The Provincetown Players and the Playwrights' Theatre, 1915-1922

The Provincetown Players and the Playwrights' Theatre, 1915-1922

Author: Edna Kenton

Publisher: McFarland

Published: 2004-01-01

Total Pages: 230

ISBN-13: 9780786417780

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The feminist writer and editor Edna Kenton (1876ndash;1954) was elected to the Executive Committee of the Provincetown Players by 1916. This theatrical company, first to present the plays of Eugene O'Neill, rebelled against the commercialism of Broadway and gave unrecognized dramatists the opportunity to experiment. Kenton was a great admirer of company leader George Cram Cook, and when Cook died in Greece in the early 1920s, Kenton dedicated herself to upholding his vision of a Dionysian ideal in American theater. This is Kenton's original history of the influential theatre, from the first seasons at Provincetown in 1915 and 1916, to the final New York season in 1922. This invaluable eyewitness account has been edited from the most complete and latest version of Kenton's text, with consultation of earlier incomplete versions. Kenton transcribed many playbills into the text, and included others whole between the pages; the latter are included as illustrations. An appendix reprints Kenton's two periodical articles about the Provincetown Players and articles from the New York Herald, the Boston Globe, and the Boston Evening Transcript, as well as other memories of the Provincetown Players, including those of Marsden Hartley, Nina Moise, M. Eleanor Fitzgerald, and Djuna Barnes.


An Index to One-act Plays

An Index to One-act Plays

Author:

Publisher:

Published: 1924

Total Pages: 336

ISBN-13:

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Plays written in English or translated into English; Published since 1900 Cover title: Index to one-act plays for stage, radio, and television.


Bulletin

Bulletin

Author: Illinois Association of Teachers of English

Publisher:

Published: 1919

Total Pages: 254

ISBN-13:

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The Provincetown Players

The Provincetown Players

Author: Bárbara Ozieblo

Publisher: Burns & Oates

Published: 1994

Total Pages: 308

ISBN-13:

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'In the region of Washington Square or Greenwich Village, or ... among the sand dunes of Cape Cod we must look for the real birthplace of the New American Drama.' So William Archer, first translator of Ibsen and the most influential critic of his day, acclaimed the Provincetown Players. This anthology brings together for the first time the best of the plays that merited his accolade. Founded by George Cram Cook and Susan Glaspell, the Provincetown Players was the first theatre group to generate an indigenous American drama. Modern American theatre would not exist in its present form but for the example set by the plays in this volume. Among the celebrated playwrights launched by the group were Eugene O'Neill, Susan Glaspell, Djuna Barnes, Edna St Vincent Millay, and Wallace Stevens. Exploiting uniquely American themes while making use of European avantgarde models established by the theatre artists Max Reinhardt, Jacques Copeau and Edward Gordon Grain, the Provincetown Players set the scene for playwrights such as Arthur Miller, Edward Albee and Marsha Norman. Experimental in stagecraft and subject matter, yet realistic in capturing the spirit of America, these plays deserve their place at the forefront of American drama.


The Director as Collaborator

The Director as Collaborator

Author: Robert Knopf

Publisher: Taylor & Francis

Published: 2017-04-07

Total Pages: 234

ISBN-13: 1317326563

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The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction