This provocative and timely book argues that contemporary ideas and practices concerning nature and technology remain closely bound up with religious ways of thinking and acting. Using examples from North America, Europe and elsewhere, it reinterprets a range of 'secular' phenomena in terms of their conditioning by a complex series of transformations of the sacred in Western history. The contemporary practices of environmental politics, technological risk behaviour, alternative medicine, vegetarianism and ethical consumption take on new significance as sites of struggle between different sacral orderings. Nature, Technology and the Sacred introduces a radically new direction for today's critical discourse concerning nature and technology – one that reinstates it as a moment within the ongoing religious history of the West.
Video game studies are a relative young but flourishing academic discipline. But within game studies, however, the perspective of religion and spirituality is rather neglected, both by game scholars and religion scholars. While religion can take different shapes in digital games, ranging from material and referential to reflexive and ritual, it is not necessarily true that game developers depict their in-game religions in a positive, confirming way, but ever so often games approach the topic critically and disavowingly. The religion criticisms found in video games can be categorized as follows: religion as (1) fraud, aimed to manipulate the uneducated, as (2) blind obedience towards an invisible but ultimately non-existing deity/ies, as (3) violence against those who do not share the same set of religious rules, as (4) madness, a deranged alternative for logical reasoning, and as (5) suppression in the hands of the powerful elite to dominate and subdue the masses into submission and obedience. The critical depictions of religion in video games by their developers is the focus of this special issue.
Digital Religion offers a critical and systematic survey of the study of religion and new media. It covers religious engagement with a wide range of new media forms and highlights examples of new media engagement in all five of the major world religions. From cell phones and video games to blogs and Second Life, the book: provides a detailed review of major topics includes a series of case studies to illustrate and elucidate the thematic explorations considers the theoretical, ethical and theological issues raised. Drawing together the work of experts from key disciplinary perspectives, Digital Religion is invaluable for students wanting to develop a deeper understanding of the field.
"The Sacred Liturgy is not a hobby for specialists. It is central to all our endeavors as disciples of Jesus Christ. This profound reality cannot be over emphasized. We must recognize the primacy of grace in our Christian life and work, and we must respect the reality that in this life the optimal encounter with Christ is in the Sacred Liturgy." With these words Bishop Dominique Rey of Fréjus-Toulon, France, opened Sacra Liturgia 2013, an international conference in which he brought together over twenty leading liturgists, cardinals, bishops and other scholars from around the world to emphasize the centrality of liturgical formation and celebration in the life and mission of the Church. "The New Evangelization must be founded on the faithful and fruitful celebration of the Sacred Liturgy as given to us by the Church in her tradition - Western and Eastern," Bishop Rey asserted. Sacra Liturgia 2013 - the proceedings of which this book publishes - explored questions of liturgical art, architecture, music, the ars celebrandi, the importance of ritual in human psychology, truly pastoral liturgy, the place of the older liturgical rites in the New Evangelization, liturgical formation, liturgical law, the role of the diocesan bishop in respect of the liturgy, and more. Sacred Liturgy - The Source and Summit of the Life and Mission of the Church is an important resource in ongoing liturgical formation for clergy, religious and laity, and makes a significant contribution to that renewal promoted in the Pontificate of Benedict XVI. That is the renewal which embraces the riches of liturgical tradition as valuable treasures, seeks to read the Second Vatican Council according to a hermeneutic of continuity, not rupture, and is in no doubt that, as Joseph Cardinal Ratzinger once wrote, "the true celebration of the Sacred Liturgy as the center of any renewal of the Church."
Religions of Modernity challenges the social-scientific orthodoxy that, once unleashed, the modern forces of individualism, science and technology inevitably erode the sacred and evoke the profane. The book's chapters, some by established scholars, others by junior researchers, document instead in rich empirical detail how modernity relocates the sacred to the deeper layers of the self and the domain of digital technology. Rather than destroying the sacred tout court, then, the cultural logic of modernization spawns its own religious meanings, unacknowledged spiritualities and magical enchantments. The editors argue in the introductory chapter that the classical theoretical accounts of modernity by Max Weber, Emile Durkheim and others already hinted at the future emergence of these religions of modernity
Bringing together empirical cultural and media studies of religion and critical social theory, Technologies of Religion: Spheres of the sacred in a post-secular modernity investigates powerful entanglement of religion and new media technologies taking place today, taking stock of the repercussions of digital technology and culture on various aspects of religious life and contemporary culture more broadly. Making the argument that religion and new media technologies come together to create "spheres"—environments produced by an architecture of digital technologies of all sorts, from projection screens to social networking sites, the book suggests that prior social scientific conceptions of religious worship, participation, community and membership are being recast. Using the case of the strain of American Christianity called "multi-site," an emergent and growing church-model that has begun to win favor largely among Protestants in the last decade, the book details and examines the way in which this new mode of religiosity bridges the realms of the technological and the physical. Lastly, the book situates and contextualizes these developments within the larger theoretical concerns regarding the place of religion in contemporary capitalism. Technologies of Religion: Spheres of the sacred in a post-secular modernity offers an important contribution to the study of religion, media, technology and culture in a post-secular world.
From Zora Neale Hurston to Derek Walcott to Toni Morrison, New World black authors have written about African-derived religious traditions and spiritual practices. The Sacred Act of Reading examines religion and sociopolitical power in modern and contemporary texts of a variety of genres from the black Americas. By engaging with spiritual traditions such as Vodou, Kumina, and Protestant Christianity while drawing on canonical Eurocentric literary theory, Anne Margaret Castro presents a novel, nuanced reading of power through the physical and metaphysical relationships portrayed in these great works of New World black literature. Castro examines prophecy in the dramas of Derek Walcott, preaching in the ethnography of Zora Neale Hurston, and liturgy in the novels of Toni Morrison, offering comparative readings alongside the works of Afro-Colombian anthropologist Manuel Zapata Olivella, Jamaican sociologist Erna Brodber, and Canadian fiction writer Nalo Hopkinson. The Sacred Act of Reading is the first book to bring together literary texts, historical and contemporary anthropological studies, theology, and critical theory to show how black authors in the Americas employ spiritual phenomena as theoretical frameworks for thinking within, against, and beyond structures of political dominance, dependence, and power.
Although the British romantic poets - notably, Blake, Wordsworth, and Byron - have been the subjects of previous ecocritical examinations, this text compares English and German literary models of romanticism.
