The Russian Hoffmannists

The Russian Hoffmannists

Author: Charles E. Passage

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-05-18

Total Pages: 264

ISBN-13: 3112317351

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No detailed description available for "The Russian Hoffmannists".


The Gothic-Fantastic in Nineteenth-Century Russian Literature

The Gothic-Fantastic in Nineteenth-Century Russian Literature

Author: Cornwell

Publisher: BRILL

Published: 2023-12-18

Total Pages: 299

ISBN-13: 9004652949

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From the contents: From Pantheon to Pandemonium (Richard Peace). - Karamzin's Gothic tale: The Island of Bornholm (Derek Offord). - Alessandra TOSI: At the origins of the Russian Gothic novel: Nikolai Gnedich's Don Corrado de Gerrera (1803) (Alessandra Tosi). - Does Russian Gothic verse exist? The Case of Vasilii Zhukovskii (Michael Pursglove). - The fantastic in Russian Romantic prose: Pushkin's The Queen of Spades (Claire Whitehead).


Reference Guide to Russian Literature

Reference Guide to Russian Literature

Author: Neil Cornwell

Publisher: Routledge

Published: 2013-12-02

Total Pages: 1013

ISBN-13: 1134260709

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First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.


Writing Fear

Writing Fear

Author: Katherine Bowers

Publisher: University of Toronto Press

Published: 2022-03-01

Total Pages: 334

ISBN-13: 1487526946

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In Russia, gothic fiction is often seen as an aside – a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature’s engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre’s function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.


Russian Literature and Psychoanalysis

Russian Literature and Psychoanalysis

Author: Daniel Rancour-Laferriere

Publisher: John Benjamins Publishing

Published: 1989-01-01

Total Pages: 497

ISBN-13: 9027278423

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This is a collection of psychoanalytical essays on a broad spectrum of well-known Russian authors, such as Puskin, Dostoevsky, Gogol, Belyj, Tjutcev, Axmatova, and Nabokov. The volume includes some reprints, among which a contribution by Sigmund Freud on Dostoevsky and Parricide'. The majority of the contributions are original publications by present-day specialists in the field. This is a book which may benefit literary scholars as well as professional psychoanalysts.


European Gothic

European Gothic

Author: Avril Horner

Publisher: Manchester University Press

Published: 2002-11-09

Total Pages: 276

ISBN-13: 9780719060649

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European Gothic: A Spirited Exchange 1760-1960 sets out to challenge the tyranny of the Anglo-American narratives that have dominated critical histories of the Gothic so far. It argues that the Gothic novel did not simply derive from The Castle of Otranto, but that it has been forged in the crucible of translation. Focussing on Gothic writing in English, French, German, Russian and Spanish, the collection charts a rich process of cross-fertilization and, in particular, examines the importance of Anglo-French exchanges in the development of the Gothic novel within Europe and, subsequently, the US.


Waiting for Pushkin

Waiting for Pushkin

Author: Alessandra Tosi

Publisher: Rodopi

Published: 2006

Total Pages: 430

ISBN-13: 9042018291

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Waiting for Pushkin provides the only modern history of Russian fiction in the early nineteenth century to appear in over thirty years. Prose fiction has a more prominent position in the literature of Russia than in that of any other great country. Although nineteenth-century fiction in particular occupies a privileged place in Russian and world literature alike, the early stages of this development have so far been overlooked. By combining a broad historical survey with close textual analysis the book provides a unique overview of a key phase in Russian literary history. Drawing on a wide range of sources, including rare editions and literary journals, Alessandra Tosi reconstructs the literary activities occurring at the time, introduces neglected but fascinating narratives, many of which have never been studied before and demonstrates the long-term influence of this body of works on the ensuing "golden age" of the Russian novel. Waiting for Pushkin provides an indispensable source for scholars and students of nineteenth-century Russian fiction. The volume is also relevant to those interested in women's writing, comparative studies and Russian literature in general.


A Fallen Idol Is Still a God

A Fallen Idol Is Still a God

Author: Elizabeth Allen

Publisher: Stanford University Press

Published: 2006-10-26

Total Pages: 318

ISBN-13: 9780804768030

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A Fallen Idol Is Still a God elucidates the historical distinctiveness and significance of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by demonstrating that Lermontov's works illustrate the condition of living in an epoch of transition. Lermontov's particular epoch was that of post-Romanticism, a time when the twilight of Romanticism was dimming but the dawn of Realism had yet to appear. Through close and comparative readings, the book explores the singular metaphysical, psychological, ethical, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly reflect the transition out of Romanticism and the nature of post-Romanticism. Overall, the book reveals that, although confined to his transitional epoch, Lermontov did not succumb to it; instead, he probed its character and evoked its historical import. And the book concludes that Lermontov's works have resonance for our transitional era in the early twenty-first century as well.