The Rock Art of Southern Africa
Author: J. David Lewis-Williams
Publisher: CUP Archive
Published: 1983-11-03
Total Pages: 136
ISBN-13: 9780521244602
DOWNLOAD EBOOKRead and Download eBook Full
Author: J. David Lewis-Williams
Publisher: CUP Archive
Published: 1983-11-03
Total Pages: 136
ISBN-13: 9780521244602
DOWNLOAD EBOOKAuthor: J.D. Lewis-Williams
Publisher: Ohio University Press
Published: 2013-02-15
Total Pages: 159
ISBN-13: 0821444581
DOWNLOAD EBOOKSan rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Author: David Coulson
Publisher: Harry N Abrams B.V.
Published: 2001
Total Pages: 264
ISBN-13:
DOWNLOAD EBOOKContains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Author: Renaud Ego
Publisher: Wits University Press
Published: 2018-11-01
Total Pages: 288
ISBN-13: 9781776142262
DOWNLOAD EBOOKThis collection of essays on themes such as rain animals and therianthropes focuses on myth and ritual in San rock art. Visionary Animal details the ancient rock art of southern Africa and the significance of the animals depicted in it. Their significance is emphasized with their frequency and meaning can be found in the relationship of these animals and humans. Visionary Animal explores two fundamental categories of anthropology – myth and ritual which have defined the well-established iconological tradition of San rock art interpretation. This richly illustrated collection of essays explores themes such as rain animals and therianthropes that combine human and animal bodies from this point of view.
Author: Jean-Loïc Le Quellec
Publisher: Flammarion-Pere Castor
Published: 2004
Total Pages: 254
ISBN-13:
DOWNLOAD EBOOKThe only book of its kind to examine cave art throughout Africa. The paintings and engravings discovered in African caves are amazing works of art that hold clues to understanding the history of humankind.
Author: David J. Lewis-Williams
Publisher: Rowman Altamira
Published: 2002-04-16
Total Pages: 327
ISBN-13: 0759116717
DOWNLOAD EBOOKJ. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.
Author: Tim Forssman
Publisher: 30 Degrees South Publishers
Published: 2012
Total Pages: 0
ISBN-13: 9781920143558
DOWNLOAD EBOOKBushman Rock Art is the first of its kind. Never before has rock art been so dissected and presented in such an easy-to-understand, interpretive manner, exploring the deep symbolic meaning behind the art and what these powerful images meant to Bushman artists.
Author: David Lewis-Williams
Publisher: Thames & Hudson
Published: 2011-06-01
Total Pages: 268
ISBN-13: 0500770468
DOWNLOAD EBOOKGoes to the heart of contemporary arguments about the "primitive" and the "modern" minds, and draws new social, anthropological, and ethnographic conclusions about the nature of ancient societies. How did ancient peoples—those living before written records—think? Were their thinking patterns fundamentally different from ours today? Researchers over the years have certainly believed so. Along with the Aborigines of Australia, the indigenous San people of southern Africa—among the last hunter-gatherer societies on Earth—became iconic representatives of all our distant ancestors and were viewed as either irrational fantasists or childlike, highly spiritual conservationists. Since the 1960s a new wave of research among the San and their world-famous rock art has overturned these misconceived ideas. Here, the great authority David Lewis-Williams and his colleague Sam Challis reveal how analysis of the rock paintings and engravings can be made to yield vital insights into San beliefs and ways of thought. This is possible because we possess comprehensive transcriptions, made in the nineteenth century, of interviews with San informants who were shown copies of the art and gave their interpretations of it. Using the analogy of the Rosetta Stone, the authors move back and forth between these San texts and the rock art, teasing out the subtle meanings behind both. The picture that emerges is very different from past analysis: this art is not a naive narrative of daily life but rather is imbued with power and religious depth.
Author:
Publisher:
Published: 1997
Total Pages: 76
ISBN-13:
DOWNLOAD EBOOKAuthor: Liam M. Brady
Publisher: University Press of Colorado
Published: 2016-12-01
Total Pages: 411
ISBN-13: 1607324989
DOWNLOAD EBOOKRock art has long been considered an archaeological artifact reflecting activities from the past, yet it is also a phenomenon with present-day meaning and relevance to both indigenous and non-indigenous communities. Relating to Rock Art in the Contemporary World challenges traditional ways of thinking about this highly recognizable form of visual heritage and provides insight into its contemporary significance. One of the most visually striking forms of material culture embedded in landscapes, rock art is ascribed different meanings by diverse groups of people including indigenous peoples, governments, tourism offices, and the general public, all of whom relate to images and sites in unique ways. In this volume, leading scholars from around the globe shift the discourse from a primarily archaeological basis to one that examines the myriad ways that symbolism, meaning, and significance in rock art are being renegotiated in various geographical and cultural settings, from Australia to the British Isles. They also consider how people manage the complex meanings, emotions, and cultural and political practices tied to rock art sites and how these factors impact processes relating to identity construction and reaffirmation today. Richly illustrated and geographically diverse, Relating to Rock Art in the Contemporary World connects archaeology, anthropology, and heritage studies. The book will appeal to students and scholars of archaeology, anthropology, heritage, heritage management, identity studies, art history, indigenous studies, and visual theory, as well as professionals and amateurs who have vested or avocational interests in rock art. Contributors: Agustín Acevedo, Manuel Bea, Jutinach Bowonsachoti, Gemma Boyle, John J. Bradley, Noelene Cole, Inés Domingo, Kurt E. Dongoske, Davida Eisenberg-Degen, Dánae Fiore, Ursula K. Frederick, Kelley Hays-Gilpin, Catherine Namono, George H. Nash, John Norder, Marianna Ocampo, Joshua Schmidt, Duangpond Singhaseni, Benjamin W. Smith, Atthasit Sukkham, Noel Hidalgo Tan, Watinee Tanompolkrang, Luke Taylor, Dagmara Zawadzka