The Professors Like Vodka
Author: Harold Loeb
Publisher:
Published: 1927
Total Pages: 266
ISBN-13:
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Author: Harold Loeb
Publisher:
Published: 1927
Total Pages: 266
ISBN-13:
DOWNLOAD EBOOKAuthor: Harold Loeb
Publisher:
Published: 1974
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: S. Ann Cole
Publisher: S. Ann Cole
Published: 2020-08-27
Total Pages: 165
ISBN-13:
DOWNLOAD EBOOKRaw, scorned, and finally free from my disastrous marriage, I flee the lies, humiliation, and manipulation of my old life like a bat out of hell, leaving it all in my rearview mirror. Seduced by the sunny, diverse, laid-back Denver, Colorado, I settle in and set up a new life. New job. New house. New friends… Freedom. The idea was to start over. Fresh. Anew. But I didn’t anticipate starting over with my twenty-year-old student. Nero Gunnar might be twelve years my junior, but he’s the manliest man I’ve ever met. He has his sights set on me and he’s not letting up. It’s wrong. Forbidden. A disaster waiting to happen. But sinful wrongs have never tasted so, so sweet. KEYWORDS: student teacher romance, age-gap romance, older woman younger man romance, black woman white man, MC romance, motorcycle romance, biker bad boy, bwwm, multicultural romance, interracial romance,
Author: Mark McGurl
Publisher: Harvard University Press
Published: 2011-11-30
Total Pages: 481
ISBN-13: 0674266021
DOWNLOAD EBOOKIn The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come.
Author: Matthew Joseph Bruccoli
Publisher: Univ of South Carolina Press
Published: 1996
Total Pages: 276
ISBN-13: 9781570031441
DOWNLOAD EBOOKA tribute to a man whose life's work has centered on the study of authorship and who is a scholar and book collector of the first magnitude, The Professions of Authorship examines the business of writing, publishing, and selling books - or what George V. Higgins describes in this volume as a "perplexing, disorganized, chameleonic enterprise". Twenty-three authors, publishing professionals, and scholars who share Matthew J. Bruccoli's love and knowledge of books offer candid observations and opinions about the past, present, and future of publishing. In doing so, they unravel many of the mysteries surrounding this tradition-bound endeavor.
Author: James Ross
Publisher: SIU Press
Published: 1975
Total Pages: 316
ISBN-13: 9780809307142
DOWNLOAD EBOOKCalled by Raymond Chandler “a sleazy, corrupt but completely believable story of a North Carolina town,” this tough, realistic novel exemplifies Depression literature in the United States. Falling somewhere between the hard-as-nails writing of James M. Cain and the early stories of Ernest Hemingway, James Ross’s novel was for sheer brutality and frankness of language considerably ahead of his reading public’s taste for realism untinged with sentiment or profundity. In his brilliant Afterword to this new edition, George V. Higgins, author of the recent best-seller Cogan’s Trade, pays tribute to Ross for his courage in telling his story truthfully, in all its ugliness. The setting of They Don’t Dance Much is a roadhouse on the outskirts of a North Carolina town on the border with South Carolina, complete with dance floor, restaurant, gambling room, and cabins rented by the hour. In the events described, Smut Milligan, the proprietor, seeks money to keep operating and commits a brutal murder.
Author: Craig Monk
Publisher: University of Iowa Press
Published: 2010-11
Total Pages: 231
ISBN-13: 1587297434
DOWNLOAD EBOOKMembers of the Lost Generation, American writers and artists who lived in Paris during the 1920s, continue to occupy an important place in our literary history. Rebelling against increased commercialism and the ebb of cosmopolitan society in early twentieth-century America, they rejected the culture of what Ernest Hemingway called a place of “broad lawns and narrow minds.” Much of what we know about these iconic literary figures comes from their own published letters and essays, revealing how adroitly they developed their own reputations by controlling the reception of their work. Surprisingly the literary world has paid less attention to their autobiographies. In Writing the Lost Generation, Craig Monk unlocks a series of neglected texts while reinvigorating our reading of more familiar ones. Well-known autobiographies by Malcolm Cowley, Ernest Hemingway, and Gertrude Stein are joined here by works from a variety of lesser-known—but still important—expatriate American writers, including Sylvia Beach, Alfred Kreymborg, Samuel Putnam, and Harold Stearns. By bringing together the self-reflective works of the Lost Generation and probing the ways the writers portrayed themselves, Monk provides an exciting and comprehensive overview of modernist expatriates from the United States.
