the divine, as well as for readers—and the author—trying to understand and accept what makes a person truly worthy of the Congregation of Saints in the eyes of the Catholic Church.
A full survey of the "Last Things" as treated in a wide range of Old Norse literature. The hope of salvation and the fear of damnation were fundamental in the Middle Ages. Surprisingly, however, this topic, as reflected in Old Norse literature, has received limited critical attention.This book addresses this lacunain the scholarship, from two major perspectives. Firstly, it examines how the twin themes of damnation and salvation interact with other more familiar and better explored topoi, such as the life-cycle, the moment of death, and the material world. Secondly, it looks at how issues relating to damnation and salvation influence the structure of texts, with regard both to individual scenes and poems and sagas as a whole. The author argues that comparable features and patterns reoccur throughout the corpus, albeit with individual variations contingent on the relevant historical and literary context. A broad range of the literature is considered, including Sagas of Icelanders, Kings' sagas, Contemporary Sagas, Legendary sagas and poems of Christian instruction. HAKI ANTONSSON is Senior Lecturer in Medieval Scandinavian Studies, University College London.
The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages.
Serendipity placed David Johnston on Mount St. Helens when the volcano rumbled to life in March 1980. Throughout that ominous spring, Johnston was part of a team conducting scientific research that underpinned warnings about the mountain. Those warnings saved thousands of lives when the most devastating volcanic eruption in U.S. history blew apart Mount St. Helens but killed Johnston on the ridge that now bears his name. Melanie Holmes tells the story of Johnston's journey from a nature-loving Boy Scout to a committed geologist. Blending science with personal detail, Holmes follows Johnston through his encounters with Aleutian volcanoes, his work helping the Portuguese government assess the geothermal power of the Azores, and his dream job as a volcanologist with the U.S. Geological Survey. Interviews and personal writings reveal what a friend called “the most unjaded person I ever met,” an imperfect but kind and intelligent young scientist passionately in love with his life and work and determined to make a difference.
Modern studies of the religious reform movement of the central Middle Ages have often relied on contemporary accounts penned by Cistercian monks, who routinely exaggerated the importance of their own institutions while paying scant attention to the remarkable expansion of abbeys of Cistercian women. Yet by the end of the thirteenth century, Constance Hoffman Berman contends, there were more houses of Cistercian nuns across Europe than of monks. In The White Nuns, she charts the stages in the nuns' gradual acceptance by the abbots of the Cistercian Order's General Chapter and describes the expansion of the nuns' communities and their adaptation to a variety of economic circumstances in France and throughout Europe. While some sought contemplative lives of prayer, the ambition of many of these religious women was to serve the poor, the sick, and the elderly. Focusing in particular on Cistercian nuns' abbeys founded between 1190 and 1250 in the northern French archdiocese of Sens, Berman reveals the frequency with which communities of Cistercian nuns were founded by rich and powerful women, including Queen Blanche of Castile, heiresses Countess Matilda of Courtenay and Countess Isabelle of Chartres, and esteemed ladies such as Agnes of Cressonessart. She shows how these founders and early patrons assisted early abbesses, nuns, and lay sisters by using written documents to secure rights and create endowments, and it is on the records of their considerable economic achievements that she centers her analysis. The White Nuns considers Cistercian women and the women who were their patrons in a clear-eyed reading of narrative texts in their contexts. It challenges conventional scholarship that accepts the words of medieval monastic writers as literal truth, as if they were written without rhetorical skill, bias, or self-interest. In its identification of long-accepted misogynies, its search for their origins, and its struggle to reject such misreadings, The White Nuns provides a robust model for historians writing against received traditions.
The Icelandic sagas have long been famous for their alleged realism, and within this conventional view, references to the supernatural have often been treated as anomalies. Yet, as this volume demonstrates, such elements were in fact an important part of Old Norse literature and tradition, and their study can provide new and intriguing insights into the world-view of the medieval Icelanders. By providing an extensive and interdisciplinary treatment of the supernatural within sagas, the eleven chapters presented here seek to explore the literary and folkloric interface between the natural and the supernatural through a study of previously neglected texts (such as Bergbuaattr, Selkollu attr, and Illuga saga Gridarfostra), as well as examining genres that are sometimes overlooked (including fornaldarsogur and byskupa sogur), law codes, and learned translations. Contributors including Armann Jakobsson, Margaret Cormack, Jan Ragnar Hagland, and Bengt af Klintberg explore how the supernatural was depicted within saga literature and how it should be understood, as well as questioning the origins of such material and investigating the parallels between saga motifs and broader folkloric beliefs. In doing so, this volume also raises important questions about the established boundaries between different saga genres and challenges the way these texts have traditionally been approached.
The present volume makes a unique contribution to the study of dying in ancient cultures by focusing on what happens in the critical moments before death. Employing a wide range of literary sources, the essays in this volume focus exclusively on the moment of death and practices associated with the transition from this world to the next. Five of the essays deal with Asian religions, primarily Buddhism in India, Tibet, China, and Japan. The other five essays deal with the moment of death in the West, old Norse-Icelandic, Old English, and the Judeo-Christian tradition. The authors explore the many ways in which the good death was envisioned. Remarkable parallels emerge between the good death in religious texts and in heroic sagas . Despite the diversity of cultures, time periods and religious traditions represented in these essays, this volume vividly illustrates the fundamental human need to see in the inevitable moment of death a possibility of choice and a promise of hope.