This classic work, originally published in 1932, is now being republished with a new introductory biography. Thomas Burke, born in Clapham, London in 1886, considered himself a true Londoner and the large majority of his writings are on the subject of everyday life in London. We are republishing this classic work with a new biographical introduction.
'Every page is a delight. Every chapter made vivid by a writer who has poured heart and soul into her book' Val Hennessy, Daily Mail The East End of London - cockneys, criminals, street markets, pub singalongs, dog racing, jellied eels . . . It is a place at once appealing and unruly, comforting and incomprehensible. Gilda O'Neill, an East Ender herself, shows there is more to this fascinating area than a collection of clichéd images. Using oral history and more traditional sources, she builds up a powerful image of this community - bringing to us, with wit and honesty, the real story of London's East End WHAT READERS ARE SAYING ABOUT MY EAST END: 'A true and detailed account of a community that has been sadly lost' Amazon Reader Review 'Excellent reading for anyone interested in the early life of London, one can't help being mesmerised by the hardships they endured!' Amazon Reader Review 'An extremely interesting and well-researched book' Amazon Reader Review
From the Huguenots in the seventeenth century, Irish silk weavers in the late 1700s and East European Jews at the turn of the twentieth century through to recent immigrants from South-east Asia, East London has been shaped by a multicultural reality closely linked to a unique spirit of creative enterprise. Over the last thirty years in particular, the area has been transformed from a crumbling no-go area on the fringe of the nation's capital into a cluster of hip neighbourhoods buzzing with creative energy where a wide range of communities have come together. Voices East London connects the dots around the creative perspectives that make the area unique while providing colourful glimpses into its past by means of dynamic interviews with eighty of the area's leading movers and shakers. Among them are such artists, designers and cultural leaders as Gilbert & George, Sue Webster, Langlands & Bell, Charles Saumarez Smith, Iwona Blazwick, Maureen Paley, Viktor Wynd, Sandra Esquilant, David Waddington and Pablo Flack. Brimming with striking new photography and engaging insights into a distinctive milieu, Voices East London demonstrates that the area has well and truly moved beyond its old Dickensian aura.
Following the economic depression of the early 1930s, antisemitism, whipped up by anti-alienist and fascist agitators, became a serious threat for British Jews. However, the British Jewish establishment - the Board of Deputies, the staff of "The Jewish Chronicle", etc. - refused to believe in the viability of British antisemitism and regarded it as an export from Central Europe, alien to Britain. After 1934, the British Union of Fascists, led by Oswald Mosley, became the main promoter of aggressive antisemitism. It was the Jewish population of London's East End who led the struggle against the fascist and antisemitic danger and formed defense organizations of their own, unsupported by the Jewish communal leadership. While in 1936, and later, it was impossible to ignore the rise of antisemitism in Britain, the leaders and spokesmen of the Jewish community resorted to a propaganda campaign and to self-criticism of "the Jews who rushed to the professions", they voiced anxiety about Jewish youth joining "extreme anti-fascists", and they opposed violent forms of struggle. In October 1936 it was the rank-and-file Jews, supported by non-Jewish workers and communists, who succeeded in thwarting a demonstration of the BUF in the East End.
From the acclaimed author of the Charles Lenox series of mysteries, including the Agatha-nominated novel A Beautiful Blue Death, comes a riveting short story of death and detection on the East End. It's the end of winter 1865 when Lenox agrees to investigate the death of Phil Jigg, a beloved neighborhood regular, found strangled on Great St. Andrews Street. In a case that takes him through the noisy vendors and pickpockets, the rough-and-tumble back alleys and local pubs of the Seven Dials, Lenox looks for answers in a place that couldn't feel more foreign from his West End home—and where his presence is anything but welcome. The answer comes in the person of someone so ruthless and brutal that those who could help Lenox are terrified into silence. A whodunit filled with the kind of brooding atmosphere that led Library Journal to remark, "Readers of Anne Perry should be snatching up Finch's books and clamoring for more" (starred review of A Stranger in Mayfair), this is a delightfully vivid addition to the Charles Lenox series.
