The Ruin of the Eternal City provides the first systematic analysis of the preservation practices of the popes, civic magistrates, and ordinary citizens of Renaissance Rome. This study offers a new understanding of historic preservation as it occurred during the extraordinary rebuilding of a great European capital city.
The Ruin of the Eternal City provides the first systematic analysis of the preservation practices of the popes, civic magistrates, and ordinary citizens of Renaissance Rome. This study offers a new understanding of historic preservation as it occurred during the extraordinary rebuilding of a great European capital city.
"The Eternal City, by Hall Caine, was published in 1901. The story opens in London, where Prince Volonna, who has been exiled for conspiracy against the Italian government, lives a life of charity under an assumed name, being known as Dr. Roselli. He rescues from the snow, a street waif, David Leone, who is one of the many who are brought to England yearly from the south to play and beg in the streets. This lad grows up in the household of the good doctor and his English wife and little daughter Roma, imbibing his foster father?s theories and becoming his disciple. Prince Volonna is finally tricked back to Italy, where he is captured and transported to Elba, and David Leone is likewise condemned as a conspirator; the latter escapes, and as David Rossi enters Rome and preaches his principle of the brotherhood of man. After the death of her father, Roma is discovered by the Baron Bonelli, Secretary of State, and a man of cunning and duplicity, who brings her to Rome where she becomes the reigning belle of the capital, but one whose name has not remained untarnished. The author recounts her meeting with David Rossi, her recognition of her foster brother, their love and the various obstacles which beset their path." -- Bartleby.com.
From the New York Times and USA Today bestselling author of The Alice Network and The Briar Club comes a historical saga about obsession, betrayal, and destiny. Sabina may be Empress of Rome, but she still stands poised on a knife’s edge. She must keep the peace between two deadly enemies: her husband Hadrian, Rome’s brilliant and sinister Emperor; and battered warrior Vix, her first love. But Sabina is guardian of a deadly secret: Vix’s beautiful son Antinous has become the Emperor’s latest obsession. Empress and Emperor, father and son will spin in a deadly dance of passion, betrayal, conspiracy, and war. As tragedy sends Hadrian spiraling into madness, Vix and Sabina form a last desperate pact to save the Empire. But ultimately, the fate of Rome lies with an untried girl, a spirited redhead who may just be the next Lady of the Eternal City....
Two leading Maya scholars tell this story of the rediscovery of the queen of Maya cities--Palenque--deep in the forest-clad mountains of southeastern Mexico. 150 illustrations.
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
This is the first book of its kind to address Shakespeare's relationship with Rome's authoritative myth, archaeologically, by taking as a point of departure a chronological reversal, namely the vision of the 'eternal' city as a ruinous scenario.
The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.
Written by Rome-born Mauro Lucentini, Ph.D., one of Italy's most distinguished journalists, with the help of his family, all self-professed 'Romaniacs', this guidebook combines great practicality with fascinating descriptions and a tremendous range of knowledge. Renowned composer Giancarlo Menotti has written: 'This is a book for all who want to be inspired as well as informed, for poets and pilgrims seeking the spiritual roots of Rome;' while for Francesco Cossiga, the former President of Italy, 'Lucentini's work will take you to the heart of this city of wonders.''Incomparable' - The Sunday Telegraph, London'Exciting to read and excellent, practical company when you are in the city. Do not go to Rome without this book' - Country Life, London'Unanimously hailed as exceptional' - Neue Z�rcher Zeitung, Z�rich'The way this book narrates, explains, informs, and the way that all of this at the same time helps from the practical point of view, is marvellous' - Welt am Sonntag, Hamburg'Indispensable' - Die Presse, Vienna'Practicality is the key word here... But this can also be read for pure pleasure, as a beautiful book on Rome' - Il Corriere della Sera, Milan