It all starts at Cambridge, in the rooms of Dr John Bentley, an eccentric don famous for his book-burning parties. Mike Smith is handsome, clever but untalented; Gregory Collins is unprepossessing of face and form, but, it will transpire, a novelist of enormous promise. When Gregory¿s first novel is published, he persuades Smith to take his place on the book jacket, on the grounds that nobody would buy a novel by an ugly novelist, however talented. Thus is set in train a chain of events which leads to Mike Smith becoming writer-in-residence in a mental hospital. The therapy of the charismatic but possibly fraudulent Dr Kincaid is based on the theory that people are driven mad by an overload of images; all such are banned in the hospital, but words are encouraged, hence Smith¿s job. It is only when a book of the patients¿ writings, teased out of them by Mike, is published and becomes a literary succes d¿estime that this comedy of errors of judgement threatens to become a tragedy ¿
A psychiatrist and award-winning documentarian sheds light on the mental-health-care crisis in the United States. When Dr. Kenneth Rosenberg trained as a psychiatrist in the late 1980s, the state mental hospitals, which had reached peak occupancy in the 1950s, were being closed at an alarming rate, with many patients having nowhere to go. There has never been a more important time for this conversation, as one in five adults--40 million Americans--experiences mental illness each year. Today, the largest mental institution in the United States is the Los Angeles County Jail, and the last refuge for many of the 20,000 mentally ill people living on the streets of Los Angeles is L.A. County Hospital. There, Dr. Rosenberg begins his chronicle of what it means to be mentally ill in America today, integrating his own moving story of how the system failed his sister, Merle, who had schizophrenia. As he says, "I have come to see that my family's tragedy, my family's shame, is America's great secret." Dr. Rosenberg gives readers an inside look at the historical, political, and economic forces that have resulted in the greatest social crisis of the twenty-first century. The culmination of a seven-year inquiry, Bedlam is not only a rallying cry for change, but also a guidebook for how we move forward with care and compassion, with resources that have never before been compiled, including legal advice, practical solutions for parents and loved ones, help finding community support, and information on therapeutic options.
Born in a shabby tenement in Victorian London, young Tom Bedlam is employed stoking the furnaces in a massive porcelain factory; he is son to a father he has never met, and sibling to a baby who vanished at birth. But in spite of these disadvantages, he is a positive spirit, cunning in his pursuit of love, unflinchingly loyal to his friends, and possessed of a deep, passionate soul. More than anything, he wishes to bring the loose strands of his estranged family together. After Tom’s mother dies, a mysterious family benefactor appears who offers to pay for the boy’s education. For a factory urchin this is good luck indeed, and Tom is whisked away to an exclusive private boarding school called Hammer Hall. The school is a crucible of variously privileged, predatory, meek, and noble boys, and although Tom gathers crucial clues there about his lost brother, he finds himself caught between warring forces and makes a Faustian pact that will haunt his adult life. As Tom becomes a man, his quest assumes grander proportions, a search for his lost innocence but an attempt to create the family he dreamed of in childhood. His experiences will challenge his decency and force him to weigh his character against the pitfalls of loyalty, patriotism, love, and familial duty. Tom Bedlam shows how small deeds in childhood can resonate for a lifetime, and how the bonds of family ultimately prevail against the devastating march of progress and human folly. Most of all, it is a journey with a good friend. Charming, whimsical, passionate, and funny–there’s no better companion than Tom Bedlam.
Mercedes Lackey and Rosemary Edghill are the biggest names in the urban fantasy subgenre-where elves, banshees, trolls, and even stranger creatures walk modern city streets, their presence, and even their existence unsuspected by the human inhabitants. Now these two present a volume of all new urban fantasy, with a stellar lineup of the best new fantasy writers, such as Roberta Gellis, Dave Freer and Eric Flint, Diana Paxton, and more-including two new stories and an afterword by Mercedes Lackey herself, as well as a story by Rosemary Edghill. This is an indispensable volume for fans of urban fantasy in general, and the thousands of fans of Mercedes Lackey in particular. At the publisher's request, this title is sold without DRM (Digital Rights Management).