The Representation of Angels and Angelic Orders from the Late Middle Ages Through the Reformation C.1450-c.1650

The Representation of Angels and Angelic Orders from the Late Middle Ages Through the Reformation C.1450-c.1650

Author: Mary Agnes Murphy

Publisher:

Published: 2010

Total Pages:

ISBN-13:

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The field of angelology is vast. This thesis investigates the artistic representations of angels from the Late Middle Ages through the Reformation, from c.1450 to c.1650. This is achieved by a careful selection of material which demonstrates how the angelic form mutated in response to the religious and political changes experienced in England during this time. Thus, attention has been focussed on three main areas that form the components of this study: Chapter one investigates the integral role that angels played in the late-medieval Catholic belief system, drawing on primary and secondary literature to demonstrate how scholars viewed angels and specifically, how they categorised and differentiated the various orders of angels. Chapter two examines four case studies of representations of the angelic hierarchy at a local and national level, in different media, in order to evaluate how the doctrine surveyed in chapter one was manifested in artistic practice, with special attention to how angels were depicted on the eve of the Reformation. Chapter three examines the Reformation in terms of angelology, with particular regard to the European and English reformers' views on the artistic representation of these celestial creatures, from the beginnings of religious change to the era of the Commonwealth. The hypothesis that angels were not represented on tomb monuments in the Elizabethan period is tested, by investigating the counties of Leicestershire and Rutland, looking at the monuments of the period c. 1550-c.1650. This chapter also addresses how the English responded to the call of the iconoclasts and investigates whether angels were treated in the same conceptual and ideological category as the saints, or if they managed to survive. I shall contend that despite the changes to Christianity in England, during the period of concern for this study, angels continued to be part of the faith as demonstrated by their continued portrayal in art and sculpture.


Angels & Angelology in the Middle Ages

Angels & Angelology in the Middle Ages

Author: David Keck

Publisher: Oxford University Press, USA

Published: 1998

Total Pages: 279

ISBN-13: 0195110978

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Angels have made a remarkable comeback in the popular imagination; their real heyday, however, was the Middle Ages. This text offers a study of angels and angelology in the Middle Ages, seeking to discover how and why angels became so important in medieval society.


Angelic Spirituality

Angelic Spirituality

Author: Steven Chase

Publisher: Paulist Press

Published: 2002

Total Pages: 408

ISBN-13: 9780809105137

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Explores the extensive landscape of angels in medieval Christian devotion and retrieves a very rich vein in the Christian spiritual tradition.


Angels and Belief in England, 1480–1700

Angels and Belief in England, 1480–1700

Author: Laura Sangha

Publisher: Routledge

Published: 2015-10-06

Total Pages: 304

ISBN-13: 1317322800

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This study looks at the way the Church utilized the belief in angels to enforce new and evolving doctrine.Angels were used by clergymen of all denominations to support their particular dogma. Sangha examines these various stances and applies the role of angel-belief further, to issues of wider cultural and political significance.


Angels in the Early Modern World

Angels in the Early Modern World

Author: Peter Marshall

Publisher: Cambridge University Press

Published: 2006-08-31

Total Pages: 320

ISBN-13: 0521843324

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This volume explores the role of belief in the existence of angels in the early modern world.


Angels in Early Medieval England

Angels in Early Medieval England

Author: Richard Sowerby

Publisher: Oxford University Press

Published: 2016-07-28

Total Pages: 386

ISBN-13: 0191088129

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In the modern world, angels can often seem to be no more than a symbol, but in the Middle Ages men and women thought differently. Some offered prayers intended to secure the angelic assistance for the living and the dead; others erected stone monuments carved with images of winged figures; and still others made angels the subject of poetic endeavour and theological scholarship. This wealth of material has never been fully explored, and was once dismissed as the detritus of a superstitious age. Angels in Early Medieval England offers a different perspective, by using angels as a prism through which to study the changing religious culture of an unfamiliar age. Focusing on one corner of medieval Europe which produced an abundance of material relating to angels, Richard Sowerby investigates the way that ancient beliefs about angels were preserved and adapted in England during the Anglo-Saxon period. Between the sixth century and the eleventh, the convictions of Anglo-Saxon men and women about the world of the spirits underwent a gradual transformation. This book is the first to explore that transformation, and to show the ways in which the Anglo-Saxons tried to reconcile their religious inheritance with their own perspectives about the world, human nature, and God.


Angels Through the Ages

Angels Through the Ages

Author: James Platts

Publisher: iUniverse

Published: 2001-08

Total Pages: 174

ISBN-13: 0595196462

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The only author already in print discussing the history of higher angels appears to be Mother Alexandra, an Orthodox nun who wrote The Holy Angels. This presentation also concentrates on those higher angels but also briefly reviews those lower less dramatic guardian angels. After studying angel apparitions in the Old Testament, the Christian era presents a dramatic increase in angel activities. Joining the older traditional Michael and Gabriel, we are introduced, at the Transfiguration, to Moses and Elijah, those two giants of Judaism These latter have, somewhere in time, become new archangels. On that Mount Tabor, Jesus also acquires archangel status, when the mighty spirit of David, the third giant, completes exactly one thousand years of penance, and is transfigured into this carpenter from Nazareth. Mary, the Mother of Angels in the Roman Catholic tradition, receives archangel status upon her death. Also emerging in that first Christian century is Satan, the Fallen Archangel. A serious consideration of Satan is vital, because each one of us must overcome Satan’s earthly temptations in order to reach the Promised Land. Thereafter, Mary and Jesus appear in angel form over the Christian centuries – sometimes together, more often alone - in their attempt to bring peace to a troubled world..


In the Anteroom of Divinity

In the Anteroom of Divinity

Author: Feisal Gharib Mohamed

Publisher: University of Toronto Press

Published: 2008-01-01

Total Pages: 257

ISBN-13: 0802097928

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In the Anteroom of Divinity focuses on the persistence of Pseudo-Dionysian angelology in England's early modern period. Beginning with a discussion of John Colet's commentary on Dionysisus' twin hierarchies, Feisal G. Mohamed explores the significance of the Dionysian tradition to the conformism debate of the 1590s through works by Richard Hooker and Edmund Spenser. He then turns to John Donne and John Milton to shed light on their constructions of godly poetics, politics and devotion, and provides the most extensive study of Milton's angelology in more than fifty years. With new philosophical, theological, and literary insights, this work offers a contribution to intellectual history and the history of religion in critical moments of the English Reformation.


Angels and the Order of Heaven in Medieval and Renaissance Italy

Angels and the Order of Heaven in Medieval and Renaissance Italy

Author: Meredith Jane Gill

Publisher:

Published: 2014

Total Pages: 324

ISBN-13: 9781139227223

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From earliest times, angels have been seen as instruments of salvation and retribution, agents of revelation, and harbingers of hope. In effect, angels are situated at the intersections of diverse belief structures and philosophical systems. In this book, Meredith J. Gill examines the role of angels in medieval and Renaissance conceptions of heaven. She considers the character of Renaissance angelology as distinct from the medieval theological traditions that informed it and from which it emerged. Tracing the iconography of angels in text and in visual form, she also uncovers the philosophical underpinnings of medieval and Renaissance definitions of angels and their nature. From Dante through Pico della Mirandola, from the images of angels depicted by Fra Angelico to those painted by Raphael and his followers, angels, Gill argues, are the touchstones and markers of the era's intellectual self-understanding, and its classical revival, theological doctrines, and artistic imagination.