The Prologues and Epilogues of the Restoration 1660-1700
Author: Pierre Danchin
Publisher:
Published: 1981
Total Pages: 426
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Pierre Danchin
Publisher:
Published: 1981
Total Pages: 426
ISBN-13:
DOWNLOAD EBOOKAuthor: Pierre Danchin
Publisher:
Published: 1981
Total Pages: 472
ISBN-13:
DOWNLOAD EBOOKAuthor: Pierre Danchin
Publisher:
Published: 1988
Total Pages: 126
ISBN-13:
DOWNLOAD EBOOKAuthor: Diana Solomon
Publisher: Rowman & Littlefield
Published: 2013
Total Pages: 273
ISBN-13: 1611494222
DOWNLOAD EBOOKThis book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
Author: Jorge Braga Riera
Publisher: John Benjamins Publishing
Published: 2009
Total Pages: 351
ISBN-13: 9027224293
DOWNLOAD EBOOKPrintbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Author: Daniel James Ennis
Publisher: University of Delaware Press
Published: 2007
Total Pages: 272
ISBN-13: 9780874139679
DOWNLOAD EBOOKPrologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage presents a fresh analysis of the complete theater evening that was available to playhouse audiences from the Restoration to the early nineteenth century. The contributing scholars focus not on the mainpiece, the advertised play itself, but on what surrounded the mainpiece for the total theater experience of the day. Various critical essays address artistic disciplines such as dance and theatrical portraits, while others concentrate on peripheral performance texts, including prologues, epilogues, pantomimes, and afterpieces, that merged to define the overall theatrical event.
Author: Deborah C. Payne
Publisher: Cambridge University Press
Published: 2024-05-31
Total Pages: 303
ISBN-13: 1009398210
DOWNLOAD EBOOKDeborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Author: Pierre Danchin
Publisher:
Published: 1990
Total Pages: 464
ISBN-13:
DOWNLOAD EBOOKAuthor: Pierre Danchin
Publisher:
Published: 1981
Total Pages: 436
ISBN-13:
DOWNLOAD EBOOKAuthor: Judy Batalion
Publisher: Parlor Press LLC
Published: 2011-12-15
Total Pages: 303
ISBN-13: 1602352445
DOWNLOAD EBOOKWith contributions by leading scholars, writers and comedians in the USA, the UK and Canada, The Laughing Stalk: Live Comedy and Its Audiences focuses on the dynamics of audience behavior. Performers, writers, historians, producers, and theorists explore the practice and reception of live comedy performance, including cultural and historical variations in comedy audience conduct, the reception of “low” versus “high” comedy, and the differences between televised and live jokes. Contributors reflect on the subjectivity of audience members and the spread of affect, as well as the two-way relationship between joker and listener. They investigate race, sexuality and gender in humor, and contemplate the comedy club as a distinct spatial and emotional environment. The Laughing Stalk: Live Comedy and Its Audiences includes excerpts and scripts from Michael Frayne’s Audience and Andrea Fraser’s Inaugural Speech. Judy Batalion interviews noted comic writers, performers, and theater designers, including Iain Mackintosh, Shazia Mirza, Julia Chamberlain, Scott Jacobson, and Andrea Fraser. Sarah Boyes contributes a short photographic essay on comedy clubbers. Essay contributors include Alice Rayner, Matthew Daube, Lesley Harbidge, Gavin Butt, Diana Solomon, Rebecca Krefting, Kevin McCarron, Nile Seguin, Elizabeth Klaver, Frances Gray, AL Kennedy, Kélina Gotman, and Samuel Godin. The comedy duo of Sable & Batalion share their conclusions about audience responses to hip-hop theater.