A heartwrenching YA coming of age story about three siblings on a roadtrip in search of healing. With a strong family, the best friend a guy could ask for, and a budding romance with the girl of his dreams, life shows promise for Teodoro “T” Avila. But he takes some hard hits the summer before senior year when his nearly perfect brother, Manny, returns from a tour in Iraq with a devastating case of PTSD. In a desperate effort to save Manny from himself and pull their family back together, T’s fiery sister, Xochitl, hoodwinks her brothers into a cathartic road trip. Told through T’s honest voice, this is a candid exploration of mental illness, socioeconomic pressures, and the many inescapable highs and lows that come with growing up—including falling in love. Christy Ottaviano Books
“When emerging from its cocoon, a butterfly needs the struggle to push the fluid from its body into its wings. So essentially, without the struggle, it never flies.” From the USA Today bestselling author of The Beach House comes a story about family bonds, second chances, and finding out who we really are. Butterfly Sisters is the perfect escape for fans of Susan Wiggs, RaeAnne Thayne, and Susan Mallery. About to land her biggest deal yet, Leigh Henderson is on her game. She’s prepared for this, and nothing can get in her way. Except Rebecca Mayer, who’d sashayed in a few weeks ago with a former client list that would fill the entire hallway to Leigh’s office if she laid it out end to end. When her boss unexpectedly offers the deal to Rebecca and tells Leigh he’s letting her go, Leigh finds herself without a job. But that’s the least of her worries. Her mother has some news that will change everything. She’s asked Leigh and her sister Meredith to meet her at the family cabin on Old Hickory Lake. Not only has Leigh been unable to track down her sister for years, but going back to the cabin would mean dealing with the loss of her beloved grandmother and also chance running into her old flame Colton Harris, the one love she’s never been able to completely let go of. Will confronting her grief, speaking to her estranged sister, and being forced to face the love she’d left behind help Leigh to learn who she really is? A heartwarming story that will have you laughing, crying, and rushing to those you hold dear. If you loved the Christmas movies based on Jenny’s books and are looking for more feel-good, small-town romance, look no further!
Two exes reach a new level of awkward when forced to take a road trip together in this endearing and humorous novel by the author of the international bestseller The Flatshare. What if the end of the road is just the beginning? Four years ago, Dylan and Addie fell in love under the Provence sun. Wealthy Oxford student Dylan was staying at his friend Cherry’s enormous French villa; wild child Addie was spending her summer as the on-site caretaker. Two years ago, their relationship officially ended. They haven’t spoken since. Today, Dylan’s and Addie’s lives collide again. It’s the day before Cherry’s wedding, and Addie and Dylan crash cars at the start of the journey there. The car Dylan was driving is wrecked, and the wedding is in rural Scotland—he’ll never get there on time by public transport. So, along with Dylan’s best friend, Addie’s sister, and a random guy on Facebook who needed a ride, they squeeze into a space-challenged Mini and set off across Britain. Cramped into the same space, Dylan and Addie are forced to confront the choices they made that tore them apart—and ask themselves whether that final decision was the right one after all.
NOW A MAJOR MOTION PICTURE, STARRING JASON SEGAL AND JESSE EISENBERG, DIRECTED BY JAMES PONSOLDT An indelible portrait of David Foster Wallace, by turns funny and inspiring, based on a five-day trip with award-winning writer David Lipsky during Wallace’s Infinite Jest tour In David Lipsky’s view, David Foster Wallace was the best young writer in America. Wallace’s pieces for Harper’s magazine in the ’90s were, according to Lipsky, “like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.” Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader’s escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an “orgy of spectation”). They fly back to Illinois, drive home, walk Wallace’s dogs. Amid these everyday events, Wallace tells Lipsky remarkable things—everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him—in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him—that grateful, awake feeling—the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church. A biography in five days, Although Of Course You End Up Becoming Yourself is David Foster Wallace as few experienced this great American writer. Told in his own words, here is Wallace’s own story, and his astonishing, humane, alert way of looking at the world; here are stories of being a young writer—of being young generally—trying to knit together your ideas of who you should be and who other people expect you to be, and of being young in March of 1996. And of what it was like to be with and—as he tells it—what it was like to become David Foster Wallace. "If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it. I know that sounds a little pious." —David Foster Wallace
