AHS Book Award winner Rock gardening —the art of growing alpines and other miniature plants in the company of rocks in order to recreate the look of a rugged mountaintop—has been surging in popularity. Time and space constraints, chronic drought in the American West, and a trend toward architectural plants are just a few of the reasons for the increased interest. Rock Gardening brings this traditional style to a new generation of gardeners. It includes a survey of gorgeous rock gardens from around the world, the techniques and methods specific to creating and maintaining a rock garden, and profiles of the top 50 rock garden plants.
Few gardens can transport visitors to wild and rugged landscapes as well as rock gardens. Eye-catching rock gardens are among the most challenging—and satisfying—expressions of the gardener's craft. A true rock garden is a specialized habitat that allows the gardener to grow plants that do not flourish anywhere else. This book offers the first comprehensive treatment of building rock gardens in all parts of North America. Topics covered include rock placement, materials, and planting and maintenance. Variations on the rock garden theme, from planting troughs to creating water features are also discussed. The book presents regional styles and techniques and profiles a dozen public rock gardens from Oregon to Newfoundland. This book is only available through print on demand. All interior art is black and white.
Table of Contents A Beginner’s Guide to Rock Gardens Introduction Wrong Way Of Placing Rocks The Right Way to Place Rock Stones Good Rock Work- Flat Ground Wall Stones on Slopes Choosing the Best Soil Building Your Rock Garden Planting Your Rock Plants Maintenance Conifers Bulbs List of Rock Plants, depending on the Particular Conditions and Places Rock Plants For Walls Crazy paving plants – Conclusion Author Bio Publisher Introduction Rock gardens have been part of landscaping and gardening lore for millenniums. In the East Japanese rock gardens or Zen gardens have been places where people could meditate in serene and harmonious surroundings. Why are more people designing their own gardens incorporating at least one rock garden in the design? Even if the rock garden is quite small, it is going to add a touch of distinction to the landscaping of your garden. In Japan, rock gardens were normally built as dry landscape gardens, where a number of landscapes were made up of natural compositions made from natural products incorporated into a landscape. These natural items included bushes, trees, Moss, water, rocks and sand. One believes that the concept of rock gardening originated in China, especially when the ancient religion of Shintoism spoke about places of harmony where one could commune with nature and the spirit in serenity. These were normally made in monasteries, where they could be seen from one focal point, like say the porch of the head priest of the monastery. These dry Landscape gardens which you call a Zen garden in Japan were built to be seen from one viewpoint, with the walling closed around it in ancient times. Nowadays they stretch on for miles incorporating all the natural features available and present in the area to make up harmonious surroundings. Japanese Zen gardens go back to 784 BC. Chinese gardens have been around for even longer. The incorporation of gravel and white sand in a Zen or rock garden was an important feature. These were the symbol of distance, emptiness, purity, white space and water. All these symbols were supposed to aid in meditation. White sand and gravel used harmoniously together were also used around temples, shrines and palaces.
Called "the bible for American rock gardeners" by The New York Times, this classic includes practical information on construction of raised beds & planted walls, grading, & drainage. The heart of the book is an alphabetical descriptive catalog of more than 1,900 alpine plants for use in the rock garden.
The classic essay on the "karesansui" garden by French art historian Berthier has now been translated by Graham Parkes, giving English-speaking readers a concise, thorough, and beautifully illustrated history of Zen rock gardens. 37 halftones.
"Making a Rock Garden" by H. S. Adams. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Seemingly the simplest of stories—a passing anecdote of village life— Rock Crystal opens up into a tale of almost unendurable suspense. This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warned not to linger. The grandparents welcome the children with presents and pack them off with kisses. Then snow begins to fall, ever more thickly and steadily. Undaunted, the children press on, only to take a wrong turn. The snow rises higher and higher, time passes: it is deep night when the sky clears and Conrad and Sanna discover themselves out on a glacier, terrifying and beautiful, the heart of the void. Adalbert Stifter's rapt and enigmatic tale, beautifully translated by Elizabeth Mayer and Marianne Moore, explores what can be found between Christmas Eve and Christmas Day—or on any night of the year.
Excerpt from A Book of Cambridge Verse Nevertheless, after all deductions have been made, how much true poetry is yet left! He must be hard to please who cannot find intense enjoyment in the Eclogues of Phineas Fletcher, in Cowley's epitaph on Harvey, in the Miltonic stanzas of Gray's Installation Ode, in a score of other pieces, grave, quaint, or classical in their allusive ness of phrasing. Especially grateful must we be to the number of poets, of exquisite feeling and easy mastery of form, who during the last fifty or sixty years have enriched the language with delicate and elegant verse, from which it has been only too difficult to choose because its quantity is so great and its merit so even. Of this we trust we have given a tolerably adequate selection but it would have been easy to multiply it fourfold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
