The Rediscovery of America features some twenty representatives of England, France and America, whose careers in some sense straddled the Atlantic in the last quarter of the eighteenth century. While not establishing causal links between the American and French Revolutions, the collective weight of these individual responses to the new America supports the idea of an 'Atlantic Revolution'. This study of the writings and transatlantic experiences of the revolutionary generation shows the power of American images in shaping political rhetoric, if not political reality.
Wordsworth and the Victorians tells the story of the flowering of Wordsworth's reputation and influence. As well as showing how poets and novelists such as Matthew Arnold and George Eliot transmitted the Wordsworthian spirit, Stephen Gill uses a mass of anecdotal and biographical material - the personal testimony of critics, scholars, publishers, and ordinary readers - to illustrate just what Wordsworth's poetry meant to his Victorian readers.
Wordsworth: A Poet's History examines the range of Wordsworth's poetry and criticism over the course of his career. It examines the writer and his works against the backdrop of revolutionary history, public, personal as well as political. The study foregrounds the ways in which Wordsworth's account of 'self-representation in poetic language' coils around and recoils from the linguistic traumas excited by the French Revolution. The book also examines Wordsworth's patriotism and the evolution of this as demonstrated in his poetry.
A New Yorker Best Book of 2022 “Brilliantly conceived and executed, Botticelli's Secret is a riveting search for buried treasure.” —Stephen Greenblatt, author of The Swerve Some five hundred years ago, Sandro Botticelli, a painter of humble origin, created works of unearthly beauty. A star of Florence’s art world, he was commissioned by a member of the city’s powerful Medici family to execute a near-impossible project: to illustrate all one hundred cantos of The Divine Comedy by Dante Alighieri, the ultimate visual homage to that “divine” poet. This sparked a gripping encounter between poet and artist, between the religious and the secular, between the earthly and the evanescent, recorded in exquisite drawings by Botticelli that now enchant audiences worldwide. Yet after a lifetime of creating masterpieces including Primavera and The Birth of Venus, Botticelli declined into poverty and obscurity. His Dante project remained unfinished. Then the drawings vanished for over four hundred years. The once famous Botticelli himself was forgotten. The nineteenth-century rediscovery of Botticelli’s Dante drawings brought scholars and art lovers to their knees: this work embodied everything the Renaissance had come to mean. From Botticelli’s metaphorical rise from the dead in Victorian England to the emergence of eagle-eyed connoisseurs like Bernard Berenson and Herbert Horne in the early twentieth century, and even the rescue of precious art during World War II and the fall of the Berlin Wall in 1989, the posthumous story of Botticelli’s Dante drawings is, if anything, even more dramatic than their creation. A combination of artistic detective story and rich intellectual history, Botticelli’s Secret shows not only how the Renaissance came to life, but also how Botticelli’s art helped bring it about—and, most important, why we need the Renaissance and all that it stands for today.
Charles Darwin and the Church of William Wordsworth is a study of the cultural connections between two of the nineteenth century's most influential figures, Charles Darwin and William Wordsworth. When Darwin published On the Origin of Species, his reading public's affective response to the natural world had already been profoundly influenced by William Wordsworth. Wordsworth presented nature as benign, harmonious, a source of moral inspiration and spiritual blessing, and a medium through which one might enter into communion with the Divine. Long after his death, he continued to be revered throughout the English-speaking world, not only as a great poet, but as a theologian with a broader following than any prelate and an appeal that transcended or ignored sectarian differences. For believers and skeptics alike, Wordsworth's poetry offered a readily accessible and intellectually respectable counterweight to Darwin's vision of a material universe evolving by fixed laws in which Divinity played no discernible role and where concepts like beauty and harmony were material conditions to be explained in scientific terms. Wordsworth's theology of nature became for many readers a more effective counterforce to Darwin's ideas than Biblical orthodoxy, but it also provided an enriching context for the reception of evolutionary theory, aiding theists in their effort to reach an accommodation with the new science. As the nineteenth century's two most prominent theoreticians of nature's life, Wordsworth and Darwin competed for attention among those seeking to understand humanity's relationship with the natural world, and their disciples engaged in a productive, mutually transformative dialogue in which the poet's cultural authority influenced the way Darwin was received, and Darwinian science adjusted interpretation and evaluation of the poetry. Charles Darwin and the Church of William Wordsworth explores the broad cultural relationship between Wordsworth, Darwin, and their disciples, contextualizing them within wider discussions about the relationship between religion and science in the nineteenth century.
Jean-Pierre Mileur asserts that "the literary tradition, the great tradition of the Romantics, is now being carried on by criticism," and that modern criticism "is a late Romantic literary genre, a distinctive form of the romance." By collapsing the boundaries between the literary and the literary-critical traditions, Mileur embarks on a thought-provoking analysis of literary criticism. Criticism becomes a modern version of the age-old quest romance, and the critic becomes a romantic hero--a brooding figure fraught with self-doubt who strives, like Browning's Childe Roland, despite knowledge of certain failure. The Critical Romance is an exciting intervention in the critical study of criticism, and makes a significant contribution to the study of Romanticism as well.
