This story of the modern South, of love denied and love fulfilled, is a powerful account of the potential for violence that underlies this country's passionate history. Ellen Douglas, a native of Mississippi and a prize-winning novelist of rare distinction, reveals the turbulent changes that rocked the South in the sixties and continue to this day. No event is predictable in this powerful novel. A young man who has spent several years in the North returns to his native Mississippi seeking rural peace. But solitude is not to be his, for soon he is caught up again in a traumatic event that happened seven years before in 1964—the death in an auto accident of the beautiful young cousin whom he loved. As the story unfolds, the people who were involved in that senseless tragedy reveal their part in it, and as they do, the reader becomes intensely involved not only in their lives but in what it means to be Black or white in the modern South.
This story of the modern South, of love denied and love fulfilled, is a powerful account of the potential for violence that underlies this country's passionate history. Ellen Douglas, a native of Mississippi and a prize-winning novelist of rare distinction, reveals the turbulent changes that rocked the South in the sixties and continue to this day. No event is predictable in this powerful novel. A young man who has spent several years in the North returns to his native Mississippi seeking rural peace. But solitude is not to be his, for soon he is caught up again in a traumatic event that happened seven years before in 1964--the death in an auto accident of the beautiful young cousin whom he loved. As the story unfolds, the people who were involved in that senseless tragedy reveal their part in it, and as they do, the reader becomes intensely involved not only in their lives but in what it means to be black or white in the modern South.
This is a textual, bibliographical and cultural study of 60 years of Bradbury's fiction. The authors draw upon correspondence with his publishers, agents and friends, as well as archival manuscripts, to examine the story of Bradbury's authorship over more than half a century.
For more than sixty years, the imagination of Ray Bradbury has opened doors into remarkable places, ushering us across unexplored territories of the heart and mind while leading us inexorably toward a profound understanding of ourselves and the universe we inhabit. In this landmark volume, America's preeminent storyteller offers us one hundred treasures from a lifetime of words and ideas. The stories within these pages were chosen by Bradbury himself, and span a career that blossomed in the pulp magazines of the early 1940s and continues to flourish in the new millennium. Here are representatives of the legendary author's finest works of short fiction, including many that have not been republished for decades, all forever fresh and vital, evocative and immensely entertaining.
Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.
This beginner's book, designed as a follow-up to Fun with the Mandolin, aids the beginning mandolin player in playing strums applicable to folk and bluegrass music. A variety of keys are studied, and the student will gain versatility in playing chord progressions. Chords and songs are presented in the keys of G, E minor, C, A minor, D, E, A, F, and D minor. Songs include: Shady Grove, Old Joe Clark, Amazing Grace, Banks of the Ohio, and many more. May be used in ensemble playing with the companion guitar and banjo texts.
This book is designed to aid the beginning uke player in playing strums applicable to folk and bluegrass music. Each of the 29 songs has a different strum pattern! A complete grounding in chord accompaniment is attained through songs presented in various keys. Written for the uke in standard GCEA tuning.
"So when I went down to ask my aunts if it would be all right to publish A Family's Affairs, they said it was okay so long as they didn't have to read it and if I would use a pen name." This collection of interviews from three decades features one of the South's most prominent contemporary writers, one of America's most dazzling practitioners of postmodern fiction. From the early sixties, when she published the award-winning A Family's Affairs, to the late nineties and the publication of Truth: Four Stories I Am Finally Old Enough to Tell, Ellen Douglas has written novels, short stories, essays, and a book of fairy tales. These conversations with Douglas reveal her earthy frankness and her disdain for "portentous declaration." In them, just as in her fiction, she expresses her love of people, language, and stories, her constant moral values, her inclusive compassion, her deeply felt obligations to others, and her keen sense of humor. She explains that "comedy is as serious as tragedy -- it's just funnier." Because she is an excellent, candid conversationalist, her light touch with "portentous" matters makes these interviews both dead serious and very funny. The first is with Hodding Carter III, who in 1971 was a young journalist and family friend from Greenville, Mississippi, the town where Douglas was living and rearing three sons. Carter is among her early interviewers who explore the mystique of the southern writer and the southern climate for literature. Douglas's string of new novels took her work forward into civil rights, women's roles, and questions about the institutions of family and marriage. The conversations illuminate this shift from southern tradition to concern over contemporary issues. Arranged chronologically, the interviews testify to the growth of Douglas's narrative sensibility and to the profound use of allusions in her work. As she discusses A Family's Affairs; Black Cloud, White Cloud; Where