The Prisoner (complete collection)

The Prisoner (complete collection)

Author: Peter Milligan

Publisher: Titan Comics

Published: 2018-11-14

Total Pages: 114

ISBN-13: 1785867792

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Welcome to The Village. MI5 agent Breen has been ordered to break into the most secure and secret intelligence location in the world, codenamed The Village, and either rescue or liquidate a fellow agent – and lover – Carey, before vital information she carries can be extracted. Subsequently, he awakens to find himself renamed Number Six, and a prisoner of The Village and its mysterious controller known only as Number Two. Now Number Six is about to discover that when it comes to The Village, nothing is what it seems and that reality is fluid as he struggles to unwrap the mystery of The Village and the secrets behind its true architect. Written by Peter Milligan (‘Shade The Changing Man’, ‘Enigma’, ‘Face’, ‘Rogan Gosh’, ‘X-Statix’, ‘Dan Dare’ and ‘Hellblazer’) and drawn by Colin Lorimer (‘The X-Files’, ‘Hellraiser’, ‘Blackout’ and ‘Millennium’). This critically acclaimed, all-new story sees a return to The Village, made famous by the classic 1960s TV show ‘The Prisoner’, starring Patrick McGoohan. Collects The Prisoner #1-4. “With a well-crafted narrative and sharp network, this issue picks up the torch from the classic series… 9 out of 10.” – The GWW “You are Number Six. I am Number One. And this is 9 out of 10.” – Comicosity “Brings the mystery of The Village into the 21st Century.” – Broken Frontier


Popular television drama

Popular television drama

Author: Jonathan Bignell

Publisher: Manchester University Press

Published: 2017-06-01

Total Pages: 241

ISBN-13: 1526125390

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A collection of essays that examine landmark popular television drama from the last forty years, from 'Doctor Who' to 'The Office'. Contributors focus on programmes across the range of popular genres, from sitcoms to science fiction, gothic horror and children's drama


Reading between Designs

Reading between Designs

Author: Piers D. Britton

Publisher: University of Texas Press

Published: 2010-01-01

Total Pages: 276

ISBN-13: 0292783299

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From the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies. In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s—The Avengers, The Prisoner, and Doctor Who—and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism and virtual reality.


Strange TV

Strange TV

Author: M. Keith Booker

Publisher: Bloomsbury Publishing USA

Published: 2002-12-30

Total Pages: 198

ISBN-13: 0313013446

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In the years since World War II, commercial television has become the most powerful force in American culture. It is also the quintessential example of postmodernist culture. This book studies how The Twilight Zone, The Prisoner, Twin Peaks, and The X-Files display many of the central characteristics that critics and theorists have associated with postmodernism, including fragmentation of narratives and characters, multiplicity in style and genre, and the collapse of traditional categorical boundaries of all kinds. The author labels these series strange TV since they challenge the conventions of television programming, thus producing a form of cognitive estrangement that potentially encourages audiences to question received ideas. Despite their challenges to the conventions of commercial television, however, these series pose no real threat to the capitalist order. In fact, the very characteristics that identify these series as postmodern are also central characteristics of capitalism itself, especially in its late consumerist phase. An examination of these series within the context of postmodernism thus confirms Fredric Jameson's thesis that postmodernism is a reflection of the cultural logic of late capitalism. At the same time, these series do point toward the potential of television as a genuinely innovative medium that promises to produce genuinely new forms of cultural expression in the future.


The Prisoner: Shattered Visage

The Prisoner: Shattered Visage

Author: Dean Motter

Publisher: National Geographic Books

Published: 2019-03-12

Total Pages: 0

ISBN-13: 178586288X

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The official authorized sequel to the original TV show starring Patrick McGoohan and Leo McKern. Set 20 years after the events of the original TV show, the comic co-written with Mark Askwith follows former secret agent Alice Drake as she is dragged back into her old life following a ship wrecking that sees her washed up on the shores of The Village and discovers that old secrets and old spies never die. Set twenty years after the final episode of the television series, Shattered Visage follows former secret agent Alice Drake as she is shipwrecked on the shores of the Village and encounters an aged Number Six, who is still locked into a decades-old conflict with his old nemesis Number Two for the future of the deserted spy village. Meanwhile, back in London conflicting intelligence agencies fight to gain control of the intelligence mine that is The Village, and the deadly secret lying at its very core. The trade paperback included a two-page text piece that explained the surreal final episode, "Fall Out" as drug-induced hallucination.


