Combines the techniques of fiction and nonfiction in order to tell the story of the love between Susette Gontard ("Diotima") and the poet Friedrich Holderlin.
Combines the techniques of fiction and nonfiction in order to tell the story of the love between Susette Gontard ("Diotima") and the poet Friedrich Holderlin.
Although the creative impulse surges in revolt against everyday reality, breaking through its confines, it makes pacts with that reality’s essential laws and returns to it to modulate its sense. In fact, it is through praxis that imagination and artistic inventiveness transmute the vital concerns of life, giving them human measure. But at the same time art’s inspiration imbues life with aesthetic sense, which lifts human experience to the spiritual. Within these two perspectives art launches messages of specifically human inner propulsions, strivings, ideals, nostalgia, yearnings prosaic and poetic, profane and sacral, practical and ideal, while standing at the fragile borderline of everydayness and imaginative adventure. Art’s creative perduring constructs are intentional marks of the aesthetic significance attributed to the flux of human life and reflect the human quest for repose. They mediate communication and participation in spirit and sustain the relative continuity of culture and history.
One thinks of the arts in Nazi Germany as struggling in an oppressive system, yet evidence has repeatedly shown that conditions were far more favourable than we assume. Potter conducts a historiography of Nazi arts, examining writings from the last seven decades to demonstrate how historical, moral, and intellectual conditions have sustained a distorted characterization of cultural life in the Third Reich. Showing how past research has revealed the decentralized nature of Nazi arts policies, Potter argues that the insulation of academic disciplines allowed outdated presumptions about Nazi micromanagement of the arts to persist.
This study focuses on street art and large-scale murals in metropolitan Miami/Dade County, while also foregrounding the diasporic and aesthetic interventions made by migrant and second-generation artists whose families hail from the Caribbean and Latin America. Jana Evans Braziel argues that Caribbean and Latinx street artists define and visually mark the city of Miami as a diasporic, transnational urban space. These artists also help define Miami as a cosmopolitan city, yet one that is also a distinctly Caribbean and Latinx urban space, and simultaneously resist but also (at times reluctantly) participate in the forces of gentrification and urban re/development, particularly through the myriad and complex ways in which street art contributes to city branding and art tourism. The book will be of interest to scholars working in art history, urban studies, American studies, and Latin American/Caribbean studies.
Bringing together critical assessments of the broad range of Rousseau's thought, with a particular emphasis on his political theory, this systematic collection is an essential resource for both student and scholar.
'I am out of the country and will not be checking my emails' DAWN FRENCH 'The file is just showing up blank my end?' GRAYSON PERRY 'Best book eva!!!' STEPHEN FRY 'Babe, I haven't got time' ALISON HAMMOND Joe Lycett is an incredibly right-wing commentator, comedian, television presenter, gardener, cage-fighter, Spectator columnist, fancy boy, bandit, pharmacist and knee-pain advocate. He is also a world-renowned portraitist, and some of the world's most influential and infamous people - Liz Truss, Eamonn Holmes, Mick Hucknall - have sat for him, keen to be immortalised through the medium of colour. Inside Joe Lycett's Art Hole you'll find his greatest artistic achievements and, for the first time, the salacious stories behind the portraits, some of them completely and utterly unbelievable. Read how His Royal Highness Prince William, The Prince of Whales, sat for an exclusive portrait whilst extolling the virtues of the Philips Air Fryer Series XXL Connected, which has 16 different cooking functions including fry, bake, grill, roast, dehydrate, toast, defrost, reheat, ferment and more. Enjoy a never-before-seen portrait of Priti Patel, done in a break from her hobby as one of the United Kingdom's greatest fly-tippers. And delight in the gob-smacking story of then-Deputy Prime Minister Therese Coffey averting an international incident at Cadbury World. Joe Lycett's Art Hole is brimming with surprises, including an astonishing array of British cultural titans, such as Harry Styles, Robert Peston, Nadine Dorries and Elaine Paige. Stunningly designed, it is sure to delight, fascinate and perhaps even inspire you to pick up a paint brush, insert yourself at the heart of contemporary British public life, and do some absolutely wank paintings of celebs.
Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined. Historically and theoretically."--Jacket.
Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.