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In Study Driven, Ray shows you that encouraging students to read closely can improve the effectiveness of your writing instruction. Detailing her own method for utilizing the popular mentor-texts approach, Ray helps you immerse children in a close study of published texts that supports their learning, leads them to a better understanding of the traits of good writing, and motivates them to become more accomplished writers.
In Hemingway’s Art of Revision, John Beall analyzes more than a dozen pieces of the author’s celebrated short fiction, with a focus on manuscripts and typescripts, as part of a broader examination of how Ernest Hemingway crafted his distinctive prose through a rigorous process of revision. Ranging from two vignettes in the first version of In Our Time through early touchstones such as “Indian Camp” and “The Killers” to later masterpieces including “Fathers and Sons,” Beall’s study considers the modernist influences, aesthetic choices, and experimental effects that characterized Hemingway’s approach to the short story. Revisions to “Big Two-Hearted River,” for example, were not simply cuts and omissions, but involved adding paragraphs to slow down the narrative and represent Nick Adams’s careful observations of fish as he watched their shadows on the river. For “A Way You’ll Never Be,” Hemingway’s revisions developed Nick’s interior monologues, manic lecture about grasshoppers, and wacky sense of humor to show the character restoring a sense of emotional balance despite his traumatic memories of being wounded. By drawing attention to the meticulous omissions, additions, and replacements that shaped these texts, Beall reveals how extensively and richly Hemingway revised his drafts. Hemingway’s Art of Revision gives a detailed view of a great prose stylist at work.
This book is the only account of what honeybees actually see. Bees detect some visual features such as edges and colours, but there is no sign that they reconstruct patterns or put together features to form objects. Bees detect motion but have no perception of what it is that moves, and certainly they do not recognize "things" by their shapes. Yet they clearly see well enough to fly and find food with a minute brain. Bee vision is therefore relevant to the construction of simple artificial visual systems, for example for mobile robots. The surprising conclusion is that bee vision is adapted to the recognition of places, not things. In this volume, Adrian Horridge also sets out the curious and contentious history of how bee vision came to be understood, with an account of a century of neglect of old experimental results, errors of interpretation, sharp disagreements, and failures of the scientific method. The design of the experiments and the methods of making inferences from observations are also critically examined, with the conclusion that scientists are often hesitant, imperfect and misleading, ignore the work of others, and fail to consider alternative explanations. The erratic path to understanding makes interesting reading for anyone with an interest in the workings of science but particularly those researching insect vision and invertebrate sensory systems.
In the intricate dance of book creation, the editor plays a pivotal role, transforming raw manuscripts into polished gems that enchant readers and leave a lasting impression. "The Editor's Eye: Crafting Books That Captivate" is an essential guide for editors at every stage of their career, offering a deep dive into the art and craft of editing. Through insightful analysis, practical advice, and illuminating case studies, this book sheds light on the editor's indispensable role in the literary world, providing the tools and strategies needed to elevate narratives from ordinary to extraordinary. Structured to cover the breadth of the editing process, the book begins by exploring the foundational partnership between editor and author, highlighting the collaborative effort required to hone a manuscript's vision. It then delves into the technical aspects of editing, from narrative structure and character development to mastering grammar and style, equipping editors with the skills to refine and polish a narrative meticulously. Further chapters navigate the ever-evolving publishing landscape, addressing the challenges of digital publishing, self-publishing, and global market considerations, and offering strategies for editors to guide their authors successfully through these complexities. Case studies of successful book projects illustrate the transformative power of effective editing, showcasing how strategic revisions, innovative storytelling, and targeted marketing can lead to literary success. The conclusion serves as a call to action, inspiring editors to apply the insights gained and embrace their crucial role with passion and dedication. The appendices provide a wealth of additional resources, including editing checklists, communication templates, recommended reading, and guides to professional development and technology tools, making this book a comprehensive resource for editors seeking to enhance their craft and contribute meaningfully to the literary landscape. "The Editor's Eye: Crafting Books That Captivate" is more than just a guide; it is a celebration of the editor's craft and a testament to the critical role editors play in bringing captivating stories to life. Whether you are a seasoned editor or just starting your journey in the world of publishing, this book offers the inspiration, knowledge, and tools to refine your skills and make a lasting impact on the world of literature.
William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them. To what extent was Faulkner's deeply ambivalent relationship to—and involvement with—American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formulae, strategies, and in particular, its visual techniques into the language of his novels of the 1930s. Lurie contends that Faulkner's modernism can be best understood in light of his reaction to the popular culture of his day. Using Theodor Adorno's theory about modern cultural production as a framework, Lurie's close readings of Sanctuary, Light in August, Absalom! Absalom!, and If I Forget Thee, Jerusalem uncover the cultural history that surrounded and influenced the development of Faulkner's art. Lurie is particularly interested in the influence of cinema on Faulkner's fiction and especially the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in Augustof stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I Forget Thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism.
Man vs. Poetry: The struggle continues. Wherein the author continues his struggle with the written word in this new volume of what some might call "poetry" … if they had low standards. You will find contained within further musings on such random topics as chickens, lumberjacks, parrots, planks, rental lodging, and how to die convincingly on stage. Compiled (or maybe "accreted" is a better word) over the course of several years, Artisanal Gibberish II: Yet More Gibberish is the culmination of six years of University and a lifetime of experiences. CAUTION: We advise against drinking anything hot while reading these poems, to avoid nasal scalding.