Spy Television

Spy Television

Author: Wesley Britton

Publisher: Bloomsbury Publishing USA

Published: 2004-01-30

Total Pages: 310

ISBN-13: 0313052123

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For half a century, television spies have been trained professionals, reluctant heroes, housewives, businessmen, criminals, and comedians. They have by turns been glamorous, campy, reflective, sexy, and aloof. This is the first book-length treatment of one of TV's oldest and most fascinating genres. Britton's comprehensive guide provides readers, from casual viewers to die-hard fans, with behind-the-scenes stories to this notable segment of television entertainment. From the early 1960s, in which television spies were used essentially as anti-Communist propaganda, through the subsequent years that both built upon and parodied this model, and finally to today's gadget-laden world of murky motives and complex global politics, spy television has served as much more than mere escapism. From the beginning, television spies opened doors for new kinds of heroes. Women quickly took center stage alongside men, and minority leads in spy programs paved the way for other kinds of roles on the small screen. For half a century, television spies have been trained professionals, reluctant heroes, housewives, businessmen, criminals, and comedians. They have by turns been glamorous, campy, reflective, sexy, and aloof. This is the first book-length treatment of one of TV's oldest and most fascinating genres.


The Platinum Age of Television

The Platinum Age of Television

Author: David Bianculli

Publisher: Anchor

Published: 2017-09-05

Total Pages: 594

ISBN-13: 1101911328

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Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art. Includes interviews with: MEL BROOKS, MATT GROENING, DAVID CHASE, KEVIN SPACEY, AMY SCHUMER, VINCE GILLIGAN, AARON SORKIN, MATTHEW WEINER, JUDD APATOW, LOUIS C.K., DAVID MILCH, DAVID E. KELLEY, JAMES L. BROOKS, LARRY DAVID, KEN BURNS, LARRY WILMORE, AND MANY, MANY MORE


ITV Cultures

ITV Cultures

Author: Catherine Johnson

Publisher: McGraw-Hill Education (UK)

Published: 2005-09-16

Total Pages: 232

ISBN-13: 0335225942

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“This exciting book goes to the heart of a creative commercialand public service culture - it shows why ITV matters and howit was made to work so well. A tremendous contribution.” Professor Jean Seaton, University of Westminster “This is a valuable addition to studies of ITV's history andprogramming...” Tom O'Malley, Professor of Media Studies, University of Wales, Aberyswyth, and Co-Editor of Media History. Since breaking the BBC’s monopoly in 1955, ITV has been at thecentre of the British television landscape. To coincide with thefiftieth anniversary of the first ITV broadcast, this accessible bookoffers a range of perspectives on the complex and multifaceted history ofBritain’s first commercial broadcaster. The book explores key tensions and conflicts which have influenced theITV service. Chapters focus on particular institutions, includingLondon Weekend Television and ITN, and programme forms, includingWho Wants to be a Millionaire?, Upstairs Downstairs and Trisha.The contributors show that ITV has had to tread an uneasy line betweenpublic service and commercial imperatives, between a pluralistic regionalstructure and a national network, and between popular appeal andquality programming. A timeline of key events in the history of ITV is alsoincluded. ITV Cultures provides a timely intervention in debates on broadcastingand cultural history for academics and researchers, and a livelyintroduction to the history of ITV for students and general readers. Contributors: Rod Allen, City University; Jonathan Bignell, University of Reading; John Ellis, Royal Holloway, University of London; Jackie Harrison, University of Sheffield; Jamie Medhurst, University of Wales, Aberystwyth; Matt Hills, Cardiff University; Steve Neale, University of Exeter; Helen Wheatley, University of Reading; Sherryl Wilson, Bournemouth University.


Action TV: Tough-Guys, Smooth Operators and Foxy Chicks

Action TV: Tough-Guys, Smooth Operators and Foxy Chicks

Author: Anna Gough-Yates

Publisher: Routledge

Published: 2013-10-18

Total Pages: 280

ISBN-13: 1136358722

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From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present. Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action series, and relate shifts in the genre to other forms of popular culture including film, pop music, fashion and popular literature. Chapters include: * Of leather suits and kinky boots: The Avengers, style and popular culture * 'Who loves ya, baby?': Kojak, action and the great society *'A lone crusader in a dangerous world': heroics of science and technology in Knight Rider * Angels in chains? feminism, femininity and consumer culture in Charlie's Angels * 'Who's the cat that won't cop out?' Black masculinity in American action shows of the sixties and seventies