The Problem of Realism
The Problem of Realism

Author: Michele Marsonet

Publisher: Routledge

Published: 2018-01-18

Total Pages: 375

ISBN-13: 135173430X

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This title was first published in 2003:This book explores the problem of realism, both metaphysical and scientific. Renowned specialists in the field - including Michael Devitt, David Papineau, Mark Sainsbury and Wesley Salmon - contribute new essays that shed new light on the main topics in the current realism/antirealism debate. Discussing a wide range of issues related to realism, both in metaphysics and in the philosophy of science, they address more specific questions including those concerning metaphysical realism, scientific realism, the relations between epistemology and ontology, causation, dispositions and personal identity, and the relations between science and common sense. Presenting a comprehensive overview of the problem of realism, as well as in-depth discussion of particular topics, this book offers valuable insights for both students and researchers in the field. It can also be used in undergraduate and graduate courses of philosophy.

The Problem of American Realism
The Problem of American Realism

Author: Michael Davitt Bell

Publisher: University of Chicago Press

Published: 1993

Total Pages: 260

ISBN-13: 9780226042022

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Ever since William Dean Howells declared his "realism war" in the 1880s, literary historians have regarded the rise of "realism" and "naturalism" as the great development in American post-Civil War fiction. Yet there are many problems with this generalization. It is virtually impossible, for example, to extract from the novels and manifestoes of American writers of this period any consistent definitions of realism or naturalism as modes of literary representation. Rather than seek common traits in widely divergent "realist" and "naturalist" literary works, Michael Davitt Bell focuses here on the role that these terms played in the social and literary discourse of the 1880s and 1890s. Bell argues that in America, "realism" and "naturalism" never achieved the sort of theoretical rigor that they did in European literary debate. Instead, the function of these ideas in America was less aesthetic than ideological, promoting as "reality" a version of social normalcy based on radically anti-"literary" and heavily gendered assumptions. What effects, Bell asks, did ideas about realism and naturalism have on writers who embraced and resisted them? To answer this question, he devotes separate chapters to the work of Howells and Frank Norris (the principal American advocates of realism and naturalism in the 1880s and 1890s), Mark Twain, Henry James, Stephen Crane, Theodore Dreiser, and Sarah Orne Jewett. Bell reveals that a chief function of claiming to be a realist or a naturalist was to provide assurance that one was a "real" man rather than an "effeminate" artist. Since the 1880s, Bell asserts, all serious American fiction writers have had to contend with this problematic conception of literary realism. The true story of the transformation of American fiction after the Civil War is the history of this contention - a history of individual accommodations, evasions, holding actions, and occasional triumphs.

Speculative Realism
Speculative Realism

Author: Peter Gratton

Publisher: A&C Black

Published: 2014-07-31

Total Pages: 273

ISBN-13: 1441163670

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Speculative realism is one of the most talked-about movements in recent Continental philosophy. It has been discussed widely amongst the younger generation of Continental philosophers seeking new philosophical approaches and promises to form the cornerstone of future debates in the field. This book introduces the contexts out of which speculative realism has emerged and provides an overview of the major contributors and latest developments. It guides the reader through the important questions asked by realism (what can I know? what is reality?), examining philosophy's perennial questions in new ways. The book begins with the speculative realist's critique of 'correlationism', the view that we can never reach what is real beneath our language systems, our means for perception, or our finite manner of being-in-the-world. It goes on to critically review the work of the movement's most important thinkers, including Quentin Meillassoux, Ray Brassier, and Graham Harman, but also other important writers such as Jane Bennett and Catherine Malabou whose writings delineate alternative approaches to the real. It interrogates the crucial questions these thinkers have raised and concludes with a look toward the future of speculative realism, especially as it relates to the reality of time.

Mart'in Rivas
Mart'in Rivas

Author: Alberto Blest Gana

Publisher: Oxford University Press, USA

Published: 2000

Total Pages: 442

ISBN-13: 0195107144

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This is the story of a youngster who is entrusted to the household of a member of the Santiago elite. While living there he falls in love with his guardian's daughter, and their love provides a commentary about the mores of Chilean society.

Realism After Modernism
Realism After Modernism

Author: Devin Fore

Publisher:

Published: 2012

Total Pages: 424

ISBN-13:

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The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.

Resisting Scientific Realism
Resisting Scientific Realism

Author: K. Brad Wray

Publisher: Cambridge University Press

Published: 2018-11

Total Pages: 237

ISBN-13: 1108415210

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Provides a spirited defence of anti-realism in philosophy of science. Shows the historical evidence and logical challenges facing scientific realism.

Truth and Realism
Truth and Realism

Author: Patrick Greenough

Publisher: Oxford University Press

Published: 2006

Total Pages: 268

ISBN-13: 9780199288885

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Is truth objective or relative? What exists independently of our minds? This book is about these two questions. The essays in its pages variously defend and critique answers to each, grapple over the proper methodology for addressing them, and wonder whether either question is worth pursuing. In so doing, they carry on a long and esteemed tradition - for our two questions are among the oldest of philosophical issues, and have vexed almost every major philosopher, from Plato, to Kant to Wittgenstein. Fifteen eminent contributors bring fresh perspectives, renewed energy and original answers to debates which have been the focus of a tremendous amount of interest in the last three decades both within philosophy and the culture at large.

How Fiction Works
How Fiction Works

Author: James Wood

Publisher: Macmillan

Published: 2008-07-22

Total Pages: 300

ISBN-13: 9780374173401

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What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.

Realism and Representation
Realism and Representation

Author: George Levine

Publisher:

Published: 1993

Total Pages: 360

ISBN-13:

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The essays gathered here-except for the Introduction-were originally written for the conference on Realism and Representation, which took place from 10 to 12 November 1989 at Rutgers University. The volume is organized to move from direct confrontation with epistemological issues (framed in the discourse of science), to (in the middle sections) a series of attempts to think about the relations of literature and science side by side, with particular reference to questions of interpretation, epistemological authority, realism, and representation.