The Psychology of Visual Art

The Psychology of Visual Art

Author: George Mather

Publisher: Cambridge University Press

Published: 2014

Total Pages: 233

ISBN-13: 1107005981

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A contemporary and interdisciplinary perspective on the study of art, connecting and integrating ideas from across the humanities and sciences.


Art and Visual Perception, Second Edition

Art and Visual Perception, Second Edition

Author: Rudolf Arnheim

Publisher: Univ of California Press

Published: 2004-11-08

Total Pages: 526

ISBN-13: 9780520243835

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A 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.


The Psychology of Artists and the Arts

The Psychology of Artists and the Arts

Author: Edward W.L. Smith

Publisher: McFarland

Published: 2014-01-10

Total Pages: 201

ISBN-13: 0786490551

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This book offers the first comprehensive examination of the psychodynamic theories of artistic creativity and the arts. Neither oversimplifying the complexity of these theories, nor bogging down in pedantic discourse, it honors the depth and richness of the work of Freud, Adler, Kris, Reich, Jung, and several lesser-known theorists, while making their theories readily accessible to the educated reader. After discussing the role of theory, the work offers each concept as a readily usable template for describing and understanding a work of art, whether painting, sculpture, music, dance, film, poetry, or prose. With these theories at hand, anyone interested in the arts will possess a far richer vocabulary for describing the artistic experience and a deeper understanding of the artist's creativity.


The Psychology of Art

The Psychology of Art

Author: George Mather

Publisher: Routledge

Published: 2020-10-07

Total Pages: 149

ISBN-13: 1000208117

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Why do we enjoy art? What inspires us to create artistic works? How can brain science help us understand our taste in art? The Psychology of Art provides an eclectic introduction to the myriad ways in which psychology can help us understand and appreciate creative activities. Exploring how we perceive everything from colour to motion, the book examines art-making as a form of human behaviour that stretches back throughout history as a constant source of inspiration, conflict and conversation. It also considers how factors such as fakery, reproduction technology and sexism influence our judgements about art. By asking what psychological science has to do with artistic appreciation, The Psychology of Art introduces the reader to new ways of thinking about how we create and consume art.


Cognition and the Visual Arts

Cognition and the Visual Arts

Author: Robert L. Solso

Publisher: MIT Press

Published: 1994

Total Pages: 316

ISBN-13: 9780262691864

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Applies research on how humans perceive, process and store information to the viewing and interpretation of art. The author argues that the clearest view of the mind comes from creating or experiencing art. The illustrations cover a range of examples but focus primarily on Western art.


Interpreting Visual Art

Interpreting Visual Art

Author: Catherine Weir

Publisher: Routledge

Published: 2017-09-08

Total Pages: 230

ISBN-13: 135129542X

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Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information, this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people to "see" the art. Cognitive processes have a major role in how people interpret artworks because attention, memory, and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement - balance, symmetry, color, line, and shape - from an empirical point of view as opposed to more philosophical and speculative approaches. Then, they explore the perceptual process, paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology, neuroscience, and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock, readers are introduced to a research-oriented understanding of how art has been perceived, interpreted, and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history, psychology, and neuroscience.


Ezra Pound and the Visual Arts

Ezra Pound and the Visual Arts

Author: Ezra Pound

Publisher: New Directions Publishing

Published: 1980-11

Total Pages: 360

ISBN-13: 9780811217835

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A gathering of Ezra Pound's writing, criticism, and reviews on art.


Art, Aesthetics, and the Brain

Art, Aesthetics, and the Brain

Author: Joseph P. Huston

Publisher: OUP Oxford

Published: 2015-06-25

Total Pages: 567

ISBN-13: 0191648876

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Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species' biological and cultural heritage. Art and aesthetics, therefore, contribute to our species identity and distinguish it from its living and extinct relatives. Science is faced with the challenge of explaining the natural foundations of such a unique trait, and the way cultural processes nurture it into magnificent expressions, historically and ethnically unique. How does the human brain bring about these sorts of behaviors? What neural processes underlie the appreciation of painting, music, and dance? How does training modulate these processes? How are they impaired by brain lesions and neurodegenerative diseases? How did such neural underpinnings evolve? Are humans the only species capable of aesthetic appreciation, or are other species endowed with the rudiments of this capacity? This volume brings together the work on such questions by leading experts in genetics, psychology, neuroimaging, neuropsychology, art history, and philosophy. It sets the stage for a cognitive neuroscience of art and aesthetics, understood in the broadest possible terms. With sections on visual art, dance, music, neuropsychology, and evolution, the breadth of this volume's scope reflects the richness and variety of topics and methods currently used today by scientists to understand the way our brain endows us with the faculty to produce and appreciate art and aesthetics.


The Cambridge Handbook of the Psychology of Aesthetics and the Arts

The Cambridge Handbook of the Psychology of Aesthetics and the Arts

Author: Pablo P. L. Tinio

Publisher: Cambridge University Press

Published: 2014-10-30

Total Pages: 1195

ISBN-13: 1316123383

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The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.