After enraging England (writing as Bill Murphy) in Home Truths, Bill Lumley is back in the first of the 'Reluctant Traveller' series. Forced to make good on a drunken promise to travel to Ethiopia to document a journey to the pinnacle of the lost mountain of Wehni, Lumley sets about annoying his mate Gar, his fellow travellers, and a huge number of Ethiopians. As he pursues his quest to avoid all work, any strenuous activity and paying for booze, he plots escape routes back his favourite Bethnal Green watering hole, only to be thwarted at every turn.
If Saul and Agnes don't do something their den will be destroyed. But the title deeds that could save it were lost in 1914. Good job they know the secret of time travel!Still, is travelling back in time to a world on the verge of war really a good idea? When Agnes disappears Saul has no choice -- he can't let her go to the past on her own.100 years before their own time, Saul and Agnes meet a brother and sister, servants at a big house where a sinister visitor is expected. Together the new friends try to uncover the mystery but Saul and Agnes know time is running out. Soon a war will begin: can they risk altering the past, the present and their future?This fun, time-twisting sequel to The Accidental Time Traveller -- winner of the Scottish Children's Book Award 2013 -- is full of historical details about World War One and will bring early-twentieth-century Scotland to life for young readers.
Sudesh Mishra was born in Suva, Fiji, and took his doctorate from the Flinders University of South Australia in 1989. He received the Harri Jones Memorial Prize for his published verse, including his collection Rahu (1987). He has since published a second volume, Tandava (1992), a passionate indictment of the 1987 coup in Fiji.
Although the arrival of the Bible in Africa has often been a tale of terror, the Bible has become an African book. This volume explores the many ways in which Africans have made the Bible their own. The essays in this book offer a glimpse of the rich resources that constitute Africa's engagement with the Bible. Among the topics are: the historical development of biblical interpretation in Africa, the relationship between African biblical scholarship and scholarship in the West, African resources for reading the Bible, the history and role of vernacular translation in particular African contexts, the ambiguity of the Bible in Africa, the power of the Bible as text and symbol, and the intersections between class, race, gender, and culture in African biblical interpretation. The book also contains an extensive bibliography of African biblical scholarship. In fact, it is one of the most comprehensive collections of African biblical scholarship available in print. This publication has also been published in paperback, please click here for details.
Rhetoric and Wonder in English Travel Writing, 1560-1613, shows how rhetorical invention, elocution and ethos combined to create plausible representations by generating intellectual and emotional significances which, meaningful in consensual terms, were 'consensually' true. However, some traveller-writers betrayed an unease with such representation, rooted as it was in a metaphorical epistemology out of kilter with an increasingly empiricist age. This book throws new light onto the episteme shift that ushered in modernity with its distrust of metaphor in particular and rhetoric's 'wordish descriptions' in general. In response to the empirical desiderata of scientific rationalism, traveller-writers textually or physically made their own bodies available as evidence of their encounters with wonder, thus transforming themselves into wonderful objects. The irony is that, far from dispensing with rhetoric, they merely put the accent on its more dramatic arts of gesture and action. The body's evidence could still be doctored, but its illusory truths were better able to satisfy the empirical demand for 'ocular proof'. The author's main purposes here are to complement, and sometimes counter, recent work on early modern travel literature by concentrating on its use of rhetoric to communicate meaning; and to suggest how familiarity with the workings of rhetoric and its communicative and epistemological premises may enhance readings of early modern English literature generally.
From its first episode in 1973, Open All Hours was an instant hit. Audiences around Britain loved its familiar setting, good natured humour, and the hilarious partnership of Ronnie Barker and David Jason. Whilst it only ran for 26 episodes, it firmly cemented itself as a British comedy classic. To celebrate the 40th anniversary of the show in 2014, the BBC revived it for a one-off Christmas Special. Still Open All Hours was swamped by a tsunami of audience affection and the BBC promptly commissioned a full series. The first episode of the fifth series is expected to air in late 2014. With recollections from David Jason, his fellow cast members, and from the scriptwriter Roy Clarke, plus never before seen BBC archive material, acclaimed popular TV historian Graham McCann tells the inside story of this very British sitcom, with wit, insight and affection.
Winner of the Scottish Children's Book Award 2013 Younger Readers (8-11 years) category. I'm not mad, ok? I know this sounds off the wall, but I was just walking to the corner shop and this girl almost got hit by a car. She grabbed hold of me and told me her name's Agatha Black and she's here from the past. At first I thought she was nuts but maybe it's true. She doesn't get traffic, she's freaked out by photos and she's terrified of TV. And she knows about the past -- body snatchers, making fires, and pet monkeys. Her dad does a bit of time travel. But obviously, he's not very good at it. I mean, he got her lost. Now it's me that has to get her back ? to 1812!