"Every page is filled with wise insights about social class and the human heart." —Bonnie Jo Campbell, National Book Award finalist Corey Halpern, a local high schooler, grew up working class in the Hamptons and is desperate to leave his home-town and start anew somewhere else. The summer before college, he finds escapism in sneaking into neighboring mansions and pocketing small items. One night just before Memorial Day weekend, he breaks into the wrong home at the wrong time: the Sheffield estate, where he and his mother, Gina, work. Under the cover of darkness, Leo Sheffield, patriarch and billionaire CEO, arrives unexpectedly with a companion. After a shocking poolside accident, Leo is desperate to cover up what happened before his family and friends arrive for the holiday weekend. Unfortunately for him, Corey saw everything, as did other eyes in the shadows. Secrecy, obsession and desperation dictate each character's path in this spectacular debut. With an ending as explosive as the Memorial Day fireworks on the island, The East End is an unforgettable debut about class, family secrets, and the desire to belong.
The East End is an iconic area of London, from the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George. Located east of the Tower of London and north of the River Thames, it has experienced a number of developmental stages in its four-hundred-year history. Originating as a series of scattered villages, the area has been home to Europe's worst slums and served as an affluent nodal point of the British Empire. Through its evolution, the East End has been the birthplace of radical political and social movements and the social center for a variety of diasporic communities. This reference work, with its alphabetically organized cross-referenced entries and its original and historical photography, serves as a comprehensive guide to the social and cultural history of this global hub.
From the New York Times bestselling author of Blue Bloods and Witches of East End After they cause a terrible accident at their old high school, twin witches Mardi and Molly Overbrook are sent to live with their “Aunt” Ingrid Beauchamp in North Hampton, on Long Island’s mist-shrouded East End. Because the twins cannot control their powers, their father begs Ingrid to tame them over the summer, before the White Council exiles the girls to Limbo. Trouble continues to bubble and boil when the girls meet the younger Gardiner boys, who are just as handsome and sexy as their older kin. But all is not as it seems. As Ingrid helps the girls learn to control their magical impulses, Mardi and Molly have just this summer to figure out how to grow up, how to love, and how to be a family.
Heart-warming tales of nursing and midwifery from the Sisters who worked with Jennifer Worth. ‘A second’s silence and then an almighty scream. It was the most moving thing I had ever seen ... A baby, a real live baby, another human life had entered the world. It didn’t seem possible and yet I had witnessed it with my very own eyes.’ Born into a happy working-class North London family in the mid-twentieth century, Katie is determined to ‘do something’ with her life. Working in the impoverished East End in the 1950s, she meets the Sisters of St John the Divine – a community of nuns dedicated to nursing and midwifery. The Sisters have been present at births, cared for the sick and laid out the dead of the East Enders for a hundred years, and Katie soon joins them to start her journey to becoming Sister Catherine Mary. As a nurse and midwife, Katie learns to deal with everything from strokes to breech births. Tragedy is never far away, but there are also moments of pure joy as lives are saved and the Poplar residents rally round. As a young novice Katie rallies against the vow of obedience, yet over the years learns much about the nature of dedication and love. Full of desperate hardship, humour and compassion, Katie’s story brings to life the unique world of these nursing Sisters in London’s East End. Sister Catherine Mary’s story was written by Helen Batten after in-depth interviews with today’s Sisters of the Community of St John the Divine. The Community of St John the Divine was founded in 1848 in a bid to make nursing a respectable profession. Early Sisters worked in the Crimea with Florence Nightingale and were instrumental in developing recognised training and qualifications for nurses and midwives. In the early 20th century they were working in areas such as Poplar and Deptford becoming a treasured part of the community. Today the Sisterhood is based in Birmingham and their website is www.csjd.org.uk. Helen Batten studied history at Cambridge and then journalism at Cardiff University. She went on to become a producer and director at the BBC and now works as a writer and a psychotherapist. She lives in West London with her three daughters.