Powerful storytelling engages the senses, and today, there are more accessible digital tools available for telling multimedia stories than ever before. The Digital Reporter’s Notebook teaches practical digital storytelling techniques that journalists can put into practice right away, using the technology they already have in their pockets. Mark Blaine demonstrates how to gather information and organize it into a successful multimedia story without losing sight of the essentials of good journalism. These forty brief chapters provide a versatile toolkit for multimedia journalists, including activities and exercises to build a strong foundation in digital storytelling. Readers will also want to try the interactive app, which includes videos and animations that bring the concepts and ideas in the book to life. Topics include: Lighting & Framing Collecting Sound Scene Setting & Relevant Detail Interview Techniques Story Structure File Management The Digital Reporter’s Notebook is ideal for online journalism courses and introductory reporting courses using a convergence approach.
From a Washington Post weddings reporter who’s covered more than two hundred walks down the aisle comes a warm, witty, and wise book about relationships—the mystery, the science, and the secrets of how we find love and make it last. Ellen McCarthy has explored the complete journey of our timeless quest for “The One,” the Soul Mate, the Real Thing. This indispensable collection of insights—on dating, commitment, breakups, weddings, and marriage—gives us a window into enduring romance: • Go Online Already—“It’s a major time suck and a black hole of rejection and ambiguity and lies. But you know what? It also works.” • Keep It Confidential—“If you have to get something off your chest, pick someone whose wisdom you really trust, and who isn’t likely to spread the gossip to all your mutual acquaintances.” • Be Nice—“Brewing the morning coffee, touching the small of your partner’s back, filling their car with gas. These things add up to more relationship satisfaction than a fancy dinner on Valentine’s Day ever could.” The Real Thing features many more nuggets of wisdom, valuable information from the latest studies on commitment, candid testimonials from a variety of couples, and the personal story of McCarthy’s own search for “the keeper”—which begins, ironically, with a breakup the very same day she started as the Post’s full-time weddings reporter. Whether you’re looking for love or looking to strengthen your relationship, this book is a wonderful and clear-eyed map to the human heart. Praise for The Real Thing “A wise and compassionate look at how we love, along with some gentle suggestions for how we could get a little better at it . . . McCarthy has done something rare: She has written an optimistic book about love that is clear-eyed and unsentimental.”—The Washington Post “What a charming and captivating book this is! We never stop learning about love, and so many great lessons are within these pages.”—Elizabeth Gilbert, author of Eat, Pray, Love “My readers often say to me, ‘If we lived next door to each other, we'd be best friends.’ That is precisely what I wanted to say to smart, funny, self-effacing Ellen McCarthy after I finished reading The Real Thing. I loved every lesson laid out in a book that wouldn’t dare to call itself a field guide to marriage but amounts to as much on every page. This is a deeply useful little book.”—Kelly Corrigan, author of Glitter and Glue “Upbeat and sweet . . . This rich collection of stories charms and edifies, is filled with quotes from couples as well as experts in the field, and serves as not just stories to sigh over but lessons to apply.”—Booklist (starred review) “A fun read full of wonderful stories . . . McCarthy delivers a welcome combination of cynicism and poignancy in this account, which reads with the ease and accessibility of a self-help book.”—Library Journal “A comforting, realistic, and endearing portrait of modern relationships . . . This book will not only charm those in decades-old marriages, but also inspire those afraid love will never arrive for them.”—Publishers Weekly “Straight-talking . . . dating advice for adults of all ages.”—Kirkus Reviews
Caught pants down by a dance hostress in a Laotian nightclub; hitching a ride into battle with a chain-smoking pilot in a plane filled with cans of leaking kerosene; fielding cables that arrive in the dead of night from an editor screaming for urgent copy overnight… It’s all in a day’s work for the foreign correspondent, says author Dennis Bloodworth, who ought to know. He took it all in his stride during the more than 30 years that he spent as foreign correspondent of the London Observer. For those who have always wondered how the news gets into the papers, here’s the story behind the stories, and even some stories that couldn’t be told
THE BEST SIZE: This professional reporter's notebook measures 6,14" x 9,21", which means it doesn't take up an excessive amount of room in your bag. TAKE NOTES ON THE GO: This professional reporter's notebook makes it easy to maintain whilst taking notes in the subject. THE AUTHENTIC REPORTER'S NOTEBOOK: The Reporter's notebook has been the staple in journalism
A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.
NEW YORK TIMES BESTSELLER From Face the Nation moderator and contributing editor for The Atlantic John Dickerson come the stories behind the stories of the most memorable moments in American presidential campaign history. The stakes are high. The characters full of striving and ego. Presidential campaigns are a contest for control of power in the most powerful country on earth. The battle of ideas has a clear end, with winners and losers, and along the way there are sharp turning points-primaries, debates, conventions, and scandals that squeeze candidates into emergency action, frantic grasping, and heroic gambles. As Mike Murphy the political strategist put it, "Campaigns are like war without bullets." WHISTLESTOP tells the human story of nervous gambits hatched in first-floor hotel rooms, failures of will before the microphone, and the cross-country crack-ups of long-planned stratagems. At the bar at the end of a campaign day, these are the stories reporters rehash for themselves and embellish for newcomers. In addition to the familiar tales, WHISTLESTOP also remembers the forgotten stories about the bruising and reckless campaigns of the nineteenth century when the combatants believed the consequences included the fate of the republic itself. Some of the most modern-feeling elements of the American presidential campaign were born before the roads were paved and electric lights lit the convention halls-or there were convention halls at all. WHISTLESTOP is a ride through the American campaign history with one of its most enthusiastic conductors guiding you through the landmarks along the way.
