In this shrewd and witty novel, Victorian London for the poor is brought to life with compelling authority - hard, menial work; violence; prostitution; disease. A masterly evocation of the practice of medicine in 1888 - the year of Jack the Ripper - it is also a medical mystery. Why were his victims so silent and why so little blood?
Miscast in the media for nearly 130 years, the victims of Jack the Ripper finally get their full stories told in this eye-opening and chilling reminder that life for middle-class women in Victorian London could be full of social pitfalls and peril.
After 125 years of theorizing and speculation regarding the identity of Jack the Ripper, Russell Edwards is in the unique position of owning the first physical evidence relating to the crimes to have emerged since 1888. This evidence is from one of the crime scenes, and has now been rigorously examined by some of the most highly-qualified forensic scientists in the country who have ascertained its true provenance. With the help of modern forensic techniques, Russell's ground-breaking discoveries provide conclusive answers to many of the most challenging mysterious surrounding the case.
What if you thought your husband was Jack the Ripper? London, 1888. Susannah rushes into marriage to a young and wealthy surgeon. After a passionate honeymoon, she returns home with her new husband wrapped around her little finger. But then everything changes. His behaviour becomes increasingly volatile and violent. He stays out all night, returning home bloodied and full of secrets. Lonely and frustrated, Susannah starts following the gruesome reports of a spate of murders in Whitechapel. But as the killings continue, her mind takes her down the darkest path imaginable. Every time he stays out late, another victim is found dead. Is it coincidence? Or is her husband the man the papers call Jack the Ripper? Reviews for People of Abandoned Character: 'A mistreated wife suspects her husband might be the Whitechapel killer... Compelling' Sunday Times 'An astonishing book' M.W. Craven 'A gripping and original take on the world's most notorious serial killer. A perfectly thrilling read for those long winter nights' Adam Hamdy 'This impressive debut builds up pace, pathos and intrigue superbly, with plenty of twists and turns' Woman's Weekly
An investigation into the man Scotland Yard thought (but couldn't prove) was Jack the Ripper Dozens of theories have attempted to resolve the mystery of the identity of Jack the Ripper, the world's most famous serial killer. Ripperologist Robert House contends that we may have known the answer all along. The head of Scotland Yard's Criminal Investigation Department at the time of the murders thought Aaron Kozminski was guilty, but he lacked the legal proof to convict him. By exploring Kozminski's life, House builds a strong circumstantial case against him, showing not only that he had means, motive, and opportunity, but also that he fit the general profile of a serial killer as defined by the FBI today. The first book to explore the life of Aaron Kozminski, one of Scotland Yard's top suspects in the quest to identify Jack the Ripper Combines historical research and contemporary criminal profiling techniques to solve one of the most vexing criminal mysteries of all time Draws on a decade of research by the author, including trips to Poland and England to uncover Kozminski's past and details of the case Includes a Foreword by Roy Hazelwood, a former FBI profiler and pioneer of profiling sexual predators Features dozens of photographs and illustrations Building a thorough and convincing case that completes the work begun by Scotland Yard more than a century ago, this book is essential reading for anyone who wants to know who really committed Jack the Ripper's heinous and unforgettable crimes.
Doctor Crippen's murder of his wife ranks among the most notorious crimes of the twentieth century. Richard Gordon skilfully recreates the chilling atmosphere of the murder - and how it shook respectable society to the core. Using the character as his case study, Gordon also reveals the conflicting suavity and savagery of the Edwardian age.
Algernon Brickwood has a son, Teddy, who has been sent down from Oxford and also broken off his engagement to Abigail. Algernon can live without the Oxford connection, but certainly not the family?s impending union with the lovely, and rather rich, Abigail. This is an uproarious romp through love, money and a taste for high living.
Stewart Evans is a policeman whose hobby is collecting true crime ephemera. When a second hand bookseller rang to ask him if he would be interested in a collection of letters from the Special Branch, he had no idea of the sensational revelation they would contain. One of these letters supplied an astonishing piece of infomation not contained in the decimated Scotland Yard files. The police had actually arrested and charged an American with the Ripper murders, but he escaped and disappeared in America. The Ripper murders ceased. The book reveals for the first time the identity of Jack the Ripper.
Neo-Victorian Villains is the first edited collection to examine the afterlives of such Victorian villains as Dracula, Svengali, Dorian Gray and Jekyll and Hyde, exploring their representation in neo-Victorian drama and fiction. In addition, Neo-Victorian Villains examines a number of supposedly villainous types, from the spirit medium and the femme fatale to the imperial ‘native’ and the ventriloquist, and traces their development from Victorian times today. Chapters analyse recent theatre, films and television – from Ripper Street to Marvel superhero movies – as well as classic Hollywood depictions of Victorian villains. In a wide-ranging opening chapter, Benjamin Poore assesses the legacy of nineteenth-century ideas of villains and villainy in the twentieth and twenty-first centuries. Contributors are: Sarah Artt, Guy Barefoot, Jonathan Buckmaster, David Bullen, Helen Davies, Robert Dean, Marion Gibson, Richard Hand, Emma James, Mark Jones, Emma V. Miller, Claire O’Callaghan, Christina Parker-Flynn, Frances Pheasant-Kelly, Natalie Russell, Gillian Piggott, Benjamin Poore and Rob Welch.