The author investigates the configurations of power implicated in the production of the discourses on the 'muslim woman' in the West and North Africa. She argues that as a single category, the 'muslim woman' is an 'invention', whether in the Western discourses of Orientalism (Isabelle Eberhardt) and psychoanalytic feminism (De Beauvoir, Irigaray, Cixous and Lacan), or in the discourses of islamic feminism (Djebar and Mernissi) and Maghrebian nationalism (Habib Bourguiba and Tahar al Haddad).
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. In Forging the Ideal Educated Girl, Shenila Khoja-Moolji traces the figure of the ‘educated girl’ to examine the evolving politics of educational reform and development campaigns in colonial India and Pakistan. She challenges the prevailing common sense associated with calls for women’s and girls’ education and argues that such advocacy is not simply about access to education but, more crucially, concerned with producing ideal Muslim woman-/girl-subjects with specific relationships to the patriarchal family, paid work, Islam, and the nation-state. Thus, discourses on girls’/ women’s education are sites for the construction of not only gender but also class relations, religion, and the nation.
The war on terror and the Islamophobia it has unleashed have affected the lives of Muslims throughout the United Kingdom--but that affect is felt differently by men and women. This book looks specifically at the role of gender in the debate over terrorism and security, showing how the concept of the "Muslim woman" has been deployed as part of government and media discussions of terrorism and revealing how such stereotyping and mischaracterization affects the varied, distinct lives of countless Muslim women.
DIVArgues that the discursive erasure of Muslim women within colonial and Hindu nationalist discourse underpinned the construction of other identity categories in late colonial Bengal and remains linked to violence against Indian Muslim women today./div
Early modern scholarship often reads the dramatic representations of the Muslim woman in the light of postcolonial identity politics, which sees an organic relationship between the West’s historical domination of the East and the Western discourse on the East. This book problematizes the above trajectory by arguing that the assumption of a power relation between a dominating West and a subordinate East cannot be sustained within the context of the political and historical realities of early modern Europe. The Ottoman Empire remained as a dominant superpower throughout the sixteenth and seventeenth centuries and was perceived by Protestant England both as a military and religious threat and as a possible ally against Catholic Spain. Reading a series of early modern plays from Marlowe to Beaumont and Fletcher alongside a number of historical sources and documents, this book re-interprets the image of Islamic femininity in the period’s drama to reflect this overturn in the world’s power balances, as well as the intricate dynamics of England’s intensified contact with Islam in the Mediterranean.
The book highlights issues related to the construction of gender in Africa and African identity politics. It explores the limitations of the constructed category of “African Muslim woman” in West Yorkshire. Amina Alrasheed Nayel uses Black feminist epistemology along with postcolonial, feminist, and critical race theory to examine the multiple identities that Sudanese women negotiate in the UK. The diverse settings of Islam and Islamic culture, circumscribed around issues of performativity of Islam and identity construction in the diasporic space are unpacked in this volume. In addition, this work analyzes specific practices and performances, starting with the multifaceted nature of Islam and the problematic concepts of “Sunni/Sufi,” “Muslim woman,” “race,” and “blackness.” The book reveals that exile, nostalgia, and racial/ethnic differences within Islam and the wider UK community underpin the performativity of Muslimness of the Sudanese women living in West Yorkshire, and reiterates the importance of moving beyond the homogeneity of the idea of “Muslim woman” towards investigating the complexities of this group.
This book is a lively life and times of Nana Asma'u (1793-1864), a West African woman who was a Muslim scholar and poet. As the daughter of the spiritual and political leader of the Sokoto community, Asma'u was a role model and teacher for other Muslim women as well as a scholar of Islam and a key advisor to her father as he waged a jihad to convert the population of what is now present day northwestern Nigeria to Islam. Asma'u's literary legacy, consisting of 65 poems in Arabic, Fulfulde and Hausa, constitutes one of the largest existing collections of 19th-century material from the region. Her poetry has been transmitted - even forged - over the years and is familiar to Hausa Muslims today, attesting to the power and continued relevance of her convictions and achievements. One Woman's Jihad provides a fascinating glimpse into the West African Muslim community at a pivotal point in its history.
The unheralded contribution of women to Egypt's Islamist movement—and how they talk about women's rights in Islamic terms In the decades leading up to the Arab Spring in 2011, when Hosni Mubarak's authoritarian regime was swept from power in Egypt, Muslim women took a leading role in developing a robust Islamist presence in the country’s public sphere. Soft Force examines the writings and activism of these women—including scholars, preachers, journalists, critics, actors, and public intellectuals—who envisioned an Islamic awakening in which women’s rights and the family, equality, and emancipation were at the center. Challenging Western conceptions of Muslim women as being oppressed by Islam, Ellen McLarney shows how women used "soft force"—a women’s jihad characterized by nonviolent protest—to oppose secular dictatorship and articulate a public sphere that was both Islamic and democratic. McLarney draws on memoirs, political essays, sermons, newspaper articles, and other writings to explore how these women imagined the home and the family as sites of the free practice of religion in a climate where Islamists were under siege by the secular state. While they seem to reinforce women’s traditional roles in a male-dominated society, these Islamist writers also reoriented Islamist politics in domains coded as feminine, putting women at the very forefront in imagining an Islamic polity. Bold and insightful, Soft Force transforms our understanding of women’s rights, women’s liberation, and women’s equality in Egypt’s Islamic revival.
This groundbreaking volume explores how Islamic discourse and practice intersect with gender relations and broader political and economic processes to shape women's geographies in a variety of regional contexts. Contributors represent a wide range of disciplinary subfields and perspectives--cultural geography, political geography, development studies, migration studies, and historical geography--yet they share a common focus on bringing issues of space and place to the forefront of analyses of Muslim women's experiences. Themes addressed include the intersections of gender, development and religion; mobility and migration; and discourse, representation, and the contestation of space. In the process, the book challenges many stereotypes and assumptions about the category of "Muslim woman," so often invoked in public debate in both traditional societies and the West.
The book first explores some of the concrete issues fundamental to status of Muslim women, such as the production of statistics which mask women's contribution to the economies of Arab states. Mernissi also looks at a variety of demographics including education and literacy - she shows their importance not only for empowering women but also for improving their health.
