The revised and updated third edition of The Making of Urban America includes seven new articles and a richly detailed historiographical essay that discusses the vast urban history literature added to the canon since the publication of the second edition. The authors’ extensively revised introductions and the fifteen reprinted articles trace urban development from the preindustrial city to the twentieth-century city. With emphasis on the social, economic, political, commercial, and cultural aspects of urban history, these essays illustrate the growth and change that created modern-day urban life. Dynamic topics such as technology, immigration and ethnicity, suburbanization, sunbelt cities, urban political history, and planning and housing are examined. The Making of Urban America is the only reader available that covers all of U.S. urban history and that also includes the most recent interpretive scholarship on the subject.
In the first volume of the House Reborn, Joden, the last nobleman of the famed House Pyndayygyn, goes on one final diplomatic mission to meet with the mysterious Miyenyan Empire, settling all planetary affairs, and return to the rest of his predictable life in peace. Politics breeds turmoil, setting the stage for an impending large-scale war. Betrayed, Joden must navigate the intricacies of his new life as he seeks to restore his path of honor. Yet there is an unfolding of events, and everything is not as it appears, including himself--a house reborn!
Winner, 2012 Antoinette Forrester Downing Book Award, Society of Architectural HistoriansWinner, 2010 Publication Award, Friends of the Upper East Side Historical DistrictsWinner, 2009 New York City Book Award in Architecture, New York Society Library This fascinating study is the first to examine the transformation of residential architecture in New York City in the early 20th century. In the decades just before and after World War I, a group of architects, homeowners, and developers pioneered innovative and affordable housing alternatives. They converted the deteriorated and bleak row houses of old New York neighborhoods into modern and stylish dwellings. Stoops were removed and drab facades were enlivened with light-colored stucco, multi-colored tilework, flower boxes, shutters, and Spanish tile parapets. Designers transformed utilitarian backyards into gardens inspired by the Italian Renaissance and rearranged interior plans so that major rooms focused on the new landscapes. This movement—an early example of what has become known as "gentrification"—dramatically changed the physical character of these neighborhoods. It also profoundly altered their social makeup as change priced poor and largely immigrant households out of the area. Dolkart traces this aesthetic movement from its inception in 1908 with architect Frederick Sterner’s complete redesign of his home near Gramercy Park to a wave of projects for the wealthy on the East Side to the faux artist’s studios for young professionals in Greenwich Village. Dolkart began his study because the work of these architects was being demolished. His extensive research in city records and contemporary sources, such as newspapers and trade and popular magazines, unearths a wealth of information detailing the transformation of New York’s residential neighborhoods. This significant development in the history of housing and neighborhoods in New York has never before been investigated. The Row House Reborn will interest architectural and urban historians, as well as general readers curious about New York City architecture and neighborhood development.
Old-House Journal is the original magazine devoted to restoring and preserving old houses. For more than 35 years, our mission has been to help old-house owners repair, restore, update, and decorate buildings of every age and architectural style. Each issue explores hands-on restoration techniques, practical architectural guidelines, historical overviews, and homeowner stories--all in a trusted, authoritative voice.
