When British archaeologist Dr. John Farrow disappears in Egypt after announcing that he knows the locatiom of the tomb of Queen Axtarte, Chief Inspector Salahadin El Nur of the Antiquities Protection Department suspects that smugglers are at work
What really happened to Lady Di. Did she die of an accident, or was it more nepharious than that. This book examines the "What If" if it was actually a Royal murder in the house of British Royalty.
1603 was the year that Queen Elizabeth I, the last of the Tudors, died. Her cousin, Robert Carey, immediately rode like a demon to Scotland to take the news to James VI. The cataclysmic time of the Stuart monarchy had come and the son of Mary Queen of Scots left Edinburgh for London to claim his throne as James I of England. Diaries and notes written in 1603 describe how a resurgence of the plague killed nearly 40,000 people. Priests blamed the sins of the people for the pestilence, witches were strangled and burned and plotters strung up on gate tops. But not all was gloom and violence. From a ship's log we learn of the first precious cargoes of pepper arriving from the East Indies after the establishment of a new spice route; Shakespeare was finishing Othello and Ben Jonson wrote furiously to please a nation thirsting for entertainment. 1603 was one of the most important and interesting years in British history. In 1603: The Death of Queen Elizabeth I, the Return of the Black Plague, the Rise of Shakespeare, Piracy, Witchcraft, and the Birth of the Stuart Era, Christopher Lee, acclaimed author of This Sceptred Isle, unfolds its story from first-hand accounts and original documents to mirror the seminal year in which Britain moved from Tudor medievalism towards the wars, republicanism and regicide that lay ahead.
NOMINATED FOR A BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL 2018 - Belinda Alvarez has returned to Texas for the wedding of her best friend Veronica. The farm is the site of the urban legend, La Reina de Las Chicharras - The Queen of The Cicadas. In 1950s south Texas a farmworker- Milagros from San Luis Potosi, Mexico, is murdered. Her death is ignored by the town, but not the Aztec goddess of death, Mictecacíhuatl. The goddess hears the dying cries of Milagros and creates a plan for both to be physically reborn by feeding on vengeance and worship. Belinda and the new owner of the farmhouse - Hector, find themselves immersed in the legend and realize it is part of their fate as well. FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
The sequel to Kate Locke's spectacular Immortal Empire series that began in God Save the Queen. Xandra Vardan is the newly crowned Goblin Queen of England. But her complicated life is by no means over. There are the political factions vying for her favor, and the all-too-close scrutiny of Queen Victoria, who wants her head. Not to mention her werewolf boyfriend has demands of his own, and her mother is hell-bent on destroying the monarchy. Now she's the main suspect in a murder investigation -- and Xandra barely knows which way is up. What she does know is that nothing lasts forever -- and immortality isn't all its cracked up to be.
A timely and revelatory new biography of Queen Elizabeth (and her family) exploring how the Windsors have evolved and thrived, as the modern world has changed around them. Clive Irving’s stunning new narrative biography The Last Queen probes the question of the British monarchy’s longevity. In 2021, the Queen Elizabeth II finally appears to be at ease in the modern world, helped by the new generation of Windsors. But through Irving’s unique insight there emerges a more fragile institution, whose extraordinarily dutiful matriarch has managed to persevere with dignity, yet in doing so made a Faustian pact with the media. The Last Queen is not a conventional biography—and the book is therefore not limited by the traditions of that genre. Instead, it follows Elizabeth and her family’s struggle to survive in the face of unprecedented changes in our attitudes towards the royal family, with the critical eye of an investigative reporter who is present and involved on a highly personal level.
Queen Victoria's death in January 1901 shook Britain to its core, and reverberated not just throughout the Commonwealth, but around the world. She was a woman in her eighties, and yet it seems no one could contemplate the end of a reign that had lasted so long. Most could not remember a time when she was not Queen, and the very stability of everyday life seemed to depend on her regency. The anxiety of the government and the royal family about the prospect of the Queen's death was such that the news of her illness was deliberately concealed from the public for more than a week. When it came, people from England to Jamaica wept in the streets, and this grief was surpassed only by fear for the future. "God help us" was the standard reaction from all strata of society. The Last Days of Glory is the definitive account of those last 23 days in January 1901, when Victoria traveled to Osborne House to die. The momentous reaction to the Queen's passing attached to it more significance and a greater sense of change than the turn of the century had carried just a year earlier. Through the prism of those last days Tony Rennell presents us with a series of resonant and absorbing snapshots of a fading Empire at the end of the Victorian Age, and captures a nation coping with change, balancing comfortable nostalgia with the arrival of a new order.
In the future, the world is at war. For the last decade, King Lazuli of the Eastern Empire has systematically taken over the world. No one knows much about him other than a series of impossible facts: he cannot die, he has not aged since the conflict began, and he wants to rule the world. All Serenity Freeman has known is bloodshed. War has taken away her mother, her home, her safety. As the future emissary of the Western United Nations, the last autonomous region of the globe, she is responsible for forging alliances where she can. Surrender is on the horizon. The king can taste it; Serenity feels it deep within her bones. There is no other option. Now the two must come face to face. For Serenity, that means confronting the man who's taken everything from her. For the king, it means meeting the one woman he can't conquer. But when they meet, something happens. Cruelty finds redemption. Only in war, everything comes with a price. Especially love.
“A sumptuous historical novel anchored by its excellent depiction of Jane Seymour, Henry the VIII’s third queen . . . This is a must for all fans of Tudor fiction and history.”—Publishers Weekly Ever since she was a child, Jane has longed for a cloistered life as a nun. But her large noble family has other plans, and as an adult, Jane is invited to the King’s court to serve as lady-in-waiting to Queen Katherine of Aragon. The devout Katherine shows kindness to all her ladies, almost like a second mother, which makes rumors of Henry’s lustful pursuit of Anne Boleyn—also lady-in-waiting to the queen—all the more shocking. For Jane, the betrayal triggers memories of a haunting incident that shaped her beliefs about marriage. But once Henry disavows Katherine and secures Anne as his new queen—forever altering the religious landscape of England—he turns his eye to another: Jane herself. Urged to return the King’s affection and earn favor for her family, Jane is drawn into a dangerous political game that pits her conscience against her desires. Can Jane be the one to give the King his long-sought-after son, or will she be cast aside like the women who came before her? Bringing new insight to this compelling story, Alison Weir marries meticulous research with gripping historical fiction to re-create the dramas and intrigues of the most renowned court in English history. At its center is a loving and compassionate woman who captures the heart of a king, and whose life will hang in the balance for it. Praise for Jane Seymour, The Haunted Queen “Bestselling [Alison] Weir’s impressive novel shows why Jane deserves renewed attention [and] illustrates Jane’s unlikely journey from country knight’s daughter to queen of England. . . . From the richly appointed decor to the religious tenor of the time, the historical ambience is first-rate.”—Booklist (starred review) “Deft, authoritative biographical fiction . . . a dramatic and empathic portrait of Jane Seymour.”—Kirkus Reviews