From the award-winning author of Five Flavors of Dumb comes a novel featuring one crazy road trip full of rejection, redemption, and romance. Perfect for fans of John Green’s An Abundance of Katherines, or Sara Zarr’s Once Was Lost. Sixteen-year-old Luke’s self-help book Hallelujah has become a national bestseller and his publisher is sending him on a cross-country book tour along the historic Route 66. Unfortunately for Luke, his irresponsible older brother Matt is coming along as chauffeur. When Matt offers to drive Luke’s ex-crush, Fran, across the country too, things really get crazy. In this journey of self-discovery, Luke has to loosen up and discover what it truly means to have faith to win the girl he loves. "A highly readable balance of humor, heart, self-discovery, and shenanigans."—BCCB "Christian values are conveyed with humor, devoid of potentially preachy pitfalls."—School Library Journal "Features multifaceted teens whose faith is integrated with their thinking but doesn't define them completely . . . [A]n upbeat read with a unique premise, great settings, and just a little more."—Booklist
“A lighthearted, entertaining trip down Memory Lane” (Kirkus Reviews), Don’t Make Me Pull Over! offers a nostalgic look at the golden age of family road trips—before portable DVD players, smartphones, and Google Maps. The birth of America’s first interstate highways in the 1950s hit the gas pedal on the road trip phenomenon and families were soon streaming—sans seatbelts!—to a range of sometimes stirring, sometimes wacky locations. In the days before cheap air travel, families didn’t so much take vacations as survive them. Between home and destination lay thousands of miles and dozens of annoyances, and with his family Richard Ratay experienced all of them—from being crowded into the backseat with noogie-happy older brothers, to picking out a souvenir only to find that a better one might have been had at the next attraction, to dealing with a dad who didn’t believe in bathroom breaks. Now, decades later, Ratay offers “an amiable guide…fun and informative” (New York Newsday) that “goes down like a cold lemonade on a hot summer’s day” (The Wall Street Journal). In hundreds of amusing ways, he reminds us of what once made the Great American Family Road Trip so great, including twenty-foot “land yachts,” oasis-like Holiday Inn “Holidomes,” “Smokey”-spotting Fuzzbusters, twenty-eight glorious flavors of Howard Johnson’s ice cream, and the thrill of finding a “good buddy” on the CB radio. An “informative, often hilarious family narrative [that] perfectly captures the love-hate relationship many have with road trips” (Publishers Weekly), Don’t Make Me Pull Over! reveals how the family road trip came to be, how its evolution mirrored the country’s, and why those magical journeys that once brought families together—for better and worse—have largely disappeared.
The Drive follows Teresa Bruce on her 2003 road trip through Mexico and onto the Pan American Highway, in a rickety camper with her old dog and new husband in tow. Bruce first set off on the exact same route in 1973, her parents at the helm and their two young daughters in tow, as a reaction to the accidental death of their youngest child, Bruce's brother John John. Her attempt to follow the route, using her mother's travel journal as an anecdotal guide, is as much about her need for exploration as it is about trying to understand her parents and their pain, and to finally begin to heal her own wounds over the accident. Bruce is immensely talented in bringing scenery of Central and South America to life -- countries from Mexico and Guatemala to Bolivia and Argentina are detailed with her innate attention to detail and sense of storytelling. The Drive details a really incredible journey through these beautiful, at times corrupt and war-torn countries, across roads that are as likely to be barricaded by guerrillas or washed out by floods as they are to be passable. The Drive is travel writing at its best, combining moments of deep heartbreak with unimaginable joy over a panoply of unforgettable settings.
FINALIST FOR THE 2021 NATIONAL BOOK AWARD FOR YOUNG PEOPLE'S LITERATURE A debut YA novel-in-verse by Amber McBride, Me (Moth) is about a teen girl who is grieving the deaths of her family, and a teen boy who crosses her path. Moth has lost her family in an accident. Though she lives with her aunt, she feels alone and uprooted. Until she meets Sani, a boy who is also searching for his roots. If he knows more about where he comes from, maybe he’ll be able to understand his ongoing depression. And if Moth can help him feel grounded, then perhaps she too will discover the history she carries in her bones. Moth and Sani take a road trip that has them chasing ghosts and searching for ancestors. The way each moves forward is surprising, powerful, and unforgettable. Here is an exquisite and uplifting novel about identity, first love, and the ways that our memories and our roots steer us through the universe.
A father and son embark on a road trip to a distant animal shelter to save a homeless border collie puppy. By the acclaimed author of Crush; Paintings from the Cave; Flat Broke; Liar, Liar; Masters of Disaster; Lawn Boy Returns; Woods Runner; Notes from the Dog; Mudshark; and Lawn Boy.
