The Renaissance Epic and the Oral Past
The Renaissance Epic and the Oral Past

Author: Anthony Welch

Publisher: Yale University Press

Published: 2012-11-27

Total Pages: 270

ISBN-13: 0300178867

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This book explores why Renaissance epic poetry clung to fictions of song and oral performance in an age of growing literacy. Sixteenth- and seventeenth-century poets, Anthony Welch argues, came to view their written art as newly distinct from the oral cultures of their ancestors. Welch shows how the period’s writers imagined lost civilizations built on speech and song—from Homeric Greece and Celtic Britain to the Americas—and struggled to reconcile this oral inheritance with an early modern culture of the book. Welch’s wide-ranging study offers a new perspective on Renaissance Europe’s epic literature and its troubled relationship with antiquity.

The Epic: a Very Short Introduction
The Epic: a Very Short Introduction

Author: Anthony Welch

Publisher:

Published: 2024-11-28

Total Pages: 0

ISBN-13: 9780198795124

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The epic is an ancient, diverse, and global art form. This Very Short Introduction aims to showcase the scope and variety of epic storytelling around the world. Welch takes a global approach that traces key resemblances between the European classics and traditional heroic poetry from Africa, Central Asia, and the Near East.

Heroic Awe
Heroic Awe

Author: Kelly Lehtonen

Publisher: University of Toronto Press

Published: 2022-12-01

Total Pages: 226

ISBN-13: 1487545398

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During the Renaissance, the most renowned model of epic poetry was Virgil’s Aeneid, a poem promoting an influential concept of heroism based on the commitment to one’s nation and gods. However, Longinus’ theory of the sublime – newly recovered during the Renaissance – contradicted this absolute devotion to nation as a marker of religious piety. Heroic Awe explores how Renaissance epic poetry used the sublime to challenge the assumption that epic heroism was primarily about civic duty and glorification of state. The book demonstrates how the significant investment of Renaissance epic poetry in Longinus’ theory of the sublime reshaped the genre of epic. To do so, Kelly Lehtonen examines the intersection between the Longinian sublime and early modern Protestant and Catholic discourses in Renaissance poems such as the Gerusalemme Liberata, Les Semaines, The Faerie Queene, and Paradise Lost. In illuminating the role of Longinus along with that of religious discourses, Heroic Awe offers a new perspective on epic heroism in Renaissance epic poetry, redefining heroism as the capacity to be overwhelmed emotionally, psychologically, and spiritually by encounters with divine glory. In considering the links between religion, the sublime, and epic, the book aims to shed new light on several core topics in early modern studies, including epic heroism, Renaissance philosophy, theories of emotion, and the psychology of religion.

Difficult pasts
Difficult pasts

Author: Mimi Ensley

Publisher: Manchester University Press

Published: 2023-02-28

Total Pages: 279

ISBN-13: 1526157888

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Medieval romances were widely condemned by early modern thinkers: the genre of questing knights and marvellous adventure was decried as bloody, bawdy and superstitious. Despite such proclamations, though, the Middle English romance genre remained popular across the early modern period. Difficult pasts examines the reception of Middle English romances after the Protestant Reformation in England, arguing that the genre’s popularity rested not in its violent or superstitious qualities, but in its multivocality. Incorporating insights from book history, reception history and cultural memory studies, Ensley argues that the medieval romance book became a flexible site of memory with which early modern readers could both connect with and distance themselves from the recent ‘difficult past’, a past that invited controversy and encouraged divided perspectives. Central characters in this study range from canonical authors like Geoffrey Chaucer and Edmund Spenser to less studied figures, such as printer William Copland, Elizabethan scribe Edward Banister and seventeenth-century poet and romance enthusiast, John Lane. In uniting a wide range of romance readers’ perspectives, the book complicates clear ruptures between manuscript and print, Catholic and Protestant, or medieval and Renaissance. Difficult pasts reveals how the romance book offers a new way to understand the simultaneous change and continuity that defines post-Reformation England.

The Choice of Odysseus
The Choice of Odysseus

Author: Sarah Van der Laan

Publisher: Oxford University Press

Published: 2024-02-22

Total Pages: 323

ISBN-13: 0198778295

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The Choice of Odysseus demonstrates how the Odyssey provided Renaissance authors and readers with a poetic ethics for their age. Sarah Van der Laan reconstructs Renaissance readings of the Odyssey by Petrarch, Poliziano, Ariosto, Tasso, Spenser, Monteverdi, and Milton to recover a powerful Renaissance tradition of Odyssean epic.

Singing to the Lyre in Renaissance Italy
Singing to the Lyre in Renaissance Italy

Author: Blake Wilson

Publisher: Cambridge University Press

Published: 2019-11-21

Total Pages: 487

ISBN-13: 1108488072

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The first comprehensive study of the dominant form of solo singing in Renaissance Italy prior to the mid-sixteenth century.

Pasticcio opera in Britain
Pasticcio opera in Britain

Author: Peter Morgan Barnes

Publisher: Manchester University Press

Published: 2024-07-09

Total Pages: 303

ISBN-13: 1526165171

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This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.

The Limits of Identity: Early Modern Venice, Dalmatia, and the Representation of Difference
The Limits of Identity: Early Modern Venice, Dalmatia, and the Representation of Difference

Author: Karen-edis Barzman

Publisher: BRILL

Published: 2017-04-18

Total Pages: 389

ISBN-13: 9004331514

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This book considers the production of collective identity in Venice (Christian, civic-minded, anti-tyrannical), which turned on distinctions drawn in various fields of representation from painting, sculpture, print, and performance to classified correspondence. Dismemberment and decapitation bore a heavy burden in this regard, given as indices of an arbitrary violence ascribed to Venice’s long-time adversary, “the infidel Turk.” The book also addresses the recuperation of violence in Venetian discourse about maintaining civic order and waging crusade. Finally, it examines mobile populations operating in the porous limits between Venetian Dalmatia and Ottoman Bosnia and the distinctions they disrupted between “Venetian” and “Turk” until their settlement on farmland of the Venetian state. This occurred in the eighteenth century with the closing of the borderlands, thresholds of difference against which early modern “Venetian-ness” was repeatedly measured and affirmed.

A Sudden Frenzy
A Sudden Frenzy

Author: James K. Coleman

Publisher: University of Toronto Press

Published: 2022-03-01

Total Pages: 307

ISBN-13: 1487563469

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In Renaissance Italy there existed a rich interplay between two cultural practices frequently regarded as entirely separate and mutually antagonistic: the humanistic study of the ancient world and ancient literature, and the oral and improvisational performance of poetry, which constituted one of the most popular forms of entertainment. A Sudden Frenzy explores the development and impact of these Renaissance practices of improvisation and oral poetry. James K. Coleman shows how the confluence of humanist culture and the art of oral poetry resulted in an extraordinary turn toward improvisation and spontaneity that profoundly influenced poetry, music, and politics. By examining the culture of improvisation, this book reveals the ways in which Renaissance thinkers transcended cultural dichotomies, both in theory and in practice. Drawing on a wide range of sources, including letters, poetry, visual art, and philosophical texts, A Sudden Frenzy reveals the far-reaching and sometimes surprising ways that these phenomena shaped cultural developments in the Italian Renaissance and beyond.