When an ancient artifact dissolves in the hands of a man calling himself Mr. Veilleur, he knows something has gone wrong...terribly, cosmically wrong. Dr. Roderick Hanley, Nobel Prize-winning geneticist, dies in a plane crash. His last words: "The boy! They'll find out about the boy! He'll find out about himself!" When Jim Stevens, an orphan and struggling writer, learns that he is the sole heir to the Hanley estate, he is sure he has at last found his biological father. But he's only half right. The true nature of his inheritance—and the truth about his conception—will crush him. In New York City a group of Charismatics has been drawn together—without invitation, simply showing up at a Murray Hill brownstone—with a sense of great purpose. Satan is coming, and they have been chosen to fight him. Mr. Veilleur too has been drawn to the group, but he realizes it's not Satan who is coming. Satan would be a suitable au pair compared to the ancient evil that is in the process of being Reborn. Tor is reissuing the third title in the Adversary Cycle, The Touch, in July 2009. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"Boak & Paris may not be a household name in most households, but this architectural firm was key to the development of apartment buildings that are among the finest in New York City. Annice Alt's book analyzes this firm and its exceptional buildings in detail and places them within the context of speculative real estate development. The book provides an important contribution to the understanding of the vernacular buildings that create the streetscapes that New Yorkers love and that give the city its unique character." Andrew S. Dolkart Director, Historic Preservation Program, Columbia University School of Ar chitecture, Planning and Preservation; author of the award-winning The Row House Reborn: Architecture and Development in New York City, 1908-1929 and Morningside Heights: A History of its Architecture and Development "Alt's thoroughly researched book provides new information and insights into the architectural work of Boak & Paris and Boak & Raad. It is a surprise to discover the wealth of buildings, particularly the apartment houses that they are responsible for. Many of the Boak & Paris projects from the 1920-30's employ interesting architectural terra-cotta elements. To revisit the apartments from the 1950s and 60s is a fascinating exercise. Fine period images are of great value in elucidating this quest." Susan Tunick President, Friends of Terra Cotta; author, Terra-Cotta Skyline: New York's Architectural Ornament "New York's architecture buffs can rejoice: Annice Alt has completed her monograph on Boak & Paris. The personal approach she takes in her writing--and extensive quotations from original sources--bring us into the adventure of her research, where we meet not just Russell Boak and Hyman Paris, but also such august architectural personages as Emery Roth and Gaetan Ajello, along with the clients--such as plumber-turneddeveloper Sam Minskoff--who kept them busy during the middle decades of the 20th century, turning Manhattan into an island of cliff dwellers. " Anthony W. Robins Architectural historian; author Grand Central Terminal: 100 Years of a New York Landmark and a guide t o New York City Art Deco architecture (forthcoming) "Boak was an unsung architect who was incapable of doing a bad drawing, a bad design. No one is comparable. Boak just had taste, he had class." Elihu Rose Vice Chairman, Rose Associates, Inc.
The architects Cross & Cross shaped the streetscape and skyline of New York City in the 1920s and 1930s with Upper East Side townhouses and apartment buildings, the RCA Victor Building, and Tiffany’s flagship store on 57th Street. Working through a period of American history that saw dramatic change, from luxurious apartment buildings during the economic boom of the 1920s, to federal commissions during the Depression, the brothers John and Eliot Cross were masters of their craft. Well-connected society men who also showed remarkable foresight in business, Cross & Cross supported their practice with a partnered real estate firm and played a vital role in residential developments like Sutton Place along the East River. Cross & Cross oversaw the development of handsome clubs and houses throughout New York City, including the Links Club and the Upper East Side houses of Lewis Spencer Morris and George Whitney. They designed country houses in exclusive residential pockets outside New York—the Southampton estate of Winterthur founder Henry Francis du Pont; houses on the North Shore of Long Island, and in Greenwich, Connecticut; the childhood home of Sister Parish in Far Hills, New Jersey; and the Shelburne, Vermont home of J. Watson and Electra Webb. In this first book to collect the achievements of Cross & Cross, Peter Pennoyer and Anne Walker present a comprehensive monograph of the firm’s work, with more than 300 illustrations both historic and new and a catalogue raisonné of their projects.
A richly illustrated history of below-market housing in New York, from the 1920s to today A colorful portrait of the people, places, and policies that have helped make New York City livable, Affordable Housing in New York is a comprehensive, authoritative, and richly illustrated history of the city's public and middle-income housing from the 1920s to today. Plans, models, archival photos, and newly commissioned portraits of buildings and tenants by sociologist and photographer David Schalliol put the efforts of the past century into context, and the book also looks ahead to future prospects for below-market subsidized housing. A dynamic account of an evolving city, Affordable Housing in New York is essential reading for understanding and advancing debates about how to enable future generations to call New York home.