the Dreams Cross; Apostles of Light; The Rock Cried Out; A Lifetime Burning; The Magic Carpet and Other Tales; Can't Quit You, Baby; and Truth, her remarks exhibit a consistent concern with technique and craftsmanship, for which she is much admired. Of these sixteen interviews ten originally appeared in print between 1971 and 1999. Six have never before been published. Resurrecting lost material and exploring new insights, this collection offers the only comprehensive introduction to Douglas's lasting body of powerful work. It also provides the tools for the in-depth studies of her art which are sure to follow. "So when I went down to ask my aunts if it would be all right to publish A Family's Affairs, they said it was okay so long as they didn't have to read it and if I would use a pen name." This collection of interviews from three decades features one of the South's most prominent contemporary writers, one of America's most dazzling practitioners of postmodern fiction. From the early sixties, when she published the award-winning A Family's Affairs, to the late nineties and the publication of Truth: Four Stories I Am Finally Old Enough to Tell, Ellen Douglas has written novels, short stories, essays, and a book of fairy tales. These conversations with Douglas reveal her earthy frankness and her disdain for "portentous declaration." In them, just as in her fiction, she expresses her love of people, language, and stories, her constant moral values, her inclusive compassion, her deeply felt obligations to others, and her keen sense of humor. She explains that "comedy is as serious as tragedy -- it's just funnier." Because she is an excellent, candid conversationalist, her light touch with "portentous" matters makes these interviews both dead serious and very funny. The first is with Hodding Carter III, who in 1971 was a young journalist and family friend from Greenville, Mississippi, the town where Douglas was living and rearing three sons. Carter is among her early interviewers who explore the mystique of the southern writer and the southern climate for literature. Douglas's string of new novels took her work forward into civil rights, women's roles, and questions about the institutions of family and marriage. The conversations illuminate this shift from southern tradition to concern over contemporary issues. Arranged chronologically, the interviews testify to the growth of Douglas's narrative sensibility and to the profound use of allusions in her work. As she discusses A Family's Affairs; Black Cloud, White Cloud; Where the Dreams Cross; Apostles of Light; The Rock Cried Out; A Lifetime Burning; The Magic Carpet and Other Tales; Can't Quit You, Baby; and Truth, her remarks exhibit a consistent concern with technique and craftsmanship, for which she is much admired. Of these sixteen interviews ten originally appeared in print between 1971 and 1999. Six have never before been published. Resurrecting lost material and exploring new insights, this collection offers the only comprehensive introduction to Douglas's lasting body of powerful work. It also provides the tools for the in-depth studies of her art which are sure to follow.
#1 Best Selling Beatles Book – Amazon.com #2 “Books About the Beatles” – Senior Editor, Rock, Amazon.com (Beatles Anthology listed as #1) MAJOR PRESS REVIEWS Barnes&Noble.com (Kevin Giordano) “There is something quite Lennonesque about Mansfield’s soul-searching—his tales are astonishingly clear and vivid.” Amazon.com (Gail Hudson) “It is his writing talent and depth of personal story that makes this spiritual memoir rock.” Fox News Channel “A fabulous book about the Fab Four. It’s historical and a must-have.” Publishers Weekly, June 2000 “Eschewing the usual druggy histories of musicians, Mansfield delivers a book that is more philosophical than tell-all. There are enough tidbits to satiate any Beatle maniac, Library Journal, August 2000 “This is a ruminative and ultimately very personal journey through a man’s life and his personal relationships with each member of the Fab Four. Washington Post, October 2000 “This account is a warm-hearted look at an exciting period, related by an observer who was often at the right place at the right time.” ********************************** *Because of Ken’s personal relationship, respect and loyalty to Apple and the Beatles he sought all necessary official and personal approvals from Capitol, Apple, and each of the Beatles including Yoko on John’s behalf. At the time of the original release of The Beatles, The Bible and Bodega Bay he was informed that outside of their own Anthology that this was the only book approved by them. Once again, out of that same respect there have been no changes or updates—the content before you is exactly the same as the original book. These are the thoughts and events exactly as they were happening then…a unique insider’s look at a time that will never exist again.
In Ray Bradbury Unbound, Jonathan R. Eller continues the story begun in his acclaimed Becoming Ray Bradbury, following the beloved author's evolution from a short story master to a multi-media creative force and outspoken visionary. At the height of his powers as a poetic prose stylist, Bradbury shifted his creative attention to film and television, where new successes gave him an enduring platform as a compelling cultural commentator. His passionate advocacy validated the U.S. space program's mission, extending his pivotal role as a chronicler of human values in an age of technological wonders. Informed by many years of interviews with Bradbury as well as an unprecedented access to personal papers and private collections, Ray Bradbury Unbound provides the definitive portrait of how a legendary American author helped shape his times.
