The Religious Dimension in the Cinema
Author: Ronald Holloway
Publisher:
Published: 1972
Total Pages: 348
ISBN-13:
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The religious dimension in the cinema: with particular referenc...
Author: Ronald Holloway
Publisher:
Published: 1972
Total Pages: 340
ISBN-13:
DOWNLOAD EBOOKBelieving in Film
Author: Mark Le Fanu
Publisher: Bloomsbury Academic
Published: 2020-03-19
Total Pages: 288
ISBN-13: 9781350160491
DOWNLOAD EBOOKWe live in a secular world and cinema is part of that secular edifice. There is no expectation, in modern times, that filmmakers should be believers – any more than we would expect that to be the case of novelists, poets and painters. Yet for all that this is true, many of the greatest directors of classic European cinema (the period from the end of World War II to roughly the middle of the 1980s) were passionately interested not only in the spiritual life but in the complexities of religion itself. In his new book Mark Le Fanu examines religion, and specifically Christianity, not as the repository of theological dogma but rather as an energizing cultural force – an 'inflexion' – that has shaped the narrative of many of the most striking films of the twentieth century. Discussing the work of such cineastes as Eisenstein and Tarkovsky from Russia; Wajda, Zanussi and Kieslowski from Poland; France's Rohmer and Bresson; Pasolini, Fellini and Rossellini from Italy; the Spanish masterpieces of Buñuel, and Bergman and Dreyer from Scandinavia, this book makes a singular contribution to both film and religious studies.
Film as Religion
Author: John Lyden
Publisher: NYU Press
Published: 2003-06
Total Pages: 299
ISBN-13: 0814751806
DOWNLOAD EBOOKChoice Outstanding Academic Title 2003 Film as Religion argues that popular films perform a religious function in our culture. Like more formal religious institutions, films can provide us with ways to view the world and values to confront it. Lyden contends that approaches which interpret films only ideologically or theologically miss the mark in understanding their appeal to viewers. He develops an alternative method which shows how films can be understood as representing a “religious” worldview in their own right. Lyden surveys the state of the study of religion and film, offering an overview of previous methods before presenting his own. Rather than seeking to uncover hidden meanings in film detectable only to scholars, Lyden emphasizes how film functions for its audiences?the beliefs and values it conveys, and its ritual power to provide emotional catharsis. He includes a number of brief cases studies in which he applies this method to the study of film genres—including westerns and action movies, children's films, and romantic comedies—and individual films from The Godfather to E.T., showing how films can function religiously.
New Image of Religious Film
Author: John R. May
Publisher: Rowman & Littlefield
Published: 1997
Total Pages: 316
ISBN-13: 9781556127618
DOWNLOAD EBOOKContributors from richly diverse backgrounds explore a wide range of current issues concerning the interrelationship of religion and film.
The Sacred and the Cinema
Author: Sheila J. Nayar
Publisher: A&C Black
Published: 2012-03-29
Total Pages: 226
ISBN-13: 1441158715
DOWNLOAD EBOOKA unique epistemic approach to manifestations of the sacred onscreen.
Religion and Film
Author: S. Brent Plate
Publisher: Columbia University Press
Published: 2017-09-05
Total Pages: 245
ISBN-13: 0231545797
DOWNLOAD EBOOKReligion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.
Religion and Film
Author: Stefanie Knauss
Publisher: BRILL
Published: 2020-01-29
Total Pages: 109
ISBN-13: 9004426760
DOWNLOAD EBOOKIs cinema evil, or sacramental? Can films make theological contributions? Can film-viewing be a religious practice? How do films, values and power interact? The study of film and religion engages a range of diverse questions through different approaches and methods. In this contribution, I distinguish three complementary approaches. In the first part, I discuss those that focus on the film as text, the representation of religion in film, and how theology happens in film. The next section will broaden this perspective by taking into consideration how films affect audiences, and how the relationship between film and audience might have religious dimensions or serve religious functions. In the third part, attention to the text and the audience are combined with the consideration of both film and religion as agents in cultural processes in order to think about how film and religion are shaped by and shape value systems and ideologies. In the last section I will begin to tackle the difficult question of theory and method. I consciously postpone this part until the end because, in many cases, methodologies and theoretical frameworks are implied in and emerge from concrete case studies rather than being consciously reflected upon. This final section has two goals: it will make explicit some of these underlying assumptions to serve as a starting point for a more sustained reflection on the theories and methodologies of the field, and it will highlight some of the pitfalls we encounter if we are not methodologically and theoretically precise in our work.
International Handbook of the Religious, Moral and Spiritual Dimensions in Education
Author: Marian de Souza
Publisher: Springer Science & Business Media
Published: 2007-06-04
Total Pages: 1417
ISBN-13: 1402052464
DOWNLOAD EBOOKIn today’s pluralistic world, many cultures feel a shift in the relationship of people with religious traditions. A corresponding movement is a resurgence of interest in human spirituality. This Handbook presents the views of education scholars who engage these concepts every day, in a collection of essays reflecting the international state of the discipline. Out of these rises a vision for the emergence of a just and peaceful world.
The Religious Dimensions of Advertising
Author: T. Sheffield
Publisher: Springer
Published: 2006-11-13
Total Pages: 201
ISBN-13: 0230601405
DOWNLOAD EBOOKThis groundbreaking work explores media scholar Sut Jhally's thesis that advertising functions as a religion in late capitalism and relates this to critical theological studies. Sheffield argues that advertising is not itself a religion, but that it contains religious dimensions - analogous to Durkheim's description of objects as totems.
