The Principles and Practice of Tonal Counterpoint
The Principles and Practice of Tonal Counterpoint

Author: Evan Jones

Publisher: Routledge

Published: 2015-08-27

Total Pages: 371

ISBN-13: 1317518764

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The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.

The Principles and Practice of Tonal Counterpoint
The Principles and Practice of Tonal Counterpoint

Author: Evan Jones

Publisher: Routledge

Published: 2015-08-27

Total Pages: 283

ISBN-13: 1317518772

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The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.

The Principles and Practice of Modal Counterpoint
The Principles and Practice of Modal Counterpoint

Author: Douglass Green

Publisher: Routledge

Published: 2010-11-01

Total Pages: 452

ISBN-13: 1136935096

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Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.

The Principles and Practice of Tonal Counterpoint
The Principles and Practice of Tonal Counterpoint

Author: Douglass Marshall Green

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780415988667

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Unlike the first volume, Modal Counterpoint. which deals with music of the pretonal era, The Principles and Practice of Tonal Counterpointdevotes itself to music during the eighteenth- and early nineteenth centuries (Bach through Beethoven) and touches on Romantic and Twentieth-Century music. It follows the species approach to tonal counterpoint. It studies the basic principles of contrapuntal music throughout the history of western music and how they are put into practice in various styles.

A Geometry of Music
A Geometry of Music

Author: Dmitri Tymoczko

Publisher: OUP USA

Published: 2011-03-21

Total Pages: 469

ISBN-13: 0195336674

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In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.

Tonal Counterpoint for the 21st-Century Musician
Tonal Counterpoint for the 21st-Century Musician

Author: Teresa Davidian

Publisher: Rowman & Littlefield

Published: 2015-02-10

Total Pages: 260

ISBN-13: 1442234601

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Students today have grown up in the age of digital technology. As a result, they process information in radically different ways than preceding generations. They like their information fast and consider visual images as important as textual content. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition. Designed as a single-semester introduction, Tonal Counterpoint brings the study of counterpoint into the present by: Making ample use of diagrams and flow charts Including helpful step-by-step prompt sheets for analyzing inventions and fugues Placing just as much emphasis on the composition as on the analysis of counterpoint Offering a broad array of musical examples, including the work of women composers, American songwriters, current students, and pop music composers Throughout, Davidian explains how the techniques of 18th-century contrapoint still readily apply to how music is composed today. Tonal Counterpoint for the 21st-Century Musician is ideal for students in the fields of music theory, composition, music history, and performance.

Modal Counterpoint, Renaissance Style
Modal Counterpoint, Renaissance Style

Author: Peter Schubert

Publisher:

Published: 2008

Total Pages: 372

ISBN-13:

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The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.

Graduate Review of Tonal Theory
Graduate Review of Tonal Theory

Author: Steven Geoffrey Laitz

Publisher: Oxford University Press, USA

Published: 2010

Total Pages: 270

ISBN-13: 9780195376999

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This student workbook accompanies Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint. The exercises are organized by chapter into 61 discrete assignments, each progressing from short, introductory analytical and writing exercises to more-involved tasks. This volume also features additional keyboard exercises for 12 chapters. The student workbook is enhanced by a DVD of recordings by the Eastman students and faculty of musical examples from the text and analytical exercises within.

Study of Counterpoint
Study of Counterpoint

Author: Johann Fux

Publisher: W. W. Norton & Company

Published: 1965

Total Pages: 164

ISBN-13: 9780393002775

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The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.