Author: Lesley M. M. Blume
Publisher: Houghton Mifflin Harcourt
Published: 2016-06-07
Total Pages: 448
ISBN-13: 054423717X
DOWNLOAD EBOOKThe New York Times bestseller. “Fiendishly readable . . . a deeply, almost obsessively researched biography of a book.”—The Washington Post In the summer of 1925, Ernest Hemingway and a clique of raucous companions traveled to Pamplona, Spain, for the town’s infamous running of the bulls. Then, over the next six weeks, he channeled that trip’s maelstrom of drunken brawls, sexual rivalry, midnight betrayals, and midday hangovers into his groundbreaking novel The Sun Also Rises. This revolutionary work redefined modern literature as much as it did his peers, who would forever after be called the Lost Generation. But the full story of Hemingway’s legendary rise has remained untold until now. Lesley Blume resurrects the explosive, restless landscape of 1920s Paris and Spain and reveals how Hemingway helped create his own legend. He made himself into a death-courting, bull-fighting aficionado; a hard-drinking, short-fused literary genius; and an expatriate bon vivant. Blume’s vivid account reveals the inner circle of the Lost Generation as we have never seen it before and shows how it still influences what we read and how we think about youth, sex, love, and excess. “Totally captivating, smartly written, and provocative.”—Glamour “[A] must-read . . . The boozy, rowdy nights in Paris, the absurdities at Pamplona’s Running of the Bulls and the hungover brunches of the true Lost Generation come to life in this intimate look at the lives of the author’s expatriate comrades.”—Harper’s Bazaar “A fascinating recreation of one of the most mythic periods in American literature—the one set in Paris in the ’20s.”—Jay McInerney
Author: JoAnn Pavletich
Publisher: University of Georgia Press
Published: 2022-12-15
Total Pages: 291
ISBN-13: 082036844X
DOWNLOAD EBOOKPauline Elizabeth Hopkins (1859–1930), African American novelist, editor, journalist, playwright, historian, and public intellectual, used fiction to explore and intervene in the social, racial, and political challenges of her era. Her particular form of cultural activism was groundbreaking for its time and continues to influence and inspire authors and scholars today. This collection of essays constitutes a new phase in the full historical and literary recovery of her work. JoAnn Pavletich argues that considered from the broadest of perspectives, Hopkins’s life work occupies itself with the critique and creation of epistemologies that control racialized knowledge and experience. Whether in representations of a critical contemporary problem such as lynching, imperialism, or pan-African unity or in representations of African American women’s voices, Hopkins’s texts create new knowledge and new frames for understanding it. The essays in this collection engage this knowledge, articulating nuanced understandings of Hopkins’s era and her innovative writing practices, opening new doors for the next generation of Hopkins scholarship. With contributions from well-established Hopkins scholars such as John Gruesser (editor of The Unruly Voice) and Hanna Wallinger (author of Pauline E. Hopkins: A Literary Biography), the collection also includes important new scholars on Hopkins such as Elizabeth Cali, Edlie Wong, and others.
Author: Malcolm Cowley
Publisher: Harvard University Press
Published: 2014-01-06
Total Pages: 555
ISBN-13: 0674728246
DOWNLOAD EBOOKCritic, poet, editor, chronicler of the “lost generation,” and elder statesman of the Republic of Letters, Malcolm Cowley (1898–1989) was an eloquent witness to much of twentieth-century American literary and political life. These letters, the vast majority previously unpublished, provide an indelible self-portrait of Cowley and his time, and make possible a full appreciation of his long and varied career. Perhaps no other writer aided the careers of so many poets and novelists. Faulkner, Fitzgerald, Hemingway, Kerouac, Tillie Olsen, and John Cheever are among the many authors Cowley knew and whose work he supported. A poet himself, Cowley enjoyed the company of writers and knew how to encourage, entertain, and when necessary scold them. At the center of his epistolary life were his friendships with Kenneth Burke, Allen Tate, Conrad Aiken, and Edmund Wilson. By turns serious and thoughtful, humorous and gossipy, Cowley’s letters to these and other correspondents display his keen literary judgment and ability to navigate the world of publishing. The letters also illuminate Cowley’s reluctance to speak out against Stalin and the Moscow Trials when he was on staff at The New Republic—and the consequences of his agonized evasions. His radical past would continue to haunt him into the Cold War era, as he became caught up in the notorious “Lowell Affair” and was summoned to testify in the Alger Hiss trials. Hans Bak supplies helpful notes and a preface that assesses Cowley’s career, and Robert Cowley contributes a moving foreword about his father.