The first guidebook devoted exclusively to New York Citys Art Deco treasures. Of all the worlds great cities, perhaps none is so defined by its Art Deco architecture as New York. Lively and informative, New York Art Deco leads readers step-by-step past the monuments of the 1920s and 30s that recast New York as the worlds modern metropolis. Anthony W. Robins, New Yorks best-known Art Deco guide, includes an introductory essay describing the Art Deco phenomenon, followed by eleven walking tour itineraries in Manhattaneach accompanied by a map designed by legendary New York cartographer John Tauranacand a survey of Deco sites across the four other boroughs. Also included is a photo gallery of sixteen color plates by nationally acclaimed Art Deco photographer Randy Juster. In New York Art Deco, Robins has distilled thirty years worth of experience into a guidebook for all to enjoy at their own pace. A wonderful, warmhearted, exceptionally knowledgeable and detailed guidebook that takes you firmly by the hand along fifteen thoughtfully planned itineraries through New Yorks most exuberant and optimistic architectural heritagethose much-beloved Art Deco skyscrapers, apartment houses, shops, and theaters that stand out as the showy orchids and magnificent birds-of-paradise of the citys building stock. Anthony W. Robinss New York Art Deco is an essential introduction to hundreds of structures that are, as the book says, waiting impatiently for you to visit. Tony Hiss, author of In Motion: The Experience of Travel Anthony W. Robins has produced what will surely stand as the definitive guide to New York Citys Art Deco architecture. The book is an authoritative as well as entertaining tour de force, drawn from the authors encyclopedic knowledge of the subject. Jules Stewart, author of Gotham Rising: New York in the 30s Anthony Robinss New York Art Deco fills a void in the design library of New York. Well organized by itineraries that begin at the very tip of Manhattan and work their way into the other four boroughs, it is filled with invaluable information on the monuments of Art Deco and French moderne structures whose design perfectly expresses the streamlined era when speed and movement were celebrated. This is a must-have book for every lover of Art Deco, whether you are a New Yorker or a visitor from New Zealand. David Garrard Lowe, author of Art Deco New York The Art Deco style fits New York like a glove, from the skyscraping Chrysler Building to the little, eye-popping Lane Theater on Staten Island, and nobody knows it like Anthony Robins. If you thought you knew Art Decoas I did, before I read his New York Art Decothen buy this book and be surprised. Christopher Gray, author of the former New York Times Streetscapes column Buy this book, take a few wonderful walks around the entire city (discovering some fine New York neighborhoods you probably have never been to), from the Grand Concourse and Washington Heights treasure trove of Deco to the Chrysler Building to Flatbush in Brooklyn, and ask yourself, do all those new glass towers in Manhattan leave you as delighted as Art Decos confections, whether seven stories or seventy? That generation knew how to make buildings that you really want to live in, work in, and walk by. Thank you, Anthony Robins, for giving us the keys to that kingdom. Barry Lewis, architectural historian With the publication of New York Art Deco everyone, from the city explorer to the armchair reader, can now experience Anthony Robinss dynamic Art Deco walking tours. Robins not only discusses the citys famed Deco skyscrapers, but also identifies the spectacular but little-known Deco gems spread across the city. This book is a must for those who love New York and thrill to Art Deco architecture. Andrew Scott Dolkart, author of The Row House Reborn: Architecture and Neighborhoods in New York City, 19081929
The first comprehensive architectural and cultural history of condominium and cooperative housing in twentieth-century America. Today, one in five homeowners in American cities and suburbs lives in a multifamily home rather than a single-family house. As the American dream evolves, precipitated by rising real estate prices and a renewed interest in urban living, many predict that condos will become the predominant form of housing in the twenty-first century. In this unprecedented study, Matthew Gordon Lasner explores the history of co-owned multifamily housing in the United States, from New York City’s first co-op, in 1881, to contemporary condominium and townhouse complexes coast to coast. Lasner explains the complicated social, economic, and political factors that have increased demand for this way of living, situating the trend within the larger housing market and broad shifts in residential architecture and family life. He contrasts the prevalence and popularity of condos, townhouses, and other privately governed communities with their ambiguous economic, legal, and social standing, as well as their striking absence from urban and architectural history.
