El Problema "Levantino"

El Problema

Author: José Julio García Arranz

Publisher: Archaeolingua

Published: 2012

Total Pages: 0

ISBN-13: 9789639911314

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This volume gathers many of the world's leading experts to reassess the enigmatic assemblage of Spanish Levantine rock art. Issues addressed include the controversial matter of chronology, how the rock art may have been integrated into the landscape, and questions relating to the type of panel or application techniques used. Parallel English and Spanish text.


Prehistoric Rock Art

Prehistoric Rock Art

Author: Paul G. Bahn (archaeologist)

Publisher: Cambridge University Press

Published: 2010-06-21

Total Pages: 239

ISBN-13: 0521192781

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Prehistoric rock art is the markings - paintings, engravings, or pecked images - left on rocks or cave walls by ancient peoples. In this book, Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world. Summarizing the recent advances in our understanding of this extraordinary visual record, he discusses new discoveries, new approaches to recording and interpretation, and current problems in conservation. Bahn focuses in particular on current issues in the interpretation of rock art, notably the "shamanic" interpretation that has been influential in recent years and that he refutes. This book is based on the Rhind Lectures that the author delivered for the Society of Antiquaries of Scotland in 2006.


A Comparative Study of Rock Art in Later Prehistoric Europe

A Comparative Study of Rock Art in Later Prehistoric Europe

Author: Richard Bradley

Publisher: Cambridge University Press

Published: 2020-10-22

Total Pages: 154

ISBN-13: 1108887872

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The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.


European Landscapes of Rock-Art

European Landscapes of Rock-Art

Author: Christopher Chippindale

Publisher: Routledge

Published: 2003-09-02

Total Pages: 237

ISBN-13: 1134517335

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Rock-art - the ancient images which still scatter the rocky landscapes of Europe - is a singular kind of archaeological evidence. Fixed in place, it does not move about as artefacts as trade objects do. Enigmatic in its meaning, it uniquely offers a direct record of how prehistoric Europeans saw and envisioned their own worlds. European Landscapes of Rock-Art provides a number of case studies, covering arange of European locations including Ireland, Italy, Scandinavia, Scotland and Spain, which collectively address the chronology and geography of rock-art as well as providing an essential series of methodologies for future debate. Each author provides a synthesis that focuses on landscape as an essential part of rock-art construction. From the paintings and carved images of prehistoric Scandinavia to Second World War grafitti on the German Reichstag, this volume looks beyond the art to the society that made it. The papers in this volume also challenge the traditional views of how rock-art is recorded. Throughout, there is an emphasis on informal and informed methodologies. The authors skilfully discuss subjectivity and its relationship with landscape since personal experience, from prehistoric times to the present day, plays an essential role in the interpretation of art itself. The emphasis is on location, on the intentionality of the artist, and on the needs of the audience. This exciting volume is a crucial addition to rock-art literature and landscape archaeology. It will provide new material for a lively and greatly debated subject and as such will be essential for academics, non-academics and commentators of rock art in general.