The intellectual scope and cultural impact of British and Irish writers in Europe cannot be assessed without reference to their 'European' fortunes. This collection of essays, prepared by an international team of scholars, critics and translators, record how D.H. Lawrence's work has been received, translated and interpreted in most European countries with remarkable, though greatly varying, success. Among the topics discussed in this volume are questions arising from the personal and frequently controversial nature of much of Lawrence's writings and the various ways in which translators from across Europe coped with the specific problems that the often regional, but at the same time, cosmopolitan Lawrencean texts pose.
In recent decades, critical and theoretical debate in the field of culture and literature has called into question many literary categories, has re-discussed the literary canon, and has totally renovated critical approaches in the wake of major changes in western society such as the irruption of new cultural identities, the disruption of the well-established Euro-centric conception, and the need to establish new world visions. D. H. Lawrence has been a focus for critical debate since his early publications in the first decades of the 20th century. The force of his thought, his courageous challenge against the most important values of western industrial society, his rejection of England and its bourgeois values, his choice to live in exile, his never-ending quest for lost vital meanings, his open-mindedness in coming into contact with different worlds and cultures, and the revolutionary impact of his writing have all provided critics with important issues for discussion. Most of Lawrence’s works are still being read and analysed through ever-new critical lenses and approaches. This volume brings together a selection of papers delivered at the 13th International D. H. Lawrence Conference, D. H. Lawrence: New Life, New Utterance, New Perspectives held in Gargnano in 2014, on Lake Garda: the place of Lawrence’s first Italian sojourn, where he started a “new life” with Frieda and a new phase as a writer. The essays selected for Part I of this volume offer new readings of Lawrence’s work and ideology through various theoretical and philosophical approaches, drawing comparisons with philosophers and thinkers such as Bataille, Darwin, Derrida, Heidegger, and Benjamin, among others. Part II focuses on translation, a concept which can be extended to cultural mediation, as it can be applied not only to the proper translation of texts from one language into another, but also to travel writing and to transcodification, as is the case of film versions of Lawrence’s novels.
An account of Lawrence's years in Italy--a crucial, productive period for his art--draws on interviews with his friends and his letters and chronicles the writer's travels and varying circle of expatriate friends.
The critical essays in this volume, by leading authorities on D. H. Lawrence, focus on the importance of Italy and England in Lawrence's work and life. They span the years of his creative maturity from 1915 - which witnessed the important visit to Cambridge, the revisions to Twilight in Italy and the banning of The Rainbow - to 1926, the year in which he began research for the pieces that became Etruscan Places .
The volume offers a wide horizon on D. H. Lawrence’s search for an ideal primitive society in a pristine natural environment. It lends itself to an interesting comparison with today’s reality, with a particular focus on Sardinia. It combines literature and photography in order to analyse Sicilian and Sardinian society. The volume investigates aspects which have hardly been considered in depth in previous publications on Lawrence’s Sea and Sardinia, such as the strongly stressed ecological approach that makes Lawrence an incredible writer of our time, the role of Sardinian women as opposed to that of men as seen by Lawrence, and the importance of food and traditional costumes as persistent symbols of local identity.
Volume II of the Letters presents more than 700 letters, covering the period from June 1913 to October 1916, from the enthusiastic reception of Sons and Lovers to the completion of the first manuscript of Women in Love. Lawrence visits England in June 1913 and receives recognition as the author of Sons and Lovers. He returns to Italy in the autumn of 1913 to work on his new novel 'The Sisters', which subsequently becomes The Rainbow and Women in Love. Lawrence and Frieda return to England in June 1914 to be married and are caught there by the War. The letters vividly record his reaction to the War. The editors' introduction considers the initial widening scope of Lawrence's literary life with his later isolation in Cornwall. Over two hundred letters are previously unpublished and others are printed for the first time in their entirety.
