Ramayana is the story of Rama, the prince of Ayodhya. Poet Valmiki describes Rama as a dutiful son, loving brother, devoted husband, fierce warrior and wise statesman, of pleasant manners and speech. Rama is above all an upholder of Dharma so it is no wonder that he is hailed as an avatar or incarnation of Lord Vishnu.
Exiled from his homeland, Prince Rama must brave through an odyssey in search of his wife, Princess Sita. She's been captured by a demon that Rama must overcome before taking his place as the rightful ruler. A dramatic tale of love, abduction and battle will play out in a world thronged by heroes, deities and demons. The timeless Ramayana has thrilled readers and listeners since the fourth century B.C.
One of the best-known epics in the world, the Ramayana chronicles the tale of Rama, the prince of Ayodhya, who exiles himself to the forest for fourteen years to honour his father's word. There, Rama, his wife Sita and his brother Lakshmana meet new friends and unusual foes, with each day bringing in new challenges and adventures. But one day, when Ravana of Lanka, the king of demons, abducts Sita, it leads to an inevitable war. With the help of Hanuman and his monkey army, Rama charges into the final battle where many heroes die and new ones are born. In this fast-moving version for children, the ancient saga-with infinite stories woven in-takes on new life. With the perfect mix of drama and excitement, gods and princes, and love and war, this contemporary retelling makes for an ideal read for young readers. Told with simplicity, freshness and great vitality by Bulbul Sharma, this book has remained a perennial classic for decades.
Adhering faithfully to ValmikiÕs RAMAYANA, the oldest version of RamaÕs story composed in Sanskrit about two and a half thousand years ago, Arshia Sattar distils the great Indian epic in this beautifully told and sumptuously illustrated edition
The Ramayana is an epic poem by the Hindu sage Valmiki, written in ancient Sanskrit sometime after 300 BC. It is an allegorical story that contains important Hindu teachings, and it has had great influence on Indian life and culture over the centuries. Children are often encouraged to emulate the virtues of the two main characters -- Rama and Sita. The Ramayana is frequently performed as theater or dance, and two Indian festivals -- Dussehra and Divali -- celebrate events in the story. This version of The Ramayana is told from the perspective of Sita, the queen. After she, her husband Rama and his brother are exiled from their kingdom, Sita is captured by the proud and arrogant king Ravana and imprisoned in a garden across the ocean. Ravana never stops trying to convince Sita to be his wife, but she steadfastly refuses his advances. Eventually Rama comes to her rescue with the help of the monkey Hanuman and his army. But Rama feels he can't trust Sita again. He forces Sita to undergo an ordeal by fire to prove herself to be true and pure. She is shocked and in grief and anger does so. She emerges unscathed and they return home to their kingdom as king and queen. However, suspicion haunts their relationship, and Sita once more finds herself in the forest, but this time she is pregnant. She has twins and continues to live in the forest with them. The story is exciting and dramatic, with many turns of plot. Magic animals, snakes, divine gods, demons, sorcerers and a vast cast of characters all play a part in the fierce battles fought to win Sita back. And in the process the story explores ideas of right vs. wrong, compassion, loyalty, trust, honor and the terrible price of war.
Outside the world of children’s literature studies, children’s books by authors of well-known texts “for adults” are often forgotten or marginalized. Although many adults today read contemporary children’s and young adult fiction for pleasure, others continue to see such texts as unsuitable for older audiences, and they are unlikely to cross-read children’s books that were themselves cross-written by authors like Chinua Achebe, Anita Desai, Joy Harjo, or Amy Tan. Meanwhile, these literary voices have produced politically vital works of children’s literature whose complex themes persist across boundaries of expected audience. These works form part of a larger body of activist writing “for children” that has long challenged preconceived notions about the seriousness of such books and ideas about who, in fact, should read them. They Also Write for Kids: Cross-Writing, Activism, and Children’s Literature seeks to draw these cross-writing projects together and bring them to the attention of readers. In doing so, this book invites readers to place children’s literature in conversation with works more typically understood as being for adult audiences, read multiethnic US literature alongside texts by global writers, consider children’s poetry and nonfiction as well as fiction, and read diachronically as well as cross-culturally. These ways of reading offer points of entry into a world of books that refuse to exclude young audiences in scrutinizing topics that range from US settler colonialism and linguistic prejudice to intersectional forms of gender inequality. The authors included here also employ an intricate array of writing strategies that challenge lingering stereotypes of children’s literature as artistically as well as intellectually simplistic. They subversively repurpose tropes and conventions from canonical children’s books; embrace an epistemology of children’s literature that emphasizes ambiguity and complexity; invite readers to participate in redefining concepts such as “civilization” and cultural belonging; engage in intricate acts of cross-cultural representation; and re-envision their own earlier works in new forms tailored explicitly to younger audiences. Too often disregarded by skeptical adults, these texts offer rich rewards to readers of all ages, and here they are brought to the fore.
In For Kids of All Ages,members of the National Society of Film Critics celebrate the wonder of childhood in cinema. In this volume, original essays commissioned especially for this collection stand alongside classic reviews from prominent film critics like Jay Carr and Roger Ebert. Each of the ten sections in this collection takes on a particular aspect of children’s cinema, from animated features to adaptations of beloved novels. The films discussed here range from the early 1890s to the present. The contributors draw on personal connections that make their insights more trenchant and compelling. The essays and reviews in For Kids of All Ages are not just a list of recommendations—though plenty are included—but an illuminating, often personal study of children’s movies, children in movies, and the childish wonder that is the essence of film. Contributors include John Anderson, Sheila Benson, Jay Carr, Justin Chang, Godfrey Cheshire, Morris Dickstein, Roger Ebert, David Fear, Robert Horton, J. R. Jones, Peter Keough, Andy Klein, Nathan Lee, Emanuel Levy, Gerald Peary, Mary Pols, Peter Rainer, Carrie Rickey, Jonathan Rosenbaum, Michael Sragow, David Sterritt, Charles Taylor, Peter Travers, Kenneth Turan, James Verniere, Michael Wilmington, and Stephanie Zacharek.