In 1969 he felt the call of God to begin a work in Florida with no money and without the backing of any church or organization. Those humble beginnings started a movement that would have a ripple effect that would eventually reach many around the world. But in spite of countless miracles and changed lives, turmoil at home eventually found him running from God-a prodigal, whose long journey back to the Father's home would finally lead him to redemption and victory. This is the miraculous and moving story of Ken Simmons.
Sergey Prokofiev: Diaries 1907-1914: Prodigious Youthis an inexhaustibly rich portrait of one of the most vibrantperiods in the whole of Western Art,indispensable for all lovers of Prokofiev.
With over a million copies sold, this classic work is essential reading for all who ask, “Where has my struggle led me?” A chance encounter with a reproduction of Rembrandt’s The Return of the Prodigal Son catapulted Henri Nouwen on an unforgettable spiritual adventure. Here he shares the deeply personal and resonant meditation that led him to discover the place within where God has chosen to dwell. As Nouwen reflects on Rembrandt’s painting in light of his own life journey, he evokes a powerful drama of the classic parable in a rich, captivating way that is sure to reverberate in the hearts of readers. Nouwen probes the several movements of the parable: the younger son’s return, the father’s restoration of sonship, the elder son’s resentfulness, and the father’s compassion. The themes of homecoming, affirmation, and reconciliation will be newly discovered by all who have known loneliness, dejection, jealousy, or anger. The challenge to love as God loves, and to be loved as God’s beloved, will be seen as the ultimate revelation of the parable known to Christians throughout time, and is here represented with a vigor and power fresh for our times.
Nobel Laureate Derek Walcott's The Prodigal is a journey through physical and mental landscapes, from Greenwich Village to the Alps, Pescara to Milan, Germany to Cartagena. But always in "the music of memory, water," abides St. Lucia, the author's birthplace, and the living sea. In this book of poems, Derek Walcott has created a sweeping yet intimate epic of an exhausted Europe studded with church spires and mountains, train stations and statuary, where the New World is an idea, a "wavering map," and where History subsumes the natural history of his "unimportantly beautiful" island home. Here, the wanderer fears that he has been tainted by his exile, that his life has become untranslatable, and that his craft itself is rooted in betrayal of the vivid archipelago to which, like Antaeus, he must return for the very sustenance of life.
Rarely are we privileged to see the making of a saint, but it is just what this book gives us for John of Kronstadt (1829&–1908), a major figure in the religious life of Late Imperial Russia. So popular was Father John during his years of ministry that Kronstadt became a pilgrimage site replete with peddlers selling souvenir photographs, postcards, and commemorative mugs. A Prodigal Saint follows Father John&’s development from activist priest to venerated spiritual leader and, after his death, to his elevation to sainthood in 1990. We see both the inner life of an aspiring saint and the symbiotic relationship between a living icon and his followers. Father John represented a fundamentally new type of religious behavior and a new standard of sanctity in Late Imperial Russia. He ministered to the poor of Kronstadt, creating shelters and employment programs and participating in the temperance movement. In the process he acquired a reputation for prayerful intercession that soon spread beyond Kronstadt. When he was asked to minister to the dying Alexander III in 1894, his fame became international as he attracted correspondents from the United States and Europe. In his later years he allied himself increasingly with the radical right, which has had momentous implications for the Russian Orthodox Church in the twentieth century. Kizenko draws upon rich and virtually unknown documents from the Russian archives, including Father John&’s diaries, thousands of letters he received from his followers, and the police reports on the sect that formed around him. John&’s diaries are a truly unique source, for they document the making of a modern saint: his struggles with doubt, his ascetic practices, and his growing realization that others saw him as a saint. Kizenko explores the extent to which Father John collaborated in the formation of his own cult and how he himself was influenced by the expectations and desires of his audience. In the final chapter she follows Father John&’s posthumous reputation (and the struggles over how to use that reputation) in Russia, the Soviet Union, and throughout the world. A Prodigal Saint is published in collaboration with the Harriman Institute at Columbia University as part of its Studies of the Harriman Institute series. It is a pioneering study that contributes to our understanding of lived religion, saints&’ cults, and modern Russian history.
Scared and pregnant, fifteen-year-old Cathy Lambert ran away from her Dublin home. Settled in New Zealand with her new son Conor, she believed the secret she carried would never be revealed... When Rebecca Lambert's parents died she took responsibility for her younger sisters. Now, she is still haunted by fears she hoped she'd conquered. And mother of three Julie Chambers is determined to recapture the dreams of her youth. Meanwhile Lauren Moran embarks on a love affair that threatens to destabilise her fragile world... Anxious to make peace with her three sisters, Cathy invites them to her wedding. And their journey together through New Zealand, towards their reunion, forces them to confront the past as the secret shared histories of the Lambert sisters are revealed.
As heir to the Crisp Copy Center fortune, Luke has it made--until he burns through his entire inheritance in just one year of partying. Ashamed to ask his famous father for help, he finds employment--and romance--as an entry-level clerk. Can his new love get him back on track?
CHOSEN BY THE ECONOMIST AS A BEST BOOK OF THE YEAR An American linguist teaching in England explores the sibling rivalry between British and American English “English accents are the sexiest.” “Americans have ruined the English language.” Such claims about the English language are often repeated but rarely examined. Professor Lynne Murphy is on the linguistic front line. In The Prodigal Tongue she explores the fiction and reality of the special relationship between British and American English. By examining the causes and symptoms of American Verbal Inferiority Complex and its flipside, British Verbal Superiority Complex, Murphy unravels the prejudices, stereotypes and insecurities that shape our attitudes to our own language. With great humo(u)r and new insights, Lynne Murphy looks at the social, political and linguistic forces that have driven American and British English in different directions: how Americans got from centre to center, why British accents are growing away from American ones, and what different things we mean when we say estate, frown, or middle class. Is anyone winning this war of the words? Will Yanks and Brits ever really understand each other?
Adrift in lives of possibility and limitation, the flawed, struggling and sympathetic characters of these desperate, eerie stories seek refuge from meaninglessness and boredom in love, art, friendship, drugs, and sex. A journalist is either the guest or captive of a reclusive former tennis star at his mansion in the French hills; a terrible storm forces a man and a woman, who may be his therapist, to flee New York together; the artistic ambitions of a banker are laid bare when he comes under the influence of two strange sisters. Unflinching, funny and profound, Prodigals maps the degradations of contemporary life - from the deification of celebrity, to the impotence of violence, to the psychological debts of privilege, to the loss of grand narratives - with unusual insight, sincerity, and passion. It is a fiercely honest and heartfelt look at what we have become, the comedy of our foibles, and our longing for home.
