Throughout the world, people regard Peter Sellers purely as a comedic genius: surely, one of the greatest ever to have lived. But, the astute observer will notice that he always appeared to be acting, even when being interviewed. So, who was Peter Sellers? Sellers once said, ‘I could never be myself you see. There is no “Me”. I do not exist. There used to be me, but I had it surgically removed’. Clearly, this was not intended to be taken literally. Instead, the inference is that somehow, he had lost his sense of identity. To discover the real Peter Sellers is no easy task, and when we do, what we encounter is a totally different persona from the comedic characters that he portrayed on the screen. Sellers had celebrity status: a succession of beautiful wives; immense wealth; magnificent motor cars; expensive yachts; a house in Mayfair, and various palatial residences. But far from being happy, he was plagued by self-doubt; ambitious, but never satisfied. And so, he resorted to superstition, clairvoyance, and drugs to get himself through the day. For all Sellers’ worldwide fame as ‘Inspector Clouseau’, many regard the film Being There, in which he played the character ‘Chance’, a gardener, as his masterpiece. In fact, the film was a damning indictment of the false god of materialism. Sellers’ obsession with the character of ‘Chance’, makes it seem likely that this was the kind of person he aspired to be, and wished that he had been.
Throughout the world, people regard Peter Sellers purely as a comedic genius: surely, one of the greatest ever to have lived. But, the astute observer will notice that he always appeared to be acting, even when being interviewed. So, who was Peter Sellers?Sellers once said, "I could never be myself you see. There is no 'Me'. I do not exist. There used to be me, but I had it surgically removed." Clearly, this was not intended to be taken literally. Instead, the inference is that somehow, he had lost his sense of identity.To discover the real Peter Sellers is no easy task, and when we do, what we encounter is a totally different persona from the comedic characters that he portrayed on the screen.Sellers had celebrity status: a succession of beautiful wives; immense wealth; magnificent motor cars; expensive yachts; a house in Mayfair, and various palatial residences. But far from being happy, he was plagued by self-doubt; ambitious, but never satisfied. And so, he resorted to superstition, clairvoyance, and drugs to get himself through the day.For all Sellers' worldwide fame as 'Inspector Clouseau', many regard the film Being There, in which he played the character 'Chance', a gardener, as his masterpiece. In fact, the film was a damning indictment of the false god of materialism.Sellers' obsession with the character of 'Chance', makes it seem likely that this was the kind of person he aspired to be, and wished that he had been.
Peter Sellers was a man of many passions and crazes with a character as complex and diverse as the legendary screen characters he created. In this warm and intimate memoir actor Graham Stark Sellers' close friend and confidant for 35 years chronicles the real story of the man and the actor, and reveals the exraordinary times they shared together throuought their long and personal relationship.
The first in-depth look at Peter Sellars, the avant-garde director whose Shakespeare productions have polarized communities and critics. Through extensive interviews and archival work, leading Shakespearean Ayanna Thompson takes readers on a journey through experimental theatre and the tensions that arise between innovation and accessibility. An iconoclastic figure who inspires strong reactions both personally and professionally, Peter Sellars continues to amaze and confound. This book takes readers inside his world for the first time.
Oui, the mystery of the missing Pink Panther Diamond is as good as solved! Only one question remains: Who stole the Pink Panther Diamond? A famous coach is murdered in a crowded stadium. His most-prized possession—a ring set with the stunning Pink Panther Diamond—has vanished in the melee. The French government needs a master detective on the case, but the head of the Paris Police Bureau is unwilling to jeopardize his chances for the Medal of Honor with such a difficult, high-profile assignment. Surely Inspector Jacques Clouseau, a clumsy provincial gendarme with a knack for ignoring the obvious, could fill in without upstaging his superiors. Within seconds he proves his genius by narrowing the list down to just 60,000 suspects! Pink Panther fans know Clouseau will recover the missing gem, bring a killer to justice, restore a Republic's damaged pride, and win the gratitude of an adoring nation. And he'll attempt to beguile the beautiful singer rumored to be at the center of the whole felonious affair. But the real mystery is how the bumbling detective will actually do it!
Peter O'Toole was supremely talented, a unique leading man and one of the most charismatic and unpredictable actors of his generation. Described by Richard Burton as 'the most original actor to come out of Britain since the war', O'Toole regularly seemed to veer towards self-destruction. With the help of exclusive interviews with colleagues and close friends, Robert Sellers paints the first complete picture of this much loved man and reveals what drove him to extremes, why he drank to excess and hated authority. But it also describes a man who was fiercely intelligent, with a great sense of humour and huge energy. Always insightful, at times funny, at times deeply moving, this is a fitting tribute to an iconic actor who made a monumental contribution to theatre and cinema.
'This is a remarkable, challenging and bravely original work.' The Guardian Ripped from the world by her husband's paranoia, Desdemona turns in death towards the memory of Barbary, the North African maid who raised her: together, they explore the contours of death, race, war, love and motherhood, in a moving elegy. Audacious with ambition, Desdemona is Toni Morrison's intimate reimagining of the fourth act of Shakespeare's Othello, mixing monologue with Rokia Traore's lyrical songs to re-examine the Bard's presentation of race and female suffering. Part-play, part-concert, part-quest into the afterlife, Desdemona is published in Methuen Drama's Modern Classics series, featuring a new introduction by Joyce Green MacDonald.