The Register of the Spencer Museum of Art
Author: Helen Foresman Spencer Museum of Art
Publisher:
Published: 2005
Total Pages: 164
ISBN-13:
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The Register of the Museum of Art
Author: University of Kansas. Museum of Art
Publisher:
Published: 2007
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOKThe Register of the Spencer Museum of Art
Author: Helen Foresman Spencer Museum of Art
Publisher:
Published: 1984
Total Pages: 278
ISBN-13:
DOWNLOAD EBOOKEuropean Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design
Author: Rhode Island School of Design. Museum of Art
Publisher: University of Pennsylvania Press
Published: 1991
Total Pages: 296
ISBN-13: 0911517553
DOWNLOAD EBOOKThis documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Flowers, Dragons & Pine Trees
Author: Mary M. Dusenbury
Publisher: Hudson Hills
Published: 2004
Total Pages: 320
ISBN-13: 9781555952389
DOWNLOAD EBOOKThis beautifully illustrated volume introduces a little-known but outstanding collection of Asian textiles in the Spencer Museum of Art at teh University of Kansas.
The Darby School of Art
Author: Mark W. Sullivan
Publisher: Brookline Books
Published: 2023-11-15
Total Pages: 193
ISBN-13: 1955041261
DOWNLOAD EBOOKThis first full-length account of the Darby School of Art overturns Philadelphia’s long-held unwarranted reputation and demonstrates that Philadelphia was a hub of avant-garde painting in the early twentieth century. This first full-length account of the Darby School of Art overturns Philadelphia’s long-held unwarranted reputation as artistically stodgy—unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art—and demonstrates that Philadelphia was more avant-garde in the early twentieth century than previously thought. This is the story of an almost completely forgotten summer art school that flourished first in Darby, PA, and then in Fort Washington, PA, between 1898 and 1918. The Darby School of Art was founded and operated by Thomas Anshutz and Hugh Breckenridge, two artists who taught during the academic year at the Pennsylvania Academy of the Fine Arts. Anshutz and Breckenridge brought a lot of new ideas about painting back to Philadelphia after their European sojourns, and introduced those ideas to a public that was initially not very responsive to Impressionism, Post-Impressionism, and semi-abstract art. But an appreciation for modern styles of painting began to slowly grow among Philadelphia artists and collectors, and Anshutz and Breckenridge were in the forefront of this development. They also sympathized with what some have called the "New Woman" movement, which backed women who wanted to pursue careers outside of the home. In this new history, expert Mark Sullivan argues that the Philadelphia area was a genuine hub of avant-garde painting in the early twentieth century, even though it has earned the reputation of lagging far behind New York City in its openness to new styles of painting. It also discusses how the Darby School should be recognized as an institution that got behind the idea of women as professional artists at a time when that concept was quite radical.
The Renaissance Print, 1470-1550
Author: David Landau
Publisher: Yale University Press
Published: 1994-01-01
Total Pages: 453
ISBN-13: 0300068832
DOWNLOAD EBOOKThrough an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
To Inspire and Instruct
Author: Christina Nielsen
Publisher: Cambridge Scholars Publishing
Published: 2021-02-03
Total Pages: 260
ISBN-13: 1527565572
DOWNLOAD EBOOKThis collection of essays, which derive from a symposium held at the Art Institute of Chicago in 2005, tells the story of how medieval art was collected by both individuals and institutions in the American Midwest. This book will appeal to both medievalists and scholars of nineteenth- and twentieth century American history. In addition, it will also appeal to scholars who are interested in museum studies and the history of collecting. The essays in the first section, “Collecting and Displaying Medieval Art,” consider the formation of medieval art collections at influential cultural institutions in three of the most important centers of industry and culture in the Midwest: Chicago, Detroit and Cleveland. The second section, “Medieval Art as Inspiration and Education,” examines the motives of both private donors and museum professionals in forming collections and establishing period rooms and cloistered spaces at museums in Toledo, Kansas City, and St. Louis, among others. At the opposite end of the spectrum was a new trend in curatorial practice, beginning in the 1930s, that favored the dismantling of period rooms and espoused displaying historical works of art in more distinctly modern settings, a theme that pervades section three, “Medieval Art and Modernism.” An essay on medieval art in Midwestern university art museums and another one that considers the impact of works from medieval collections in special exhibitions serve as a remarkable coda to the rest of the volume. Two appendices follow this, one that provides an overview of medieval art collections in Midwestern university museums and another which provides a biographical sketch of prominent dealers of medieval art from 1900-1950.
The Grove Encyclopedia of American Art
Author: Joan M. Marter
Publisher: Oxford University Press, USA
Published: 2011
Total Pages: 3140
ISBN-13: 0195335791
DOWNLOAD EBOOKArranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Before Bruegel
Author: AlisonG. Stewart
Publisher: Routledge
Published: 2017-07-05
Total Pages: 383
ISBN-13: 1351574272
DOWNLOAD EBOOKPeasant festival imagery began in sixteenth-century Nuremberg, when the city played host to a series of religious and secular festivals. The peasant festival images were first produced as woodcut prints in the decade between 1524 and 1535 by Sebald Beham. These peasant festival prints show celebrating in a variety of ways including dancing, eating and drinking, and playing games. In Before Bruegel, Alison Stewart takes a fresh look at these images and explores them within their historical and cultural contexts, including the introduction of the Lutheran Reformation into the town's institutions and the accompanying re-evaluation of the town's popular festivals. Stewart goes beyond the black-and-white approaches of previous interpretations, to examine the festival prints in a more complex manner. In the first publication of its kind, Stewart makes the case for a range of meanings these works held for a sixteenth-century audience and for Beham's pictorial inventiveness and his business savvy. Beham is credited with inventing the subject of peasant festivals in Northern Renaissance art and for creating a market for the subject by the middle of the sixteenth century, with his large-scale woodcuts at Nuremberg and with tiny engravings at Frankfurt. Stewart shows that the market Beham created for prints with the theme of peasant festivals paved the way for Pieter Bruegel's Netherlandish paintings of the same theme, dating but a few years later.
