This is the first book-length account of Renaissance humanism in 15th- and 16th-century Poland. Harold B. Segel demonstrates that a lively community of intellectuals--Copernicus among them--helped to bring Poland into the mainstream of contemporary European culture and to lay the foundations for the Polish High Renaissance of the second half of the sixteenth century.
This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Polonizing Catholic influences entering from the west. A close study is made of the royal, noble and urban patronage of the richly-diverse visual and literary modes developed in these two centuries, as well as examining the cultural achievements of the many national groups in the Eastern Commonwealth, including Ruthenians, Lithuanians, Poles, Armenians, Jews, Karaite and Islamic Tatars. A major issue explored here is the problem of restoring and conserving the vast amount of devastated material culture in these regions, particularly in Belarus.
New Studies in Medieval and Renaissance Poland and Prussia: The Impact of Gdańsk draws together the latest reseach conducted by local historians and archaeologists on the city of Gdańsk and its impact on the surrounding region of Pomerania and Poland as a whole. Beginning with Gdańsk’s early political history and extending from the 10th to the 16th century, its twelve chapters explore a range of political, social, and socio-cultural historical questions and explain such phenomena as the establishment and development of the Gdańsk port and city. A prominent theme is a consideration of the interactions between Gdansk and Poland and Prussia, including a look into the city’s links with the State of the Teutonic Order in Prussia and the Kingdom of Poland under the rule of the Piast and Jagiellonian dynasties. The chapters are placed in the historical context of medieval Poland as well as the broader themes of religion, the matrimonial policy of noble families or their contacts with the papacy. This book is an exciting new study of medieval Poland and unparalleled in the English-speaking world, making it an ideal text for those wanting to deepen their knowledge in this subject area.
Through an exploration of the unique Polish tradition of child commemoration, this book raises issues beyond the monuments themselves, about Polish social life and family structuring in the early modern period, including attitudes to children and the position of women, as well as the transmission and reception of Renaissance ideas outside Italy. Drawing upon social and cultural history, visual and gender studies, the work not only asks important new questions, but provides a fresh perspective on familiar topics and themes within Renaissance history.
This book is the first comprehensive analysis of the career of cardinal-prince Fryderyk Jagiellon - the most powerful churchman in medieval or early modern Central Europe - and offers a new interpretation of the evolving relationship between the Polish Cr
Current research on the Renaissance has emphasized the need to look again at the original texts, documents and artefacts which, taken together, constitute the primary source of evidence for the re-evaluation of its historical significance. This volume represents one attempt to reflect this renewal of interest in returning to first principles. The Anthology presents a series of carefully selected primary sources across a wide range of disciplines, ordered thematically and reflecting the interests of scholars in a variety of fields of Renaissance studies. There are sections on humanism and its impact on philosophy and politics; Renaissance court culture, with particular emphasis on the courts of northern Italy and the Kingdom of Hungary; poetry and drama in Renaissance Britain; the Reformation; and science, magic and witchcraft. While some of the extracts are short and familiar, others appear here, in translation, for the first time, including, for example, an early sixteenth-century demonology by the Italian humanist Gianfrancesco Pico della Mirandola. The volume is illustrated throughout and each extract is introduced by a brief headnote describing the author and the source. Peter Elmer is Staff Tutor and Lecturer in the History of Science and Techology, Nick Webb is Staff Tutor and Lecturer in Art History, and Roberta Wood is Course Manager in the Arts Faculty, all at the Open University.
"Little has been written about the influence of Italian Renaissance art in eastern Europe, even though the Florentine artists who were invited to Buda or Cracow brought with them a more refined and more original form of their art than the Lombards took to France and Germany. This handsome volume, which contains more than 350 illustrations, describes how Hungary, Bohemia, and Poland succumbed to the irrepressible new style. Concerned primarily with architecture, sculpture, and architectural decoration, Professor Białostocki concentrates on the direct impact of Tuscan and North Italian artists known to have worked in various eastern European cities and courts. Taking a functionalist approach, he considers the historical background of patronage and humanism, and he discusses the most typical artistic projects of the time: the castle, the chapel, the tomb, and the town. His concluding chapter deals with the period when late Renaissance, mannerism, and early baroque coexisted to form a hybrid style. A comprehensive bibliography offers previously uncollected material in several eastern European languages. An outstanding contribution to Renaissance studies, this book should not only encourage the exploration of new areas of comparative study but also make enlightening reading for nonexperts interested in the art of the Renaissance." --
Showcasing the extraordinary achievements of the proponents of Polish modernism from the 1890s to 1918, this ground-breaking book brings together pioneering research with beautiful imagery. Mloda Polska, or Young Poland, embraced the integration of fine and applied arts, motivated by a desire to establish a distinctive national style at a time of political uncertainty. Patriotic values were expressed through a diverse visual language that was fuelled by national identity, but also looked beyond Poland to Western Europe and the influences of Impressionism, Expressionism, Symbolism, Art Nouveau, while also displaying parallels with the British Arts and Crafts Movement. Young Poland's painting has been discussed within an international arena, but its decorative arts and architecture has yet to enjoy broad exposure. Here, for the first time, the considerable achievements of the movement's applied artists will be discussed, both from a national and international perspective. Highlighting Young Poland's integration of fine and decorative arts, the movement's ideological, stylistic and formal commonalities with British Arts and Crafts, and the vision of Ruskin and Morris, will be drawn out to provide fascinating insights for Western and Eastern audiences alike.
Poland's first native chronicler and a proud contributor to the twelfth century renaissance placed his people's history on a continuum with the classical world. This work brings to light the importance of Poland in the making of Europe. This volume presents an in-depth analysis of the 'Chronica Polonorum', one of the greatest works of the twelfth-century renaissance which profoundly influenced history writing in Central Europe. The 'Chronica Polonorum' was written by Poland's first native historian Vincentius of Cracow. Educated in Paris and Bologna, he was the first canonically elected bishop of Cracow and a participant of the Fourth Lateran Council. The eyewitness accounts given in the 'Chronica Polonorum' offer insights into the development of twelfth-century Poland, the ambitions of its dynasty, the country's integration into Christendom, and the interaction between the Polish and Western elites. Vincentius's work is considered a masterpiece in literary erudition grounded in classical training. The historical evidence it presents illuminates the socio-cultural interaction between Poland and the West during the period. Vincentius's chronicle demonstrates the strong, enduring influence of the history, law, and traditions of ancient Rome in twelfth-century Europe.
