Revenge Tragedy

Revenge Tragedy

Author: John Kerrigan

Publisher: Oxford University Press, USA

Published: 1996

Total Pages: 438

ISBN-13:

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Revenge has long been a central theme in Western culture. From Homer to Nietzsche, from St. Paul to Sylvia Plath, major writers have been fascinated by its emotional intensity and by the questions it raises about the nature of justice, violence, sexuality, and death. John Kerrigan employs both wide-ranging historical analysis and subtle attention to individual texts to explore the culture of vengeance in several languages and genres. Thus, he shows how evolving attitudes to retribution have shaped and reconstituted tragedy in the West and elucidates the remarkable capacity of this ancient theme to generate innovative works of art. Although this book is a literary study, it makes use of anthropology, social theory, and moral philosophy. As a result, it will be of interest to students in a variety of disciplines, as well as to the general reader.


Revenge Tragedy

Revenge Tragedy

Author: John Kerrigan

Publisher: Oxford University Press on Demand

Published: 1996

Total Pages: 404

ISBN-13: 9780198184515

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Revenge has long been central to European culture. From Homer to Nietzsche, St Paul to Sylvia Plath, numerous major authors have been fascinated by its emotional intensity, and by the questions which it raises about violence, sexuality, death, and the nature of justice. In this exceptionally learned and lively book, John Kerrigan explores the literature of vengeance from Greek tragedy to postmodernism, ranging through material in several languages, as well as through opera, painting, andfilm, while opening new perspectives on such famailiar English works as Hamlet, Clarissa, and The Adventures of Sherlock Holmes. By means of broad historical analysis, but also through subtle attention to the fabric of individual texts, Kerrigan shows how evolving attitudes to retribution have shaped and reconstituted tragedy in the West, and elucidates the remarkable capacity of his ancient theme to generate innovative works of art. Although Revenge Tragedy: Aeschylus to Armageddon is aliterary study, it makes fresh and ambitious use of ideas from anthropology, social theory, and moral philosophy. As a result it will be of interest to students in a variety of disciplines, as well as to the general reader.


Revenge Tragedy : Aeschylus to Armageddon

Revenge Tragedy : Aeschylus to Armageddon

Author: John Kerrigan

Publisher: Clarendon Press

Published: 1996-04-18

Total Pages: 434

ISBN-13: 0191591726

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From Homer to Nietzsche, St Paul to Sylvia Plath, numerous authors have been fascinated by the emotional intensity of revenge, and by the questions it raises about violence, sexuality, death, and justice. John Kerrigan's exceptionally learned and lively book explores the literature of vengeance from Greek tragedy to postmodernism, ranging through material in several languages, as well as through opera, painting, and film, while opening new perspectives on such familiar English works as Hamlet, Clarissa, and The Adventures of Sherlock Holmes. - ;Revenge has long been central to European culture. From Homer to Nietzsche, St Paul to Sylvia Plath, numerous major authors have been fascinated by its emotional intensity and by the questions which it raises about violence, sexuality, death and the nature of justice. In this exceptionally learned and lively book, John Kerrigan explores the literature of vengeance from Greek tragedy to postmodernism, ranging through material in several languages, as well as through opera, painting, and film, while opening new perspectives on such familiar English works as amlet, larissa and he Adventures of Sherlock Holmes. By means of broad historical analysis, but also through subtle attention to the fabric of individual texts, Kerrigan shows how evolving attitudes to retribution have shaped and reconstituted tragedy in the West and elucidates the remarkable capacity of his ancient theme to generate innovative works of art. Although evenge Tragedy: Aeschylus to Armageddons a literary study, it makes fresh and ambitious use of ideas from anthropology, social theory and moral philosophy. As a result, it will be of interest to students in a variety of disciplines, as well as to the general reader. -


