The Rebirth of Spoken Word is a mission statement; a poetic call to action and Brother Heru emerges from its pages as a liberator, a freedom fighter. P.O.W., My Father Died and Destruction of Black Civilization all attest to his passion and commitment to the redemption, reformation and restoration of his people. This becomes apparent from reading the first poem Untitled.
"A dynamic and clarifying volume chock-full of fresh and informative commentary...and an exciting array of knock-out poems." —Booklist Starred Review "Accompanied by a terrific CD that showcases the great variety of styles performance poetry embraces, from the purest of recitations to seductive musical presentations, this dynamic anthology embodies the thrilling and mutually beneficial rapprochement between the traditionalists and the slammers, something that seemed about as likely 10 years ago as that proverbial cold day in hell." —Chicago Tribune The Spoken Word Revolution brings to life the written and performed works of more than 40 of the most influential slam, hip hop, performance art and contemporary poets in the world today. This defining collection of spoken word poetry captures today's electrifying words and voices, in text and immediately live on one audio CD.
“To describe this book, I wrote from the perspective of the black experience. My experience particularly. It’s a book about grief, death, rebirth, ancestors, and spirit. I talk about the matrix and wanting out of it.”—Reyna Biddy A collection of poetry focused on rebirth, ancestors, spirit, and so much more from the unique perspective and voice of a revered spoken-word poet, author, and self-love enthusiast. We Find Our Way, the latest and third collection of poetry from creator Reyna Biddy, explores themes of love and dependency, both within ourselves and with the people we hold close. Biddy’s propensity for making readers feel welcomed, healed, and hopeful is evident in every poem; every sentence; every word she pens. The variety of writing styles––from short, thought-provoking pieces to longer, more lyrical versification––perfectly cradle Biddy’s unique thoughts on intimate topics like motherhood, childbirth, and sacrifice, and many of the other complexities life contains. Biddy’s words are more influential and necessary now than ever.
Everybody understands the five consciousnesses which are recognized by the five organs (eyes, ears, nose, tongue, and skin) contacting the five objects (color (light), sound, smell, taste, and tactile objects), respectively. To human being, even sentient being, that is not all. Everybody knows about the sixth consciousness, namely, mind. In Buddhism, the sixth consciousness is explained to be generated from contacting between the sixth organ and the sixth object (dharma). What is the sixth organ? What is the sixth object? No more detailed explanation in Buddhism yet. However, this book provides very clear understanding on the sixth organ, sixth object, and further, mechanism of all consciousnesses. Finally you will become to know about "Who am I?" and get Enlightenment. In addition, this book will contribute to the scientific progress on consciousness. One of the author's friends, Mr. Anjan Sen, Patent Attorney in Calcutta, reviewed about this book, "I am really grateful to you for giving me this special opportunity to go through this excellent analytical and logically driven work of yours. You deserve special praise and credit for creating such a work inspite of your busy professional schedule which I found not only highly thought provoking but also directional and, most importantly, has been written in such a lucid form that would make it a ready treat for one and all to read and appreciate the discourse. I am overwhelmed by your stupendous efforts."
These readings are organized into four sections. The first explores the wellsprings of the debates in the relationship between the postmodern and the enterprise it both continues and contravenes: modernism. Here philosophers, social and political commentators, as well as cultural and literary analysts present controversial background essays on the complex history of postmodernism. The readings in the second section debate the possibility--or desirability--of trying to define the postmodern, given its cultural agenda of decentering, challenging, even undermining the guiding "master" narratives of Western culture. The readings in the third section explore postmodernism's complicated complicity with these very narratives, while the fourth section moves from theory to practice in order to investigate, in a variety of fields, the common denominators of the postmodern condition in action.
The book is divided into three partsThe Mind in Every Day Living, The Mind and the Dream World, and The Mind after Death. Due to the immateriality of mind or consciousness and the unknown mechanism thereof, the terms such as consciousness, mind, thought, emotion, and the like are not clearly defined, even in the twenty-first century, Choi Writes. To discover the mechanism and to define the terms clearly are my concerns in this book. He adds that one of his objectives is to prove continuity of consciousness after death. The first five consciousnesses are our sense consciousnesses, Choi explains, while the sixth consciousness, called the mano-vijnana, is generated by the sixth organ, referred to as the organ of mind or root of mind. What exactly that is, Choi continues, we do not know. However, it is crystal clear that the sixth organ is not the brain. It must be a nonphysical and immaterialistic organ that is capable of reading something. Choi goes on to explain the seventh consciousness, called manas. Unlike the first six consciousnesses, this one does not have an organ. It involves thinking, cogitation, and intellection. The first six consciousnesses perceive and discriminate their corresponding objects and trigger to think so as to give rise to the seventh consciousness, manas, which is accumulated in the eighth consciousness, alaya, as seeds of mind (cittas), Choi continues, adding that all mental activities are stored in alaya.
A comprehensive overview of the various ideologies that constitute Zionism, ranging from Marxist-Zionism to National Religious Zionism to that of the far-right Abba Achimeir. This book makes explicit the debt the Zionists owed to French thinkers and European ideologues, notably those associated with the French Revolution and the Enlightenment.
Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
The children of Israel's path to reconciliation with their lost brother - Joseph - began at the same time they did away with him. This is a path riddled with jealousy, bitterness, rage and betrayal. However, it is equally a path filled with undying love, longing, confession, forgiveness, reconciliation, restoration, peace, blessings and a new beginning. Whereas, the children of Israel reviled Joseph earlier; this time, they truly feared and revered Zaph'-nath-pa-a-ne'-ah. Unknown to them, this rejected and murdered prince still oversees all their deliberations ... However, If the sons of Jacob had not rejected their brother, As-e-nath may never have met her most beloved husband - Zaph'-nath-pa-a-ne-ah. Ma-nas'-seh and E'-phra-im would never have been born. In like manner, the rejection of the Son of Joseph also ensures that the Gentiles met her Christ; and the Gentile Church is born.
