The continuing story of Australia's domestic intelligence organisation during the turbulent years from the end of the Menzies era to the downfall of the Whitlam government.
"An explanation of how the peace symbol-that upside-down V with a vertical column running through the middle, all surrounded by a circle-came to be." -The Washington Post The peace sign is probably the most commonly used symbol of protest in the world. Instantly recognizable as the universal sign for peace, in 2008 it turned 50 years old. With accounts from around the world, this book tells the story of the enduring power of the line drawing that began life as the official sign for the Campaign for Nuclear Disarmament (CND). Tracing the roots of Gerald Holtom's design, it details the many ways the peace sign has been put to use, including politics, fashion, pop, film and marketing. Contents include: 1957-1960 Ban The Bomb - Campaign for Nuclear Disarmament (CND) is formed 1960-1975 Stop The War - In the U.S. the Hippies adopt the symbol 1970-1980 Sign Of The Times - Other uses of the sign 1965-2005 Wear It Well - Use in fashion, music, design 1980-Present Anti-Nuclear Families - How it's still in use Happy Birthday Peace - Original birthday cards from numerous famous contributors
A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.
What have Maori been protesting about? What has been achieved? This book provides an overview of the contemporary Maori protest 'movement', a summary of the rationale behind the actions, and a wonderful collection of photographs of the action u the protests, the marches and the toil behind the scenes. And it provides a glimpse of the fruits of that protest u the Waitangi Tribunal and the opportunity to prepare, present and negotiate Treaty settlements; Maori language made an official language; Maori-medium education; Maori health providers; iwi radio and, in 2004, Maori television.
This is an open access book. The start of the 21st century has seen the world shaken by protests, from the Arab Spring to the Yellow Vests, from the Occupy movement to the social uprisings in Latin America. There are periods in history when large numbers of people have rebelled against the way things are, demanding change, such as in 1848, 1917, and 1968. Today we are living in another time of outrage and discontent, a time that has already produced some of the largest protests in world history. This book analyzes almost three thousand protests that occurred between 2006 and 2020 in 101 countries covering over 93 per cent of the world population. The study focuses on the major demands driving world protests, such as those for real democracy, jobs, public services, social protection, civil rights, global justice, and those against austerity and corruption. It also analyzes who was demonstrating in each protest; what protest methods they used; who the protestors opposed; what was achieved; whether protests were repressed; and trends such as inequality and the rise of women’s and radical right protests. The book concludes that the demands of protestors in most of the protests surveyed are in full accordance with human rights and internationally agreed-upon UN development goals. The book calls for policy-makers to listen and act on these demands.
One of the world’s best-known radicals relives the early years of the protest movement What makes a young radical? Reissued to coincide with the fiftieth anniversary of 1968, Street Fighting Years captures the mood and energy of an era of hope and passion as Tariq Ali tracks the growing significance of the 1960s protest movement, as well as his own formation as a leading political activist. Through his personal story, he recounts a counter-history of a sixties rocked by the Prague Spring, student protests on the streets of Europe and America, the effects of the Vietnam war, and the aftermath of the revolutionary insurgencies led by Che Guevara. It is a story that takes us from Paris and Prague to Hanoi and Bolivia, encountering along the way Malcolm X, Bertrand Russell, Marlon Brando, Henry Kissinger, and Mick Jagger. This edition includes the famous interview conducted by Tariq Ali and Robin Blackburn with John Lennon and Yoko Ono In 1971.
Until recent times, incidents of mass unrest in the USSR were shrouded in official secrecy. Now this pioneering work by historian Vladimir A. Kozlov has opened up these hidden chapters of Soviet history. It details an astonishing variety of widespread mass protest in the post-Stalin period, including workers' strikes, urban riots, ethnic and religious confrontations, and soldiers' insurrections. Kozlov has drawn on exhaustive research in police, procuracy, KGB, and Party archives to recreate the violent major uprisings described in this volume. He traces the historical context and the sequence of events leading up to each mass protest, explores the demographic and psychological dynamics of the situation, and examines the actions and reactions of the authorities. This painstaking analysis reveals that many rebellions were not so much anti-communist as essentially conservative in nature, directed to the defense of local norms being disturbed by particular instances of injustice or by the rash of Krushchev-era reforms. This insight makes the book valuable not only for what it tells us about postwar Soviet history, but also for what it suggests about contemporary Russian society as well as popular protests in general.
What does it mean to resist? Throughout our nation's history, discrimination and unjust treatment of all kinds have prompted people to make their objections and outrage known. Some protests involve large groups of people, marching or holding signs with powerful slogans. Others start with quotes or hashtags on social media that go viral and spur changes in behavior. People can make their voices heard in hundreds of different ways. Join author Marke Bieschke on this visual voyage of resistance through American history. Discover the artwork, music, fashion, and creativity of the activists. Meet the leaders of the movements, and learn about the protests that helped to shape the United States from all sides of the political spectrum. Examples include key events from women's suffrage, the civil rights movement, occupations by Indigenous people, LGBTQ demands for equality, Tea Party protests, Black Lives Matter protests, and more, including the George Floyd protests in the summer of 2020. Into the Streets introduces the personalities and issues that drove these protests, as well as their varied aims and accomplishments, from spontaneous hashtag uprisings to highly planned strategies of civil disobedience. Perfect for young adult audiences, this book highlights how teens are frequently the ones protesting and creating the art of the resistance. "[T]he text never loses sight of the fact that the right to assemble and protest is a basic American right. . . . Highly recommended for middle grade through high school collections in both school and public libraries."—starred, School Library Journal
For seven days in April 1968, students occupied five buildings on the campus of Columbia University to protest a planned gymnasium in a nearby Harlem park, links between the university and the Vietnam War, and what they saw as the university’s unresponsive attitude toward their concerns. Exhilarating to some and deeply troubling to others, the student protests paralyzed the university, grabbed the world’s attention, and inspired other uprisings. Fifty years after the events, A Time to Stir captures the reflections of those who participated in and witnessed the Columbia rebellion. With more than sixty essays from members of the Columbia chapter of Students for a Democratic Society, the Students’ Afro-American Society, faculty, undergraduates who opposed the protests, “outside agitators,” and members of the New York Police Department, A Time to Stir sheds light on the politics, passions, and ideals of the 1960s. Moving beyond accounts from the student movement’s white leadership, this book presents the perspectives of black students, who were grappling with their uneasy integration into a supposedly liberal campus, as well as the views of women, who began to question their second-class status within the protest movement and society at large. A Time to Stir also speaks to the complicated legacy of the uprising. For many, the events at Columbia inspired a lifelong dedication to social causes, while for others they signaled the beginning of the chaos that would soon engulf the left. Taken together, these reflections present a nuanced and moving portrait that reflects the sense of possibility and excess that characterized the 1960s.