Five Revenge Tragedies

Five Revenge Tragedies

Author: Thomas Kyd

Publisher: Penguin UK

Published: 2012-05-31

Total Pages: 826

ISBN-13: 0141960469

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As the Elizabethan era gave way to the reign of James I, England grappled with corruption within the royal court and widespread religious anxiety. Dramatists responded with morally complex plays of dark wit and violent spectacle, exploring the nature of death, the abuse of power and vigilante justice. In Kyd's The Spanish Tragedy a father failed by the Spanish court seeks his own bloody retribution for his son's murder. Shakespeare's 1603 version of Hamlet creates an avenging Prince of unique psychological depth, while Chettle's The Tragedy of Hoffman is a fascinating reworking of Hamlet's themes, probably for a rival theatre company. In Marston's Antonio's Revenge, thwarted love leads inexorably to gory reprisals and in Middleton's The Revenger's Tragedy, malcontent Vindice unleashes an escalating orgy of mayhem on a debauched Duke for his bride's murder, in a ferocious satire reflecting the mounting disillusionment of the age. Emma Smith's introduction considers the political and religious climate behind the plays and the dramatic conventions within them. This edition includes a chronology, playwrights' biographies and suggestions for further reading.


Shakespeare, Revenge Tragedy and Early Modern Law

Shakespeare, Revenge Tragedy and Early Modern Law

Author: Derek Dunne

Publisher: Springer

Published: 2016-04-12

Total Pages: 239

ISBN-13: 1137572876

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This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton.


Revenge in Attic and Later Tragedy

Revenge in Attic and Later Tragedy

Author: Anne Pippin Burnett

Publisher: Univ of California Press

Published: 1998

Total Pages: 336

ISBN-13:

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We who live among tired and demystified political institutions are afraid that individuals unrestrained by the influence of the community may resort to crime and violence. Yet in an Attic vengeance play, a treacherous "criminal" triumphs over a victim. How could the city of Athens show its citizens Medea's murder of her children? Orestes' killing of his mother? Anne Burnett reveals a larger reality in these ancient plays, comparing them to later drama and finding in them forgotten and powerful meaning.


Revenge Tragedy and the Drama of Commemoration in Reforming England

Revenge Tragedy and the Drama of Commemoration in Reforming England

Author: Thomas Rist

Publisher: Routledge

Published: 2016-12-05

Total Pages: 191

ISBN-13: 1351903373

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Considering major works by Kyd, Shakespeare, Middleton and Webster among others, this book transforms current understanding of early modern revenge tragedy. Examing the genre in light of historical revisions to England's Reformations, and with appropriate regard to the social history of the dead, it shows revenge tragedy is not an anti-Catholic and Reformist genre, but one rooted in, and in dialogue with, traditional Catholic culture. Arguing its tragedies are bound to the age's funerary performances, it provides a new view of the contemporary theatre and especially its role in the religious upheavals of the period.


Family and the State in Early Modern Revenge Drama

Family and the State in Early Modern Revenge Drama

Author: Chris McMahon

Publisher: Routledge

Published: 2012-11-27

Total Pages: 260

ISBN-13: 1136496289

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In this book, McMahon considers Early Modern revenge plays from a political science perspective, paying particular attention to the construction of family and state institutions. Plays set for close study are The Spanish Tragedy, Hamlet, The Revenger’s Tragedy, The Malcontent and The Duchess of Malfi. The plays are read as unique events occupying positions in historical process concerning the privatisation of the family (by means of symbolism and concrete household strategies such as budgeting and surveillance) and the subsequent appropriation of the family and its methods by the state. The effect is that family becomes an unofficial organ of the state. This process, however, also involves the reform of the state along lines demanded by the private family. McMahon’s critical method, derived from the theory of Bourdieu, Bataille, and Girard, maps capital transactions to reveal emotionally charged, often idiosyncratic responses to issues of shared concern. Such issues include state corruption, the management of women, the performance of roles according to gender, the uses of surveillance, and the ethics of sacrifice.