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Author: R. J. L. Kingsford
Publisher: Cambridge University Press
Published: 1970
Total Pages: 242
ISBN-13: 0521077567
DOWNLOAD EBOOKThis 1970 text tells the story of the Publishing Association, called into being by the crisis in British bookselling in the nineteenth century and how the Publishing Association evolved from the nineteenth century to after World War II.
Author: David Finkelstein
Publisher: Taylor & Francis
Published: 2024-03-14
Total Pages: 439
ISBN-13: 1003823629
DOWNLOAD EBOOKThis volume documents how the nineteenth-century British publishing industry responded to and helped shape changes in readership and reading markets in the period. Focusing on broad social, economic and cultural changes, it traces the impact of improvements in transport and communication networks, which dramatically affected the production, distribution and retail of books and periodicals, and the implementation of the Education Acts of 1870 and 1871 which forced publishers to direct their attention to new markets and adopt cheaper publishing formats. The growth of circulating libraries, the revolution in serial and part publication, and the spread of railway bookstalls are among the many topics addressed in this volume which concludes with a section that documents the new pressures of censorship that arose as educational reforms provoked anxieties over the spread of cheap ‘pernicious’ literature.
Author: George Watson
Publisher: CUP Archive
Published: 1972-12-07
Total Pages: 746
ISBN-13:
DOWNLOAD EBOOKMore than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author: Marrisa Joseph
Publisher: Springer Nature
Published: 2019-10-29
Total Pages: 236
ISBN-13: 3030285928
DOWNLOAD EBOOKThis book explores the business practices of the British publishing industry from 1843-1900, discussing the role of creative businesses in society and the close relationship between culture and business in a historical context. Marrisa Joseph develops a strong cultural, social and historical discussion around the developments in copyright law, gender and literary culture from a management perspective; analysing how individuals formed professional associations and contract law to instigate new processes. Drawing on institutional theory and analysing primary and archival sources, this book traces how the practices of literary businesses developed, reproduced and later legitimised. By offering a close analysis of some of publishing’s most influential businesses, it provides an insight into the decision-making processes that shaped an industry and brings to the fore the ‘institutional story’ surrounding literary business and their practices, many of which can still be seen today.
Author: Christine Haynes
Publisher: Harvard University Press
Published: 2010-05-01
Total Pages: 347
ISBN-13: 0674053982
DOWNLOAD EBOOKLinking the study of business and politics, Christine Haynes reconstructs the passionate and protracted debate over the development of the book trade in nineteenth-century France. In tracing the contest over literary production in France, Haynes emphasizes the role of the Second Empire in enacting - but also in limiting - press freedom and literary property.
Author:
Publisher: Routledge
Published:
Total Pages: 305
ISBN-13: 1134972970
DOWNLOAD EBOOKAuthor: John Feather
Publisher: Routledge
Published: 2005-11-14
Total Pages: 296
ISBN-13: 1134415419
DOWNLOAD EBOOKThoroughly revised, restructured and updated, A History of British Publishing covers six centuries of publishing in Britain from before the invention of the printing press, to the electronic era of today. John Feather places Britain and her industries in an international marketplace and examines just how ‘British’, British publishing really is. Considering not only the publishing industry itself, but also the areas affecting, and affected by it, Feather traces the history of publishing books in Britain and examines: education politics technology law religion custom class finance, production and distribution the onslaught of global corporations. Specifically designed for publishing and book history courses, this is the only book to give an overall history of British publishing, and will be an invaluable resource for all students of this fascinating subject.
Author: David Carter
Publisher: Cambridge University Press
Published: 2023-05-31
Total Pages: 826
ISBN-13: 1009093207
DOWNLOAD EBOOKThe Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.
Author: Paul Watt
Publisher: Routledge
Published: 2017-11-22
Total Pages: 131
ISBN-13: 1351974009
DOWNLOAD EBOOKMusic criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.
Author: Rosemary Golding
Publisher: Routledge
Published: 2018-03-15
Total Pages: 293
ISBN-13: 1351965743
DOWNLOAD EBOOKProfessionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
