The poetry that emerged from the trenches of WWI is a remarkable body of work, at once political manifesto and literary beacon for the twentieth century. In this passionate recreation of the lives of the greatest poets to come out of the conflict, Nicholas Murray brilliantly reveals the men themselves as well as the struggle of the artist to live fully and to bear witness in the annihilating squalor of battle. Bringing into sharp focus the human detail of each life, using journals, letters and literary archives, Murray brings to life the men's indissoluble comradeship, their complex sexual mores and their extraordinary courage. Poignant, vivid and unfailingly intelligent, Nicholas Murray's study offers new and finely tuned insight into the - often devastatingly brief - lives of a remarkable generation of men.
Vera Brittain and the First World War tells the remarkable story of the author behind Testament of Youth whilst charting the book's ascent to become one of the most loved memoirs of the First World War period. Such interest is set to expand even more in this centenary year of the war's outbreak. In the midst of her studies at Oxford when war broke out across Europe, Vera Brittain left university in 1915 to become a V.A.D (Voluntary Aid Detachment) nurse, treating soldiers in London, Malta and Etaples in France. The events of the First World War were to have an enormous impact on her life. Four of Brittain's closest friends including her fiancé Roland Leighton and her brother Edward Brittain MC were killed in action, sparking a lifelong commitment to pacifism. In 1933 she published Testament of Youth, the first of three books dealing with her experience of war. In equal measures courageous, tragic and deeply fascinating, Testament of Youth is one of the most compelling and important works of war literature ever to have been written by a British woman. Mark Bostridge's Vera Brittain and the First World War, published to coincide with the film of Testament of Youth, explores the effects of the First World War on Vera Brittain, both in terms of her personal life and in terms of its effect on her development as a writer and her eventual decision to become a pacifist. Taking advantage of the interest generated by the film, it will bring her story to a new generation and incorporate the most up-to-date research. It will also include a short essay 'From Book to Film', describing the process of turning Testament of Youth into a major feature film. This will include interviews with the production staff and actors, as well as with members of Vera Brittain's family, including Shirley Williams. The film, which has been scripted by Juliette Towhidi and is being produced by BBC Films and Heyday Films, the makers of Harry Potter, is currently in production. Alicia Vikander (Anna Karenina) stars as Brittain, with Kit Harington (Game of Thrones, Pompeii) playing her fiancé Roland Leighton.
This collection of Vera Brittain's poetry and prose, some of it never published before, commemorates the men she loved - fiancé, brother and two close friends - who served and died in the First World War. It draws on her experiences as a VAD nurse in London, Malta, and France, and illustrates her growing conviction of the wickedness of all war. Illustrated with many extraordinary photographs from Brittain's own albums, and edited with a new introduction by Mark Bostridge, Because You Died is an elegy to men who lost their lives in a bloody conflict, and a volume of remembrance to mark the ninetieth anniversary of the Armistice.
This book is about WAR--not the causes and results, not the planning and the campaigns, not the artillery and the bombs. It is about the heinous crimes committed by the combatants, the horrifying experiences of civilians, the devastation of cities and villages, the killing and the dying, the glory leading to revulsion and guilt, and the assimilation of suffering that either ends in death or in the triumph of the soul. It looks at the struggle of the church to remain faithful and the servants of the church who seek to bring sense and solace to the victims. It discusses antisemitism, racism, and war itself from biblical perspectives. It reveals the unjustifiable reasons for engaging in war and how this brings catastrophic results for all peoples--the mental instability of the survivors and the loss and grief of those on the home front. In war, how can men and women carry out the actions that they do? As Viktor Frankl writes: "After all, man is that being who has invented the gas chambers of Auschwitz; however, he is also that being who has entered those gas chambers upright, with the Lord's Prayer or the Shema Yisrael on his lips."
